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New edition of a reference for clinicians that contains the most pertinent voice information. Deem (speech communication disorders, U. of Kentucky, and speech-language pathology clinical services, U. of Kentucky Hospital) and Miller (speech-language clinician) present ten chapters that discuss introductory material, anatomy and physiology of voice production, the voice evaluation, phonotrauma and trauma-related dysphonias, voice therapy treatments for phonotrauma, disorders of vocal resonance, laryngectomee rehabilitation, and functional, psychogenic, spasmodic, congenital, and neurogenic dysphonias. Spiral binding. Annotation copyrighted by Book News, Inc., Portland, OR
New edition of a reference for clinicians that contains the most pertinent voice information. Deem (speech communication disorders, U. of Kentucky, and speech-language pathology clinical services, U. of Kentucky Hospital) and Miller (speech-language clinician) present ten chapters that discuss introductory material, anatomy and physiology of voice production, the voice evaluation, phonotrauma and trauma-related dysphonias, voice therapy treatments for phonotrauma, disorders of vocal resonance, laryngectomee rehabilitation, and functional, psychogenic, spasmodic, congenital, and neurogenic dysphonias. Spiral binding. Annotation copyrighted by Book News, Inc., Portland, OR
New edition of a reference for clinicians that contains the most pertinent voice information. Deem (speech communication disorders, U. of Kentucky, and speech-language pathology clinical services, U. of Kentucky Hospital) and Miller (speech-language clinician) present ten chapters that discuss introductory material, anatomy and physiology of voice production, the voice evaluation, phonotrauma and trauma-related dysphonias, voice therapy treatments for phonotrauma, disorders of vocal resonance, laryngectomee rehabilitation, and functional, psychogenic, spasmodic, congenital, and neurogenic dysphonias. Spiral binding. Annotation c. Book News, Inc., Portland, OR (booknews.com)
This book is a comprehensive, practical resource for providing voice therapy to clients across the life span. Descriptions of common voice disorders in both pediatric and adult populations are given, and several general approaches and specific techniques for voice therapy are covered. Specific activities are provided on worksheets which can serve as templates for therapy materials and can be edited to serve individual client needs. It differs from the competition, in that it speaks to the important psychosocial aspects of voice problems, focusing on 1) psychology and voice, 2) gender and voice, 3) child voice, and 4) serving professional voice users, in greater depth than most other major texts on voice therapy (which tend to focus heavily on the medical model and the physiological approach). With a free CD-ROM containing clinically relevant materials such as handouts and forms, as well as color photos and a list of internet resources, this is an excellent clinical and instructional tool.
Manual of Singing Voice Rehabilitation: A Practical Approach to Vocal Health and Wellness provides speech-language pathologists and singing teachers with the tools to lay the foundation for working with singers who have voice injuries. Singing voice rehabilitation is a hybrid profession that represents a very specific amalgam of voice pedagogy, voice pathology, and voice science. Becoming a singing voice rehabilitation specialist requires in-depth training and thorough preparation across these fields. This text presents a conceptual and practical basis for interacting with singers in an effective and supportive way, identifying factors to address, structuring singing voice rehabilitation sessions, and ensuring that singers are getting adequate exercise while allowing their injuries to heal, as well as resources and materials to provide to singers to optimize the outcome of their rehabilitation. Each chapter exposes readers to important concepts of singing voice rehabilitation and the elements that need to be addressed in the singing voice rehabilitation process, which include medical factors, emotional factors, vocal hygiene, vocal pacing, and vocal coordination and conditioning. This text contains information for developing exercises and interventions to target specific vocal problems and guidance in customizing vocal exercises based on injury, singing style, skill level, professional level, and the particular vocal demands of each singer. Key features include: * Rehabilitation and therapy exercises * Clinical case studies to illustrate real-life examples and practical application While the intended audience for this book is speech-language pathologists and teachers of singing who are accomplished performers, experienced pedagogues, and clinically and scientifically well-informed, there is information herein that will be of value to all singers, physicians interested in learning more about the behavioral side of singing voice rehabilitation, nonsinging speech-language pathologists, or anyone seeking knowledge about singing health, including music educators, music therapists, conductors, vocal coaches, worship leaders, or music directors. Disclaimer: Please note that ancillary content (such documents, audio, and video) may not be included as published in the original print version of this book.
Provides a general overview of Lessac-Madsen Resonant Voice Therapy and demonstration of this voice therapy with a patient.
Key Benefit: Comprehensive in its approach, the Ninth Edition covers both processes of diagnosis and therapy with an extensive pedagogy list helpful to both clinician and student, and remains the best-selling voice therapy text on the market. Key Topics: The Ninth Edition divides voice disorders into three causal areas (functional, organic, and neurogenic), with each identified issue presented with particular evaluation procedures and strategies. An overview of the chapters include: an introduction to voice disorders and their management; the anatomy and physiology of normal voice throughout the lifespan; functional voice disorders; organic voice disorders; neurogenic voice disorders; evaluating the voice; voice therapy facilitating approaches; therapy for special patient populations; management and therapy following laryngeal cancer; and resonance disorders. Market: Written for students of voice therapy, clinical speech-language pathologists, and the practicing laryngologists.
To date, there are 300 disorders associated with voice, but until now there has never been a published reference manual that classifies these disorders. Borrowing from the successful organization schema of the American Psychiatric Association’s Diagnostic Statistical Manual (DSM), the Classification Manual for Voice Disorders-I provides the framework for classifying voice disorders using the following criteria for each disorder: essential and associated features; vocal impairment; clinical history and demographic profile; course and complications; medical and voice differential diagnosis; and severity criteria. Classification Manual for Voice Disorders-I is a project of ASHA’s Special Interest Division 3, Voice and Voice Disorders (DIV 3), originally directed by contributing authors Moya Andrews, Diane Bless, Daniel Boone, Janina Casper, Leslie Glaze, Mike Karnell, Christy Ludlow, and Joe Stemple. The text was edited over a period of several years by the authoritative group of voice disorders professionals, including Katherine Verdolini, Clark Rosen, and Ryan Branski. This version represents the fields of speech-language pathology, voice science, and otolaryngology. CMVD-I lists most conditions that may negatively affect the ability to produce voice, based on the most current knowledge. These conditions comprise 30 structural pathologies, 25 neurological disorders, 20 aerodigestive conditions, 13 psychological disturbances, 15 systemic diseases, four inflammatory processes, four traumatic conditions, and five miscellaneous voice disorders. CMVD-I is a must-have resource for professionals who specialize in voice disorders, especially speech-language pathologists and otolaryngologists. The handy organization of this reference makes it a convenient and accessible resource for voice coaches and teachers of singing. It will also be invaluable as a textbook in master’s-level communication sciences programs throughout the world. Proceeds received by Division 3 will be used to support the mission of Special Interest Division 3, which provides continuing education and networking opportunities to promote leadership and advocacy for voice issues from professional, clinical, educational, and scientific perspectives.
The Owner's Manual to the Voice demystifies the voice, enabling singers and all voice professionals - whether actors, broadcasters, teachers, preachers, lawyers, public speakers- to communicate intelligently with physicians and understand dangers, treatments, vocal hygiene and medical procedures.
Based on the idea that the Voice is an internal system of hostile thoughts and attitudes antithetical to the self, the book identifies the characteristics of this phenomenon. Voice Therapy, as developed by Dr. Firestone, is designed to elicit and identify these negative thoughts.