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With the death of Quinton Mann’s cousin, Mann Manor becomes his, and in spite of assurances that the Manor isn’t in bad shape, Quinn and his lover, Mark Vincent, discover otherwise when they arrive to inspect it. They find the floors have been torn up, some more recently than the last time his cousin had been here. Quinn agrees that their best option at this time is to have the house wired for security, and they take off for Savannah to pursue a lead into the accident that eventually resulted in the death of Quinn’s cousin. Grey Rayne, an agent of Mark’s, is working on this until the floorboard gives way under her, and she’s injured. In extricating herself, she finds a letter and a map that might reveal the reasons behind the damage done to the Manor. Will Quinn and Mark be able to get to the bottom of this? And what will happen if it comes out at the Company that Quinn is friends with the deadliest agent the WBIS has ever produced?
Born to a Guajarati mother and an Assamese father (both AMC doctors), in Military Hospital, Agra Cantonment, Uttar Pradesh, brought up in New Delhi, and married to a Punjabi, Ranjeeta Nath Ghai has a rich cultural background. She is also an alumni of ‘The Army Public School, Dhaula Kuan.’ Mann ki आरज़ू is Ranjeeta Nath’s debut attempt at publishing a few of her poems, which she has been writing since 1985. An army BRAT (Born Raised and Transferred) and an Army Officer’s wife, she has had the golden opportunity, denied to many, to have covered the length and breadth of India, seeing it all, in its splendor. Hardly has she ever lived in any state for more than a period of two years. She gave up her promising career as a graphic designer and built a parallel career as an educationist. Ranjeeta’s life has been enriched by her seven furry buddies, who with their unconditional love have always been a de-stressing factor of her life, teaching her to value and love all of His creations. A few of Ranjeeta’s poems – A Promise, As You Walk Away From Me, तुमसे नहीं मैं खुद से खफ़ा हूँ, अश्क – have been published in the e-journal Research Inspiration. “Life has treated me good and God has been kind to me. Looking back today I feel no regret as I have lived and celebrated each moment of my life with passion, on my own terms and conditions.” – Ranjeeta
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
Plans. Everyone has them. Rush Dalton and Tad Jackson plan to live happily ever after. January Stephens plans to ease the hurt of a declined marriage proposal with alcohol. Josh Cooper's plan is to conceal his feelings for Mopp. And Mopp? He simply plans to hold tight to Josh's friendship. Meanwhile, Eric Jameson arrives from DC with plans of his own. He intends to elicit information from Jan in an effort to find Babe, the woman who’s taken refuge with her son at the big house called the ranch. Babe plans to stay away from anyone who might try to take her little boy away from her and return him to the mysterious Dr. Pandora Gautier. Deuce Pettigrew’s only plan is to keep the man he treasures safe and in one piece. But the thing about plans is -- sometimes they just don’t work out the way you expect them to
Mark Vincent and Quinton Mann have finally kind of, sort of, exchanged promises. Mark has returned from an assignment on the West Coast, and he’s looking forward to spending some quality time with his lover. After all, it’s the St. Patrick’s Day weekend. What could be better than a little beer, a little corned beef on rye, and Quinn in his bed? However, on Monday it’s back to the grind -- this time to an almost empty department. Matheson is away on assignment and Ms. Parker, Mark’s secretary, is taking sick time, something she never does. But these aren't the only signs of something unusual, well, more unusual than normal, going on. Gradually, Mark uncovers a series of events going back to the previous spring and involving not only his senior special agent but Theo Bascopolis, a former rent boy who is Mark’s friend. While Mark unravels the threads of the Gordian knot the WBIS has become, he realizes how deep his feelings for Quinn have grown. But can a spy like Mark ever hope to be “the one” for a spook like Quinn?
Quinton Mann and Mark Vincent are settling into a relationship that shouldn’t be possible. After all, Quinn is CIA, while Mark belongs to the WBIS, an agency labeled by others in the intelligence community as being staffed by sociopaths. Somehow, in spite of that, they seem to be making it work. Surprisingly, it isn’t work that separates them but family matters and a friend’s plea for help when his partner is kidnapped. Quinn is off to London, while Mark heads for Los Angeles to solve the kidnapping. Then Mark gets called to Paris by Femme of the Division, where things are not as they seem. Quinn, thinking to meet Mark in Paris, ends up coming to Mark's rescue. Back in the States, Mark fights taking time to recover from being shot while events are happening at the CIA that could endanger both Quinn and his best friend, DB. Between family, friends, and Mark, how will Quinn make the opportunity to talk to Mark about moving in together and even starting a family?
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
The novel that inspired Field of Dreams: “A lyrical, seductive, and altogether winning concoction.” —The New York Times Book Review One of Sports Illustrated’s 100 Greatest Sports Books “If you build it, he will come.” When Ray Kinsella hears these mysterious words spoken in the voice of an Iowa baseball announcer, he is inspired to carve a baseball diamond in his cornfield. It is a tribute to his hero, the legendary Shoeless Joe Jackson, whose reputation was forever tarnished by the scandalous 1919 World Series. What follows is a timeless story that is “not so much about baseball as it is about dreams, magic, life, and what is quintessentially American” (The Philadelphia Inquirer). “A triumph of hope.” —The Boston Globe “A moonlit novel about baseball, dreams, family, the land, and literature.” —Sports Illustrated
#1 NEW YORK TIMES BESTSELLER • The brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time, in his own words—featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic death NAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN • NOMINATED FOR THE NAACP IMAGE AWARD Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince’s early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince’s evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to the book’s images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince’s ideas and vision, his voice and image—his undying gift to the world.