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Coroner Sir John is caught up in a seafaring conspiracy in this entertaining instalment in the Crowner John medieval mystery series, set in twelfth-century England. 1196. When an unidentified body is discovered in the harbour town of Axmouth, twenty miles from Exeter, Sir John de Wolfe, the county coroner, is summoned to investigate. The manner of the young man's death is a matter of some dispute – but, as Sir John soon discovers, it was no accident. The victim did not drown, as the manor reeve alleges, but was strangled to death. In the ensuing murder investigation, Sir John is frustrated by what appears to be a conspiracy of silence among the seamen and townsfolk. Just what is the local population trying to hide? It soon becomes clear that some of Axmouth’s inhabitants will go to any lengths to ensure the shocking truth behind the death remains hidden. Sir John will need to muster all his courage, cunning and determination if he is to escape from the town alive . . .
A classic text that documents the "work" of everyday life in a nursing home. In 1973 sociologist Jaber F. Gubrium spent several months at a nursing home as a participant-observer. Through his observations, interviews, and transcriptions, Gubrium recounts case studies of clients, doctors, the dynamics between them, patient socialization, and the intimacies of daily hygiene.
Lord of the Flies meets Never Let Me Go in this “moving and totally involving” (Stephen King) dystopian thriller from the internationally best-selling author of Behind Her Eyes Toby’s life was perfectly normal . . . until it was unraveled by something as simple as a blood test. Taken from his family, Toby now lives in the Death House; an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They’re looking for any sign of sickness. Any sign of their wards changing. Any sign that it’s time to take them to the sanatorium. No one returns from the sanatorium. Living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes. Because everybody dies. It’s how you choose to live that counts.
'The series gets better and better . . . a very credible medieval world . . . Oswald is such an appealing character, growing richer and deeper with every book' - Andrew Taylor, author of Ashes of London 1370. Oswald de Lacy was not always Lord of the Manor, or even meant to be. The third son, he was sent off to become a novice monk. Now, with winter closing in on Somershill, his wife flirting with their houseguest, his sister sniping from the sidelines and his mother still ruling his life even from her deathbed, Oswald is forced to confront the secret that has haunted him ever since those days in the monastery. 1349. Sent to gather herbs in the forest by his tutor, Brother Peter, 18-year-old Oswald encounters a terrified girl, who runs into the swollen river and drowns. In her village, he discovers that she is only one of many poor young women who have disappeared, with no-one in authority caring enough to investigate. Convinced the girls are dead, Oswald turns to the village women for help in finding the murderer - in particular to the beautiful Maud Woodstock, who provokes feelings in Oswald that no monk should entertain. Soon, however, another killer stalks the land. Plague has come and the monastery is locked against it. Brother Peter insists that Oswald should forget his quest. But Oswald will not stop until he has discovered the shocking truth, which will echo down the years to a letter, clutched in his dying mother's hand.
"Pop your favorite Agatha Christie whodunnit into a blender with a scoop of Downton Abbey, a dash of Quantum Leap, and a liberal sprinkling of Groundhog Day and you'll get this unique murder mystery." —Harper's Bazaar THE NATIONAL BESTSELLER! The 71⁄2 Deaths of Evelyn Hardcastle is a breathlessly addictive mystery that follows one man's race to find a killer, with an astonishing time-turning twist that means nothing and no one are quite what they seem. Aiden Bishop knows the rules. Evelyn Hardcastle will die every day until he can identify her killer and break the cycle. But every time the day begins again, Aiden wakes up in the body of a different guest at Blackheath Manor. And some of his hosts are more helpful than others. With a locked-room mystery that Agatha Christie would envy, Stuart Turton unfurls a breakneck novel of intrigue and suspense. International bestselling author Stuart Turton delivers inventive twists in a thriller of such unexpected creativity it will leave readers guessing until the very last page. ALSO BY STUART TURTON: The Devil and the Dark Water The Last Murder at the End of the World
Coroner Sir John gets mixed up in alchemy in this twisty instalment in the Crowner John medieval mystery series, set in twelfth-century England. 1195. Prince John plots to seize the throne from his brother, Richard the Lionheart – and he is supported in his wicked schemes by King Philip of France, who offers to help John financially by sending him a mysterious alchemist, a Mohammedan named Nizam, who claims to be able to transmute base metals into gold. But Nizam never makes it England alive. The ship transporting him and his retainers to the Devon tin mines is found wrecked off the south Devon coast, its crew savagely slaughtered. And shortly afterwards, Sir Peter le Calve, a Norman knight living near Exeter, is also found foully murdered, his head stuck on the rood screen of the cathedral. It's up to Sir John de Wolfe, the county coroner, to find a motive and connection between the killings – and it’s clear that his unscrupulous brother-in-law, the disgraced ex-sheriff and known Prince John-sympathiser, Richard de Revelle, has something to hide . . .
Madrid. Unfinished. Man dying. A great painter lies on his deathbed, synapses firing, writhing and reveling in pleasure and pain as a lifetime of chaotic and grotesque sense memories wash over and envelop him. In this bold and brilliant short work of experimental fiction by the author of Grief Is the Thing with Feathers and Lanny, Max Porter inhabits Francis Bacon in his final moments, translating into seven extraordinary written pictures the explosive final workings of the artist's mind. Writing as painting rather than about painting, Porter lets the images he conjures speak for themselves as they take their revenge on the subject who wielded them in life. The result is more than a biography: The Death of Francis Bacon is a physical, emotional, historical, sexual, and political bombardment--the measure of a man creative and compromised, erotic and masochistic, inexplicable and inspired.
This book investigates death as part of contemporary everyday experience and practices. Through a cultural sociological lens, it studies death as it remains constantly at the edge of our consciousness, shaping the ways in which we move through social reality. As such, Death Matters is a significant contribution to death studies, going beyond traditional parameters of the field by addressing the cultural omnipresence of death. The contributions analyse several death-related meaning-making processes, arguing that meanings emerging from culturally shared narratives, social institutions, and material conditions, are just as important as ’death practices’ in understanding the role of death in society. Drawing on the related themes of places of absence and presence, disease and bodies, and persons and non-persons, the authors explore a variety of areas of social life, from haunting to celebrity deaths, to move the notion of death from the margins of social reality to ongoing everyday life. This far-reaching collection will be of use to scholars and students across death studies, sociology, anthropology, philosophy, culture, media and communication studies.
An Instant USA Today & Indie Bestseller A Barnes & Noble Book of the Year Finalist A Goodreads Best Horror Choice Award Nominee A gripping and atmospheric reimagining of Edgar Allan Poe’s “The Fall of the House of Usher” from Hugo, Locus, & Nebula award-winning author T. Kingfisher *A very special hardcover edition, featuring foil stamp on the casing and custom endpapers illustrated by the author.* When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all. Also by T. Kingfisher What Feasts at Night A House with Good Bones Nettle & Bone Thornhedge A Sorceress Comes to Call At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Praise for Peter Dickinson's mysteries: "A literary magician controlling an appar-ently inexhaustible supply of effects."—Penelope Lively For best-selling author Lady Margaret, the past is no longer a pleasant memory. Her first lover's mysterious death and the seeming inevitability of her inheriting the family's stately home are cast in new light by secrets unwillingly revisited. The first in a series of reprints of Peter Dickinson's mysteries, this classic British mystery will win fans currently engrossed in Downton Ab-bey. Peter Dickinson has twice received the Crime Writers' As-sociation's Gold Dagger. He lives in England and is married to the novelist Robin McKinley.