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Unforgettable reminiscences about the eccentric, glamorous, yet angst-ridden Hindi film world of the 1940s. Saadat Hasan Manto, one of the greatest short story writers of the Urdu language, was also a film journalist and story-writer for the Hindi film industry in Bombay. As an insider he was privy to the most private moments of the men and women who have dazzled generations of audiences. In this series of sketches, Ashok Kumar, the screen idol of yore, emerges as a shy, yet brilliant actor, forever looking to flee the eager advances of his female fans; Nargis comes across as just another young girl looking for companionship among her peers before she steps on the ladder that will forever take her away from the comforts of an ordinary middle-class life; and Shyam-the dashing, handsome hero-is portrayed as a straightforward, flirtatious young man pining for the woman he loves. Manto also describes in detail the obsessions of Sitara Devi; the unfulfilled desires of Paro Devi; and the intriguing twists and turns which transform Neena Devi from an ordinary housewife into a pawn in the hands of film companies. He writes with relish about the bunglings of the comedian V.H. Desai and the incredible dedication of Nawab Kaashmiri to the art of acting. There are also stories about the rise of Nur Jehan as the greatest singer of her times; and the various peccadilloes of the musician, Rafiq Ghaznavi. With subjects ranging from film journalism to the sexual eccentricities of these stars, Manto brings to life a generation with his characteristic verve and honesty.
The fifteen hanpicked stories in this collection meld memory with experience, craft with subtle art.restive , moving memorable.
This autobiographical travelogue, written from time to time over the last fifty years, describes the continuous and ever changing journey of life. The different installments of this travelogue, directly or indirectly, reflect the evolutionary development of the authors state of mind at the time of their writing.
Translated into English for the first time, the book is the only extant biography of Saadat Hasan Manto.
Naked Voices, Stories & Sketches is one of the most authentic collection showcasing the best of Saadat Hasan Manto as a great storyteller and an honest commentator of all times. In this collection of sixteen stories and three sketches, Manto brazenly celebrates the warts of a seemingly decent society, as well as its dark underbelly - tired and overworked prostitutes in The Candle's Tears or Loser All the Way; ruthless as also humane pimps in The Hundred Candle Watt Bulb and Sahay; the utter helplessness of men in the face of a sexual encounter in Naked Voices and Coward; and the madness perpetrated by the Partition as witnessed in By God! and Yazid. In one of the three sketches, which form part of this collection, the author brilliantly reveals himself to the world in a schizophrenic piece titled Saadat Hasan, calling Manto the Writer a liar, a thief and a failure! And in another titled In a Letter to Uncle Sam, Manto superbly couches his anti-imperialistic views in an innocent letter from a poor nephew to a capitalist and prosperous uncle in America.
One of the greatest raconteurs of 20th century, Saadat Hasan Manto declared that he was forced to write when his wife routinely demanded that he put bread on the table for the family. He didn't attribute any genius to his skills as a writer and convinced his readers that the stories flowed even as he minded his daughters or tossed a salad. Equally, Manto treated his tryst with Bollywood with disdain and unmasked the cardboard lives of tinsel town when a horse was painted to double up for a zebra or multiple fans rotate to create a deluge. In these essays, two of Manto's favourite and recurring themes-women and Partition-find special mention as he brings to focus the bizarre morality in the context of feminine beauty and the futile presence of religiosity in the creation of a nation he was to adopt later in life. For the first time ever, this unique collection of nonfiction writing from the subcontinent's greatest writer, translated by well known author and journalist, Aakar Patel, showcases Saadat Hasan Manto's brilliance while dealing with life's most mundane things-graveyards, bumming cigarettes, a film crew with motley characters from mythology and a sharp dissection of what ails the subcontinent even after six decades, Hindi or Urdu, vile politicians and the hopelessness of living under the shadow of fear.
The most widely read and the most translated writer in Urdu, Saadat Hasan Manto constantly challenged the hypocrisy and sham morality of civilized society.
Café Alibaba:The play explores the friendship, rivalry and angst of four young professionals brought together by the chance of everyday life and the convenient meeting place of a cafe near their bus stop. However, the gentle turbulence in their interaction spirals out of control with unexpected developments – a deep-seated resentment, a knife rashly wielded…Manto and the Dhoban:We are transported to the Partition era: An unsophisticated village girl surprises Manto (the legendary Urdu writer) with her cool strength, spirit and derring-do.Raghu Raghunath:Friendship comes in many hues, with different expectations and varying shelf lives. For Raghu, his partner is “his north, his south, his east and west”.Timshel (Thou Mayest!): Life is a drama of complex relationships. But when the dreaded C word intrudes, and death is imminent, it can either get hopelessly even more complicated… or else, is suddenly simplified.Life in the Time of Corona: A trilogy of plays depicting life in these unprecedented, restricted times of the Covid-19 pandemic. Restless and despondent, three couples from different walks of life – a middle-class aging couple, young professionals and spunky millennials – find ways to navigate the obstacle course.Waiting…The play exposes the near-tragic situation of a middle-aged couple who have nothing to live for. They get on each other’s nerves in a way that smacks of the acerbic but is also comic. They plan to leave this world with a bang, not a whimper. But whoever said that life is so simple as to go according to plan?
‘A compelling invitation to imagine the future we want’ —BRIAN CHRISTIAN, author of The Most Human Human By 2062 we will have built machines as intelligent as us – so the leading artificial intelligence and robotics experts predict. But what will this future look like? In 2062, world-leading researcher Toby Walsh considers the impact AI will have on work, war, economics, politics, everyday life and even death. Will automation take away most jobs? Will robots become conscious and take over? Will we become immortal machines ourselves, uploading our brains to the cloud? How will politics adjust to the post-truth, post-privacy digitised world? When we have succeeded in building intelligent machines, how will life on this planet unfold? Based on a deep understanding of technology, 2062 describes the choices we need to make today to ensure that the future remains bright. ‘Clarity and sanity in a world full of fog and uncertainty – a timely book about the race to remain human.’ —RICHARD WATSON, author of Digital Vs. Human and futurist-in-residence at Imperial College, London ‘One of the deepest questions facing humanity, pondered by a mind well and truly up to the task.’ —ADAM SPENCER, broadcaster
An esteemed scholar of Hinduism presents a groundbreaking interpretation of ancient Indian texts and their historic influence on subversive resistance Ancient Hindu texts speak of the three aims of human life: dharma,artha, and kama. Translated, these might be called religion, politics, and pleasure, and each is held to be an essential requirement of a full life. Balance among the three is a goal not always met, however, and dharma has historically taken precedence over the other two qualities in Hindu life. Here, historian of religions Wendy Doniger offers a spirited and close reading of ancient Indian writings, unpacking a long but unrecognized history of opposition against dharma. Doniger argues that scientific disciplines (shastras) have offered lively and continuous criticism of dharma, or religion, over many centuries. She chronicles the tradition of veiled subversion, uncovers connections to key moments of resistance and voices of dissent throughout Indian history, and offers insights into the Indian theocracy’s subversion of science by religion today.