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'Manuel Pereira; Or, The Sovereign Rule of South Carolina' by F. Colburn Adams is a thrilling novel that begins with a Scottish captain named Thompson embarking on a dangerous journey to deliver his cargo from Jamaica to Glasgow. Along the way, Thompson's superstitious first mate and the ship's old and unlucky reputation plague his voyage. A sudden storm strikes the ship, and in the chaos, the crew is forced to fight for their survival.
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Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion'.
'An Outcast' is an adventure novel written by Francis Colburn Adams. This simple story commences on a November evening, in an autumn day during the mid 19th century. Our quaint old city has been in a disquiet mood for several weeks. Yellow fever has scourged us through the autumn, and we have again taken to scourging ourselves with secession fancies. The city has not looked up for a month. Fear had driven our best society into the North, into the mountains, into all the high places. Business men had nothing to do; stately old mansions were in the care of faithful slaves, and there was high carnival in the kitchen. Fear had shut up the churches, shut up the law-courts, shut up society generally. There was nothing for lawyers to do, and the buzzards found it lonely enough in the market-place. The clergy were to be found at fashionable watering-places, and politicians found comfort in cards and the country. Timid doctors had taken to their heels, and were not to be found. Book-keepers and bank-clerks were on Sullivan's Island. The poor suffered in the city, and the rich had not a thought to give them. Grave-looking men gathered into little knots, at street corners, and talked seriously of Death's banquet. Old negroes gathered about the kitchen-table, and terrified themselves with tales of death: timid ones could not be got to pass through streets where the scourge raged fiercest. Mounted guardsmen patrolled the lonely streets at night, their horses' hoofs sounding on the still air, like a solemn warning through a deserted city.
Studies lawsuits to gain freedom for slaves on the grounds of their having traveled to free territory, starting with Somerset v. Stewart (England, 1772), Commonwealth v. Aves (Massachusetts, 1836), Dred Scott v. Sanford, and cases brought questioning the legitimacy of Negro Seamen Acts in the antebellum coastal South. These lawsuits and accounts of them are compared to fugitive slave narratives to shed light on both. The differing impact of freedom obtained from such suits for men and women (women could claim that their children were free, once they were judged free) is examined.
Although millions of African American women were held in bondage over the 250 years that slavery was legal in the United States, Harriet Jacobs (1813-97) is the only one known to have left papers testifying to her life. Her autobiography, Incidents in the Life of a Slave Girl, holds a central place in the canon of American literature as the most important slave narrative by an African American woman. Born in Edenton, North Carolina, Jacobs escaped from her owner in her mid-twenties and hid in the cramped attic crawlspace of her grandmother's house for seven years before making her way north as a fugitive slave. In Rochester, New York, she became an active abolitionist, working with all of the major abolitionists, feminists, and literary figures of her day, including Frederick Douglass, Lydia Maria Child, Amy Post, William Lloyd Garrison, Susan B. Anthony, Harriet Beecher Stowe, Fanny Fern, William C. Nell, Charlotte Forten Grimke, and Nathan Parker Willis. Jean Fagan Yellin has devoted much of her professional life to illuminating the remarkable life of Harriet Jacobs. Over three decades of painstaking research, Yellin has discovered more than 900 primary source documents, approximately 300 of which are now collected in two volumes. These letters and papers written by, for, and about Jacobs and her activist brother and daughter provide for the thousands of readers of Incidents--from scholars to schoolchildren--access to the rich historical context of Jacobs's struggles against slavery, racism, and sexism beyond what she reveals in her pseudonymous narrative. Accompanied by a CD containing a searchable PDF file of the entire contents, this collection is a crucial launching point for future scholarship on Jacobs's life and times.
From Lincoln's election to secession from the Union, this compelling history explains how South Carolina was swept into a cultural crisis at the heart of the Civil War. "The tea has been thrown overboard -- the revolution of 1860 has been initiated." -- Charleston Mercury, November 8, 1860 In 1860, Charleston, South Carolina, embodied the combustible spirit of the South. No city was more fervently attached to slavery, and no city was seen by the North as a greater threat to the bonds barely holding together the Union. And so, with Abraham Lincoln's election looming, Charleston's leaders faced a climactic decision: they could submit to abolition -- or they could drive South Carolina out of the Union and hope that the rest of the South would follow. In Madness Rules the Hour, Paul Starobin tells the story of how Charleston succumbed to a fever for war and charts the contagion's relentless progress and bizarre turns. In doing so, he examines the wily propagandists, the ambitious politicians, the gentlemen merchants and their wives and daughters, the compliant pastors, and the white workingmen who waged a violent and exuberant revolution in the name of slavery and Southern independence. They devoured the Mercury, the incendiary newspaper run by a fanatical father and son; made holy the deceased John C. Calhoun; and adopted "Le Marseillaise" as a rebellious anthem. Madness Rules the Hour is a portrait of a culture in crisis and an insightful investigation into the folly that fractured the Union and started the Civil War.