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True story by world-renowned writer Joy Cowley about the beautiful rare white kiwi Manukura in picture book format for young children. When a rare white kiwi was born in captivity at Pukaha Mount Bruce, Maori recognised this as something very special - a treasure and a sign of new beginnings. In this beautiful picture book Joy Cowley tells the story of Manukura the little white kiwi and offers an uplifting message to all young New Zealanders. With strikingly naturalistic illustrations by Bruce Potter, this is a treasure of a book that will be loved by generations to come.
An accessible, concise reference source on Polynesia's complex mythology, product of a culture little known outside its home. Encounters with the West introduced Polynesian mythology to the world—and sealed its fate as a casualty of colonialism. But for centuries before the Europeans came, that mythology was as vast as the triangle of ocean in which it flourished, as diverse as the people it served, and as complex as the mythologies of Greece and Rome. Students, researchers, and enthusiasts can follow vivid retellings of stories of creation, death, and great voyages, tracking variations from island to island. They can use the book's reference section for information on major deities, heroes, elves, fairies, and recurring themes, as well as the mythic implications of everything from dogs and volcanoes to the hula, Easter Island, and tattooing (invented in the South Pacific and popularized by returning sailors).
"The Hurricane" is the story of colonists and natives on a tiny atoll in the South Pacific, set in the late 1800s. Due to a powerful hurricane, nearly everyone and everything on the island gets destroyed. The story is beautifully written, with a detail and richness that strikinlgy paints each scene for the reader's imagination.
Oxford Textual Perspectives is a series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures, and communities that produce, inform, and receive them. It provides fresh interpretations of fundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, and frequently testing and exploring the boundaries of the notion of text itself, the volumes in the series question familiar frameworks and provide innovative interpretations of both canonical and less well-known works. The Aesthetics of Island Space discusses islands as central figures in the modern experience of space. It examines the spatial poetics of islands in literary texts, from Shakespeare's The Tempest to Ghosh's The Hungry Tide, in the journals of explorers and scientists such as James Cook and Charles Darwin, and in Hollywood cinema. It traces the ways in which literary and cinematic islands have functioned as malleable spatial figures that offer vivid perceptual experiences as well as a geopoetic oscillation between the material energies of words and images and the energies of the physical world. The chapters focus on America's island gateways (Roanoke and Ellis Island), visions of tropical islands (Tahiti and imagined South Sea islands), the islands of the US-Canadian border region in the Pacific Northwest, and the imaginative appeal of mutable islands. It argues that modern voyages of discovery posed considerable perceptual and cognitive challenges to the experience of space, and that these challenges were negotiated in complex and contradictory ways via poetic engagement with islands. Discussions of island narratives in postcolonial theory have broadened understanding of how islands have been imagined as geometrical abstractions, bounded spaces easily subjected to the colonial gaze. There is, however, a second story of islands in the Western imagination which runs parallel to this colonial story. In this alternative account, the modern experience of islands in the age of discovery went hand in hand with a disintegration of received models of understanding global space. Drawing on and rethinking (post-)phenomenological, geocritical, and geopoetic theories, The Aesthetics of Island Space argues that the modern experience of islands as mobile and shifting territories implied a dispersal, fragmentation, and diversification of spatial experience, and it explores how this disruption is registered and negotiated by both non-fictional and fictional responses.
DigiCat presents to you this unique sea adventures collection with novels about mutinies, shipwrecks, travels, and tales of the South Seas. Table of Contents: The Bounty Trilogy: Mutiny on the Bounty Men Against the Sea Pitcairn's Island Other Sea Adventures: The Hurricane The Dark River Botany Bay Lost Island The High Barbaree The Far Lands Faery Lands of the South Seas The Forgotten One and Other True Tales of the South Seas: The Forgotten One Captain Handy's Memoirs Sing: A Song of Sixpence A Happy Hedonist Rivnac Frisbie of Danger Island James Norman Hall (1887-1951) was an American writer best known for The Bounty Trilogy, three historical novels he wrote with Charles Nordhoff. During World War I, Hall had the distinction of serving in the militaries of three Western allies: Great Britain as an infantryman, and then France and the United States as an aviator. After the war, Hall spent much of his life on the island of Tahiti, where he and Nordhoff wrote a number of successful adventure books, many adapted for film.
DigiCat presents to you the greatest historical novels, sea stories and war tales of James Norman Hall: Table of Contents: The Bounty Trilogy: Mutiny on the Bounty Men Against the Sea Pitcairn's Island Other Novels: High Adventure: A Narrative of Air Fighting in France The Hurricane The Dark River Botany Bay Men Without a Country Lost Island The High Barbaree The Far Lands Other Writings: Kitchener's Mob: The Adventures of an American in the British Army (1l) Faery Lands of the South Seas (1m) The Forgotten One and Other True Tales of the South Seas (1n) The Forgotten One Captain Handy's Memoirs Sing: A Song of Sixpence A Happy Hedonist Rivnac Frisbie of Danger Island Mid-Pacific James Norman Hall (1887-1951) was an American writer best known for The Bounty Trilogy, three historical novels he wrote with Charles Nordhoff. During World War I, Hall had the distinction of serving in the militaries of three Western allies: Great Britain as an infantryman, and then France and the United States as an aviator. After the war, Hall spent much of his life on the island of Tahiti, where he and Nordhoff wrote a number of successful adventure books, many adapted for film.