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DigiCat presents to you this unique and meticulously edited Spooner collection: Political Works No Treason, No. I No Treason. No II - The Constitution No Treason. No VI - The Constitution of No Authority Vices are Not Crimes: A Vindication of Moral Liberty No. 1. Revolution Natural Law; or the Science of Justice A Letter to Thomas F. Bayard A Letter to Grover Cleveland Writings on Economics: Poverty: Its Illegal Causes and Legal Cure A New System of Paper Currency Our Mechanical Industry as Affected by our Present Currency System Considerations for Bankers, and Holders of United States Bonds A New Banking System: The Needful Capital for Rebuilding the Burnt District Our Financiers: Their Ignorance, Usurpations, and Frauds The Law of Prices Gold and Silver as Standards of Value: The Flagrant Cheat in Regard to Them Universal Wealth Shown to be Easily Attainable Law & Constitution : "To the Members of the Legislature of Massachusetts." Worcester Republican Supreme Court of United States, January Term, 1839. Spooner vs. M'Connell, et al. Constitutional Law Relative to Credit, Currency, and Banking The Unconstitutionality of the Laws of Congress, Prohibiting Private Mails Illegality of the Trial of John W. Webster An Essay on the Trial by Jury The Law of Intellectual Property Articles of Association of the Spooner Copyright Company for Massachusetts A Letter to Scientist and Inventors, on the Science of Justice, and their Right of Perpetual Property in their Discoveries and Inventions Works on Religion: The Deist's Immortality, and an Essay on Man's Accountability for his Belief The Deist's Reply to the Alleged Supernatural Evidences of Christianity Works on Slavery and Abolition: A Defence for Fugitive Slaves A Plan for the Abolition of Slavery Address of the Free Constitutionalists to the People of the United States The Unconstitutionality of Slavery
Spanish Golden Age drama as an expression of morality falls between the extremes of art-for-art's-sake and utilitarianism. According to Spanish literary critics of the 16th and 17th centuries, drama imitated reality, the subject and domain of philosophy. The integration of drama and scholastic moral philosophy was an important aspect of the critical theory of this era, which held that art should both teach and delight. Through close textual analysis of representative plays, this book examines the artistic fusion of natural-law philosophy and drama. It demonstrates the relationship between ethics and the central ideological themes of these works, illustrating that an awareness of the doctrines of natural law ethics is crucial to an enriched comprehension of the drama of Golden Age Spain.