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Lavishly illustrated volume provides detailed mini-histories of the Gramercy, Ansonia, Hotel des Artistes, Joseph Pulitzer's palatial residence, and many other luxurious lodgings. 175 illustrations — many from private sources — depict interiors and exteriors. Introduction. Index.
More than 600 archival color and black-and-white photos take readersinside the magnificent Hotel des Artistes on Manhattan's West Side. Thisis the well-researched, untold story of the artists, returning fromstints in Paris in the early 1900s, who convinced Manhattan businessmento invest in an arts colony on West 67th Street. Readers are invited on atour of the north light studios, salon ballroom, and iconic cafe whereAmerica's great painters, sculptors, writers, illustrators, actors, anddancers created a beehive of creativity. In addition to stories ofselect artists, a directory lists the names of the hundreds of tenantswho populated the building from 1917 to 2020--an "army of artists" whosework collectively changed the world. This book is a treasure trove forcreatives, historians, and the large network of artists and theirfamilies with ties to the landmark Hotel des Artistes.
Describes over 2,000 sites of supernatural occurances in the United States, including places visited by ghosts, UFOs, and unusual creatures.
The Dakota. The Apthorp. The San Remo. The names of these legendary New York apartment buildings evoke images of marble-lined lobbies, uniformed doormen, and sunlit penthouses with sweeping Central Park views. Built from the 1880s through 1930s, classic prewar apartments were designed to lure townhouse dwellers reluctant to share a roof with other families. Billed as private mansions in the sky, they promised a charmed Manhattan lifestyle of elegance and luxury. Manhattan Classic takes readers on a lavishly illustrated guided tour of eighty-five of the most coveted buildings in New York. Author Geoffrey Lynch provides capsule histories—equal parts architectural and social history— of the most celebrated examples, with anecdotes about well-known residents and essential information about notable features. This gorgeous coffee table book is an indispensible resource for apartment hunters, real estate and design professionals, and anyone fascinated by the grace and glamour of prewar style.
A Washington Post style editor’s fascinating and irresistible look back on the Miss America pageant as it approaches its 100th anniversary. The sash. The tears. The glittering crown. And of course, that soaring song. For all its pomp and kitsch, the Miss America pageant is indelibly written into the American story of the past century. From its giddy origins as a summer’s-end tourist draw in Prohibition-era Atlantic City, it blossomed into a televised extravaganza that drew tens of millions of viewers in its heyday and was once considered the highest honor that a young woman could achieve. For two years, Washington Post reporter and editor Amy Argetsinger visited pageants and interviewed former winners and contestants to unveil the hidden world of this iconic institution. There She Was spotlights how the pageant survived decades of social and cultural change, collided with a women’s liberation movement that sought to abolish it, and redefined itself alongside evolving ideas about feminism. For its superstars—Phyllis George, Vanessa Williams, Gretchen Carlson—and for those who never became household names, Miss America was a platform for women to exercise their ambitions and learn brutal lessons about the culture of fame. Spirited and revelatory, There She Was charts the evolution of the American woman, from the Miss America catapulted into advocacy after she was exposed as a survivor of domestic violence to the one who used her crown to launch a congressional campaign; from a 1930s winner who ran away on the night of her crowning to a present-day rock guitarist carving out her place in this world. Argetsinger dissects the scandals and financial turmoil that have repeatedly threatened to kill the pageant—and highlights the unexpected sisterhood of Miss Americas fighting to keep it alive.
The untold story of an American hustler who upset the art world and became a pop culture icon, cutting a swath across twentieth-century history and culture. LeRoy Neiman—the cigar-smoking and mustachioed artist famous for his Playboy illustrations, sports paintings, and brash interviews—stood among the twentieth century’s most famous, wealthy, and polarizing artists. His stylish renderings of musicians, athletes, and sporting events captivated fans but baffled critics, who accused Neiman of debasing art with popular culture. Neiman cashed in on the controversy, and his extraordinary popularity challenged the norms of what art should be, where it belongs, and who should have access to it. The story of a Depression-era ragamuffin–turned–army chef–turned–celebrity artist, Neiman’s biography is a rollicking ride through twentieth-century American history, punctuated by encounters with the likes of Muhammad Ali, Frank Sinatra, Joe Namath, and Andy Warhol. In the whirlwind of his life, Neiman himself once remarked that even he didn’t know who he really was—but, he said, the fame and money that came his way made it all worth it. In this first biography of the captivating and infamous man, Travis Vogan hunts for the real Neiman amid the America that made him. .
In 1917 one million soldiers, sailors, and Marines departed for France to fight in World War I from New York. The city was an important hub during the war as the recruiting and patriotic efforts continued. Following the Armistice in 1918, more memorials were erected to veterans than for any other event, even the Civil War. Now on the centennial, explore more than 50 locations in New York that have ties to The Great War and tell the stories behind each.
Newly revised, updated, and redesigned for 2016. True to its name, DK Eyewitness Travel Guide: Top 10 New York City covers all the city's major sights and attractions in easy-to-use "top 10" lists that help you plan the vacation that's right for you. This newly updated travel guide for New York City will lead you straight to the best attractions the city has to offer, from unearthing archaeological treasures at the Metropolitan Museum of Art to biking through Central Park to discovering the city's hottest neighborhoods on walking tours. Plus, check out the best of the boroughs with suggested highlights for Brooklyn, Queens, Staten Island, The Bronx, and upper Manhattan. Expert travel writers have fully revised this edition of DK Eyewitness Travel Guide: Top 10 New York City. + Brand-new itineraries help you plan your trip to New York City. + Maps of walking routes show you the best ways to maximize your time. + New Top 10 lists feature off-the-beaten-track ideas, along with standbys like the top attractions, shopping, dining options, and more. You'll still find DK's famous full-color photography and museum floor plans, along with just the right amount of coverage of the city's history and culture. The perfect travel companion: DK Eyewitness Travel Guide: Top 10 New York City.
The National Endowment for the Arts is often accused of embodying a liberal agenda within the American government. In Federalizing the Muse, Donna Binkiewicz assesses the leadership and goals of Presidents Kennedy through Carter, as well as Congress and the National Council on the Arts, drawing a picture of the major players who created national arts policy. Using presidential papers, NEA and National Archives materials, and numerous interviews with policy makers, Binkiewicz refutes persisting beliefs in arts funding as part of a liberal agenda by arguing that the NEA's origins in the Cold War era colored arts policy with a distinctly moderate undertone. Binkiewicz's study of visual arts grants reveals that NEA officials promoted a modernist, abstract aesthetic specifically because they believed such a style would best showcase American achievement and freedom. This initially led them to neglect many contemporary art forms they feared could be perceived as politically problematic, such as pop, feminist, and ethnic arts. The agency was not able to balance its funding across a variety of art forms before facing serious budget cutbacks. Binkiewicz's analysis brings important historical perspective to the perennial debates about American art policy and sheds light on provocative political and cultural issues in postwar America.