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Mac Griswold's The Manor is the biography of a uniquely American place that has endured through wars great and small, through fortunes won and lost, through histories bright and sinister—and of the family that has lived there since its founding as a Colonial New England slave plantation three and a half centuries ago. In 1984, the landscape historian Mac Griswold was rowing along a Long Island creek when she came upon a stately yellow house and a garden guarded by looming boxwoods. She instantly knew that boxwoods that large—twelve feet tall, fifteen feet wide—had to be hundreds of years old. So, as it happened, was the house: Sylvester Manor had been held in the same family for eleven generations. Formerly encompassing all of Shelter Island, New York, a pearl of 8,000 acres caught between the North and South Forks of Long Island, the manor had dwindled to 243 acres. Still, its hidden vault proved to be full of revelations and treasures, including the 1666 charter for the land, and correspondence from Thomas Jefferson. Most notable was the short and steep flight of steps the family had called the "slave staircase," which would provide clues to the extensive but little-known story of Northern slavery. Alongside a team of archaeologists, Griswold began a dig that would uncover a landscape bursting with stories. Based on years of archival and field research, as well as voyages to Africa, the West Indies, and Europe, The Manor is at once an investigation into forgotten lives and a sweeping drama that captures our history in all its richness and suffering. It is a monumental achievement.
No one asks for the childhood they get, and no child ever deserved to go to Chartwell Manor. For Glenn Head, his two years spent at the now-defunct Mendham, NJ, boarding school ― run by a serial sexual and emotional abuser of young boys in the early 1970s ― left emotional scars in ways that he continues to process. This graphic memoir ― a book almost 50 years in the making ― tells the story of that experience, and then delves with even greater detail into the reverberations of that experience in adulthood, including addiction and other self-destructive behavior. Head tells his story with unsparing honesty, depicting himself as a deeply flawed human struggling to make sense of the childhood he was given.
". . .a setting and plot that would make Agatha Christie herself sit up and take notice."—RT Book Reviews Christy Award Winner! A mysterious invitation to spend Christmas at an English manor home may bring danger...and love? England, 1851: When Clara Chapman receives an intriguing invitation to spend Christmas at an English manor home, she is hesitant yet feels compelled to attend—for if she remains the duration of the twelve-day celebration, she is promised a sum of five hundred pounds. But is she walking into danger? It appears so, especially when she comes face to face with one of the other guests—her former fiancé, Benjamin Lane. Imprisoned unjustly, Ben wants revenge on whoever stole his honor. When he’s given the chance to gain his freedom, he jumps at it—and is faced with the anger of the woman he stood up at the altar. Brought together under mysterious circumstances, Clara and Ben discover that what they’ve been striving for isn’t what ultimately matters. What matters most is what Christmas is all about . . . love. Pour a cup of tea and settle in for Book 1 of the Once Upon a Dickens Christmas series--a page-turning Victorian-era holiday tale--by Michelle Griep, a reader and critic favorite.
This is the first study to offer a detailed explanation of the form, structure, and evolution of the manorial records upon which all historical studies of medieval England are based. Beginning with a discussion of the nature and variety of the manor, as well as its origins and developments, the book then proceeds to dissect each category of manorial documents—surveys, extents, rentals, inventories, accounts, and court rolls—which are considered in turn, and exemplified.
A debut novel for fans of Sarah Perry and Kate Morton: when a young woman is tasked with safeguarding a natural history collection as it is spirited out of London during World War II, she discovers her new manor home is a place of secrets and terror instead of protection. In August 1939, thirty-year-old Hetty Cartwright arrives at Lockwood Manor to oversee a natural history museum collection whose contents have been taken out of London for safekeeping. She is unprepared for the scale of protecting her charges from party guests, wild animals, the elements, the tyrannical Major Lockwood, and Luftwaffe bombs. Most of all, she is unprepared for the beautiful and haunted Lucy Lockwood. For Lucy, who has spent much of her life cloistered at Lockwood, suffering from bad nerves, the arrival of the museum brings with it new freedoms. But it also resurfaces memories of her late mother and nightmares in which Lucy roams Lockwood, hunting for something she has lost. When the animals appear to move of their own accord and exhibits go missing, Hetty and Lucy begin to wonder what exactly it is that they might need protection from. And as the disasters mount, it is not only Hetty’s future employment that is in danger but her own sanity. There’s something, or someone, in the house. Someone stalking her through its darkened corridors . . .
Nimona meets Paper Girls with a literary twist in this wickedly funny graphic novel about a teenager who is swept up in a strange new universe and must save it from an all-consuming evil in order to return home. One dark and stormy night, Haley sees a stranger drowning in the river. Since her greatest passion is Gothic romance novels, she knows her moment has come. But when Haley leaps into the water to rescue the stranger, she awakens in Willowweep. It certainly looks like the setting of one of her favorite books: A stately manor. A sinister housekeeper. Three brooding brothers. There’s even a ghost. Except Willowweep is not what it seems. Its romantic exterior hides the workings of a pocket universe—the only protection our world has against a great force of penultimate evil, and its defenses are crumbling. Could cruel fate make Haley the heroine that Willowweep needs?
This book is an example of anti-catholic and anti-immigrant rhetoric from the 1920s that includes illustration and commentary promoting the Ku Klux Klan.
In this haunting and richly imagined dual-narrative tale that echoes the eerie mystery of Rebecca and The Little Stranger, two women of very different eras are united by the secrets hidden within the walls of an English manor house. In 1933, naive twenty-two year-old Alice—pregnant and unmarried—is in disgrace. Her mother banishes her from London to secluded Fiercombe Manor in rural Gloucestershire, where she can hide under the watchful eye of her mother’s old friend, the housekeeper Mrs. Jelphs. The manor’s owners, the Stantons, live abroad, and with her cover story of a recently-deceased husband Alice can have her baby there before giving it up for adoption and returning home. But as Alice endures the long, hot summer at Fiercombe awaiting the baby’s birth, she senses that something is amiss with the house and its absentee owners. Thirty years earlier, pregnant Lady Elizabeth Stanton desperately hopes for the heir her husband desires. Tormented by the memory of what happened after the birth of her first child, a daughter, she grows increasingly terrified that history will repeat itself, with devastating consequences. After meeting Tom, the young scion of the Stanton family, Alice becomes determined to uncover the clan’s tragic past and exorcise the ghosts of this idyllic, isolated house. But nothing can prepare Alice for what she uncovers. Soon it is her turn to fear: can she escape the tragic fate of the other women who have lived in the Fiercombe valley . . .
The sound of a blood curdling scream echoed through the manor. Her pleas ignored, her screams unheard. Tomorrow would not come for Everly Zara... What does the death of a young child, and the sudden death of the girl in the manor have in common? Was it simply just a coincidence, or is there something far more disturbing than anyone could ever imagine? Everly Zara, a beautiful young woman, is found dead in the bedroom of the manor. The news is shocking and disturbing to everyone who knows her. But the heartbreaking death of a beautiful young woman may not be as straightforward as everyone thought. The further Emma dives into the case, the more she realizes, everything is not as it seems. As secrets from Everly's past rise to the surface and the shocking nature of it discovered. Emma must unravel the truth before she becomes a victim herself. In the close-knit town of Sherwood, something or someone is coming for Emma Griffin. With her past constantly haunting her, and the disturbing nature of this mystery. Nothing is what it seems, yet everything feels so familiar. Emma is left to wonder if she is really losing her mind. How deep down the rabbit hole will Emma go to find out the truth of her past? How far will she go to find out the truth behind Everly Zara's death? One thing's for certain, Emma's entire world will be forever changed once the truth is revealed. *Inspired by many true and cruel events. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental.
THE INTERNATIONAL BESTSELLER, “A captivating mystery: beautifully written, with a rich sense of place, a cast of memorable characters, and lots of deep, dark secrets.”—Kate Morton, New York Times bestselling author of The Clockmaker's Daughter “Extraordinary…Absolutely her best yet.”—Lisa Jewell, New York Times bestselling author of The Family Upstairs Three generations. Three daughters. One house of secrets. The truth can shatter everything . . . When the Harrington family discovers an abandoned baby deep in the woods, they decide to keep her a secret and raise her as their own. But within days a body is found in the grounds of their house and their perfect new family implodes. Years later, Sylvie, seeking answers to nagging questions about her life, is drawn into the wild beautiful woods where nothing is quite what it seems. Will she unearth the truth? And dare she reveal it? (Published in the UK as The Glass House) “The Daughters of Foxcote Manor is not really about a murder, or a creepy house, but about families - the ones we're born into, the ones we make and especially the ones we flee.”—The New York Times One of the New York Times "Novels of Suspense and Isolation" One of The Washington Posts' Best New Audiobooks One of Bustle's Most Anticipated Books of Summer One of PopSugar's Best Books of July One of New York Posts Best Books of the Week