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Manimals is a Sci-Fi/Drama screenplay written by Mel Brooks Crow. It is an original multi-episode series with computer-animated animal characters composed alongside real people, locations and scenes, with a fictional story line. LOGLINE: Required to take state-mandated therapy sessions for assaulting two men, an elephant shares his story of how he learned to walk, talk and find a new life in New York City.
A useful resource for people of all ages who want to know more about rock history, Rock 'n' Roll and the Cleveland Connection links national and international events in music and the world, though the primary focus is on Cleveland. Rock 'n' Roll and the Cleveland Connection is the first in-depth look at the people, venues and artists that made Cleveland the "Rock 'n' Roll Capital of the World." Author Deanna Adams conducted personal interviews with more than 150 musicians, managers, DJ's, promoters, record executives, journalists, and club owners--all pioneers of this new musical movement--to compile these chapters of musical history.
Manimals is a Sci-Fi/Drama screenplay written by Mel Brooks Crow. It is an original multi-episode series with computer-animated animal characters composed alongside real people, locations and scenes, with a fictional story line. LOGLINE: Required to take state-mandated therapy sessions for assaulting two men, an elephant shares his story of how he learned to walk, talk and find a new life in New York City
Beauty versus beasts. In the wake of a devastating biological disaster, the United States east of the Mississippi River has been abandoned. Now called the Feral Zone, a reference to the virus that turned millions of people into bloodthirsty savages, the entire area is off-limits. The punishment for violating the border is death.Lane McEvoy can't imagine why anyone would risk it. She's grown up in the shadow of the great wall separating east from west, and she's curious about what's on the other side - but not that curious. Life in the west is safe, comfortable . . . sanitized. Which is just how she likes it.But Lane gets the shock of her life when she learns that someone close to her has crossed into the Feral Zone. And she has little choice but to follow. Lane travels east, risking life and limb and her very DNA, completely unprepared for what she finds in the ruins of civilization . . . and afraid to learn whether her humanity will prove her greatest strength or a fatal weakness.
Richard Stevenson was born on this planet 51 years ago, though he's still waiting to be beamed aboard a saucer bound for Zeti Reticuli and the outer meninges. He is the author of thirteen previous collections, including, most recently, A Murder of Crows: New & Selected Poems (Black Moss Press, 1999), Nothing Definite Yeti (YA verse, Ekstasis Editions, 1998), Live Evil: A Homage To Miles Davis (Thistledown Press, 2000), and Hot Flashes: Maiduguri Haiku, Senryu, and Tanka (Ekstasis Editions, 2001). He teaches and helps run a reading series, and occasionally performs his work with the jazz-poetry troupe Naked Ear and children's verse/ jazz-rock troupe Sasquatch, and has called Lethbridge, Alberta (wear the fox hat!) home for the past thirteen years. No one's punched his ticket yet, but he remains hopeful that there is intelligent life "out there." Book jacket.
Presents the plots of several films dealing with scientists whose experiments have gotten out of control, introduces several well-known literary or historical mad scientists, and describes how the special effects were created for some of them.
The darkly handsome man gazes deeply into her eyes. She finds him irresistible, wants to experience the passion of the moment. He grins--the movie audience can see his lengthened lateral incisors--and bends to her neck. The eroticism is horrible, and compelling. Audiences are drawn to horror cinema much as the surrendering victim. Afraid to watch, but more afraid something will be missed. Since the horror film is the most primal of all movie genres, seldom censored, these films tell us what we are about. From the silent era to the present day, Dark Romance explores horror cinema's preoccupation with sexuality: vampires, beauty and the beast, victimization of women, "slasher" films, and more. Separate chapters focus upon individuals, like Alfred Hitchcock and Barbara Steele. Entertaining, and thought-provoking on the sexual fears and phobias of our society.
FUNNY, SAD, ENLIGHTENING--- THOUGHT PROVOKING INSIGHTS INTO AMERICAN HISTORY AND LIFE IN THE TWENTY FIRST CENTURY-- NOT JUST ANOTHER JADED AMERICAN PYSCHE--- TAKE THE JOURNEY WITH TRAVIS N. TARKINGTON, A ROGUE DRONE KNOWN AS NINER, AND A CLONE NAMED ZEL AS THEY SEARCH FOR ANSWERS TO HOW HU-MANIMALS BECAME THE LEAST VALUED OF ALL SPECIES AND HOW THE ETERNALS CAME TO POWER. HE WEAVES A HUMOROUS YET DARK PICTURE OF THE FUTURE. "It was when I first read CS Lewis that I began to see that astute and watchful men were aware of this progressive movement during the ages in which they lived. Anyway, what Lewis was saying about his world in the 1940's was that socialism already waxed a sway over people. He talks about society being ignorant (willingly so) due to their attachment to the existing humanistic philosophies of his generation. Lewis wasn't the only writer to see this blackness creeping into the political agenda of men. Hundreds of writers throughout history knew of this sinister thread being woven into the mural of mankind. I had only found one small thread. I wanted to know how we got to the point where our own government killed us and called us Hu-manimals instead of people. It is so outrageous, so insane that I couldn't believe it myself, and how did you convince others of a plot even you could not believe? I needed proof. Of course the SG had sent these flying bird drones to kill off us remaining stragglers. The cowards had not come themselves. It was a numbing realization to know you were targeted for extinction. It struck me that reality had flipped flopped. It was hunting season in reverse. Blimy! This time the drone birds had the guns, and they were shooting first!" A JOURNEY OF DISCOVERY, TRUTH, AND ONE THAT BY THE END BECOMES AS CLEAR AS A YELLOW BRICK ROAD-
Steephen Greenblatt's comment on Amerrycountry, subtitled Autorabiography is: ''I am genuinely impressed by the inexhaustible and daring verbal inventiveness of Amerrycountry.'' The Taylor and Francis review written by Dr. Bahram Meghdadi, the most prestigious professor and critic of English literature in Middle East, published in the volume 47, Issue 6, 2014 Journal of Iranian Studies, Oxford University, has claimed Amerrycountry a 21st century literary ''masterpiece'' which surpasses even Finnegans Wake, and which deserves to reach a ''universale''. Dr. Meghdadi who got his Ph. D. from Columbia University believes, the art of writing novels has been revived once again by Amerrycountry, a ''phenomenon'' in world literature. Dr. Homa Katouzian the distinguished professor and editor of Iranian Studies Journal of Oxford University, after finishing to read Amerrycountry called it an ''original'' story. Ariel Dorfman's assistant at Duke University, Suzan Senerchia, has commented on Amerrycountry as: ''I did read Amerrycountry and found it interesting in your use of words. Your combination and use of words, as well as your choice of which words to combine, were very clever and imaginative.'' Professor Mark Burnett from Queen's U. Belfast commented on Amerrycountry as: ''cleverly'' written. Beheshti U. distinguished Professor and critic of English literature, Dr. Amir Ali Nojumian who received his Ph. D. from Leicester U. has commented on Amerrycountry as follows: ''I eventually finished reading your work and enjoyed it a lot. I think your command of English is excellent and your portmanteaus, or let's say portmantorabis, are quite thought-provoking and pentertaining. Many of the words you made, for example ''sexpert'', "textpress" and ''universale'' were very innovative. This reminds me of this quotation in your work: "It seems that languages langucage us! Or rather, we let ourselves be langucaged. Languages, after many years, limit and numb us, although at the start they empower us." Your metafictional and intertextual attitude to writing is quite novel and postmodern (while reading your work, I was reminded of Tristram Shandy.)