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This richly nostalgic volume highlights some of the most extraordinary periods of New York Citys history, including the first decade of the 20th century, the Roaring Twenties, and the later years that led to the Great Depression and World War II. Abounding with evocative period photography, Manhattan Street Scenes invites readers into an age when no man walked the streets without wearing a hat, when buying liquor was illegal, when vaudeville and Broadway theaters were aglitter with stars and wildly popular songs, and when the citys streets teemed with motorcars such as Packards, Studebackers, and Dusenbergs. Additionally, the inclusion of rare, never before published police and crime photography enhances the charm of this volume.
Scenes from the City: Filmmaking in New York is a celebration of the rise of New York-shot films, particularly after the Mayor's Office of Film, Theatre and Broadcasting was formed in 1966. This revised and expanded edition, edited by James Sanders, includes a new decade of filmmaking in NYC, a section on women filmmakers and rare, behind-the-scenes shots directly from studio archives. It also explores the recent growth of the City's television industry with more episodic series being produced in New York City now than ever before. Today's the City's entertainment industry employs 130,000 New Yorkers and contributes more than $7 billion to the local economy each year.
On September 11, 2001, a major part of Manhattan's skyline vanished. Before the tragic events of that day, New York has been the object of a love-hate relationship with the rest of the country. Its skyline had set the stage for innumerable motion pictures that showed the city at its most brilliant, as well as its most shadowy. Focusing its examination solely on Manhattan, Scenes in the City traces the growth, history, and myths of this legendary borough through some of the films whose significance it inflected.
Toronto In Colour: the 1980s features street scenes from the 1980s when I was new to the city, and saw it with fresh eyes. I had no way to anticipate how significant these Toronto photos would seem to me 30 years later. They show things that no longer exist, even though it hasn't been that long. Without necessarily trying to, I caught images of buildings, cars, fashions, gadgets that are no longer part of our world. Toronto's entire skyline is utterly changed, part of the inevitable growth and evolution.
No Sleepis a visual history of the halcyon days of New York City club life as told through flyer art. Spanning the late 80s through the late 90s, when nightlife buzz travelled via flyers and word of mouth,No Sleepfeatures a collection of artwork from the personal archives of NYC DJs, promoters, club kids, nightlife impresarios, and the artists themselves. Club flyers, by design, were ephemeral objects distributed on street corners, outside of nightclubs and concert halls, in barbershops and retail shops, and were not intended to be preserved for posterity. Through the 90s, they became both increasingly prevalent and more sophisticated as printing technology evolved. Overnight, however, with the advent of the internet, theflyer essentially disappeared, despite it being common at one time for promoters to print thousands of flyers for any given event. Recently, these flyers have become sought-after collector's items.
(Limelight). This book offers 18 of the best walking tours you'd ever want to take of the greatest venues of movie scenes in New York City. In one volume, Katz updates the two best-selling Limelight Editions guidebooks, Manhattan on Film and Manhattan on Film 2 to include films released over the past six years as well as changes to New York City neighborhoods, especially lower Manhattan. Each tour is illustrated with photos from each film shot along its route and includes maps and travel tips. No tour takes more than two hours. A list of the films, with page references, provides an easy guide for those who want to quickly look up their favorite movies.
In 1935 the renowned photographer Berenice Abbott set out on a five-year, WPA-funded project to document New York's transformation from a nineteenth-century city into a modern metropolis of towering skyscrapers. The result was the landmark publication Changing New York, a milestone in the history of photography that stands as an indispensable record of the Depression-era city. More than sixty years later, New York is an even denser city of steel-and-glass and restless energy. Guided by Abbott's voice and vision, New York photographer Douglas Levere has revisited the sites of 100 of Abbott's photographs, meticulously duplicating her compositions with exacting detail; each shot is taken at the same time of day, at the same time of year, and with the same type of camera. New York Changing pairs Levere's and Abbott's images, resulting in a remarkable commentary on the evolution of a metropolis known for constantly reinventing itself.
Forty duotone photographs of Manhattan street scenes by John Rosenthal are now collected in This New Paper edition. These striking images, captured over a twenty-five-year period, are an intimate portrait of the photographer's "home town". They are often pensive, at times witty, but always original. Clearly, these are photographs created by an artist who loves his subject and respects his medium.