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Excerpt from Manual of the Woodcraft Indians: The Fourteenth Birch-Bark Roll, Containing Their Constitution, Laws, and Deeds, and Much Additional Matter Head Chief and Medicine Man, Ernest Thompson Seton, Greenwich, Conn. National Council David T. Abercrombie, 311 Broadway, New York, expert on camp life and equipment. John L. Alexander, Superintendent International Sunday School Association, 1416 Maller's Building, Chicago, Ill. E. C. Bishop, State College of Agriculture, Ames, Iowa. Stephen A. Breed, Keewaydin Camp, Lake Dunmore, Green Mountains, Vt. W. H. Burger, Director of Camp Dudley, N. Y.; 215 West Twenty-third Street, Y. M. C. A., New York. John Burroughs, West Park, New York. Dr. Frank M. Chapman, Ornithologist, American Museum of Natural History, New York City. Frank N. Doubleday, Publisher, Garden City, Long Island, N. Y. A. Radclyffe Dugmore, Wild Life photographer, Country Life in America, Garden City, New York. Carl E. Ekstrand, New York City. Philip D.Fagans (of Camp Greenkill), 318 West Fifty-seventh Street, New York City; Westside Y. M. C. A. Ivan P. Flood (of Camp Kiamesha), Y. M. C. A., Swartswood, N.J. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Recreating First Contact explores themes related to the proliferation of adventure travel which emerged during the early twentieth century and that were legitimized by their associations with popular views of anthropology. During this period, new transport and recording technologies, particularly the airplane and automobile and small, portable, still and motion-picture cameras, were utilized by a variety of expeditions to document the last untouched places of the globe and bring them home to eager audiences. These expeditions were frequently presented as first contact encounters and enchanted popular imagination. The various narratives encoded in the articles, books, films, exhibitions and lecture tours that these expeditions generated fed into pre-existing stereotypes about racial and technological difference, and helped to create them anew in popular culture. Through an unpacking of expeditions and their popular wakes, the essays (12 chapters, a preface, introduction and afterward) trace the complex but obscured relationships between anthropology, adventure travel and the cinematic imagination that the 1920s and 1930s engendered and how their myths have endured. The book further explores the effects - both positive and negative - of such expeditions on the discipline of anthropology itself. However, in doing so, this volume examines these impacts from a variety of national perspectives and thus through these different vantage points creates a more nuanced perspective on how expeditions were at once a global phenomenon but also culturally ordered.