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A lost shoe. An heir to a music kingdom. A chance for a fairy tale ending.22-year-old New Yorker Gabriella Davis aspires to be pop music's next big thing. Desperate to protect her kid sister, she's got to succeed. But first, she needs to get away from her narcissistic stepmother who has her working her butt off as assistant to her band.Super-hot singer Cole Grant is a country boy at heart, so when he leaves his native Tennessee for New York, he's about as comfortable as a deer on ice. He's determined to make the most of this chance of a lifetime, but with the explosive family secret Cole needs to keep, this is one opportunity that might just blow up in his face.A taxi, a lost shoe, and a chance meeting bring Gabby and Cole together. Their attraction is instant. But with so much at stake, neither one is in the market for love. When City meets Country and fame and fortune beckon, can they open their hearts to one another? Or will the secrets they hold keep them from finding their happily ever after?Manhattan Cinderella is a sweet and sexy contemporary romance retelling of the Cinderella story for fans of Lauren Layne. This book is a little sexier than my other "chick lit" titles, such as the Cozy Cottage Café series, but with my same light-hearted, feel-good tone.
'Romantic Comedy' offers an introduction to the analysis of one of the most popular but generally overlooked film genres. The book provides an overview of Hollywood's romantic comedy conventions, examining the iconography, narrative patterns and ideology which inform such films.
After two intense, dead-end relationships, serial monogamist Alison finds herself confused, lonely, and drastically out of touch with the world of modern dating. Refusing to wallow, she signs up for a popular dating app and resolves to remain open-minded and optimistic as she explores the New York City singles' scene. With the click of a button, her adventures begin: On one date, she's dumped before the first kiss; on another, she dons full HAZMAT gear; she meets a tattooed folk singer turned investment banker, an undercover agent who tracks illegal exotic animals, and dozens of other colorful, captivating personalities. Giving them each her signature "pants speech"—her pants aren't coming off unless she has a real connection with someone—she desperately wants to push past the awkward small-talk phase to find true love, but finding "the one" is starting to feel impossible. That is, until she meets Luke, who is sophisticated, funny, and not to mention, hot. Alison finds herself falling for Luke harder than any guy she's dated and finally letting her walls down, but will he stick around or move on to his next match? Match Made in Manhattan is a fast-paced, contemporary story about the struggles of dating in the digital age. Replete with online profiles, witty dialogue, and a super-supportive group of female friends, this all-too-real and relatable debut novel will have readers laughing, crying, and rooting for Alison all the way to the end.
Sean Avery And The Cinderella New York Rangers is "the best story in the NHL this year" about the return of the Rocky of hockey to the Rangers in New York and how they were transformed into a Cinderella team like the great New York teams of history.
From the #1 New York Times-bestselling author of The Lincoln Highway and A Gentleman in Moscow, a “sharply stylish” (Boston Globe) book about a young woman in post-Depression era New York who suddenly finds herself thrust into high society—now with over one million readers worldwide On the last night of 1937, twenty-five-year-old Katey Kontent is in a second-rate Greenwich Village jazz bar when Tinker Grey, a handsome banker, happens to sit down at the neighboring table. This chance encounter and its startling consequences propel Katey on a year-long journey into the upper echelons of New York society—where she will have little to rely upon other than a bracing wit and her own brand of cool nerve. With its sparkling depiction of New York’s social strata, its intricate imagery and themes, and its immensely appealing characters, Rules of Civility won the hearts of readers and critics alike.
The TLA Film, Video and DVD Guide 2004 is the absolutely indispensable guide to worthwhile cinema. It includes over 10,000 entries on the best of film and video that a real film lover might actually want to see. Unlike some of the other mass market guides that tend to be clogged with unenlightening entries on even more unenlightening films, TLA focuses on independent, foreign as well as the best of Hollywood to bring the cineaste an opinionated guide that is both fun to read and easy to use. The guide includes: * Reviews of more than 10,000 entries * Four detailed indexes--by star, director, country of origin, and theme. * More than 300 photos throughout * A listing of all the major film awards of the past quarter century, as well as TLA Bests and recommended films *A comprehensive selection of cinema from over 50 countries. From one of the finest names in video retailing and a growing rental chain comes the latest edition of one of the most respected film, video, and DVD guides. The TLA Film, Video and DVD Guide is perfect for anyone with an eclectic taste in cinema.
While the myth of a classless America endures in the American Dream, the very stratification that it denies unfairly affects the majority of Americans. Study after study shows that it's increasingly difficult for working class people to achieve upward mobility in the US - so how does the American Dream continue to thrive? J. Emmett Winn shows us that the American Dream's continued glorification in contemporary Hollywood cinema should not be ignored. The book explicates three major themes surrounding the American Dream in contemporary Hollywood cinema and relates those findings to the United States' social and cultural changes in the last 25 years. Through his thoughtful analysis of films as diverse as Working Girl, Titanic, Pretty Woman, Flashdance, The Firm, Good Will Hunting, Saturday Night Fever, Wall Street and many others, Winn shows that contemporary Hollywood is very much in the business of keeping the Dream alive.
I'm no Prince Charming, and the last thing I want is a Cinderella. My instructions were simple: scour the city for a fake fiancée who's not my type at all. Have her on my jet Monday morning, dressed appropriately for a yacht vacation. I need a woman believable enough to convince a certain client that I've changed my playboy ways...yet nothing like the supermodels and socialites I usually have on my arm. Somebody too annoying to tempt me--no emotional entanglements, thank you very much. This is business only. If she's unfazed by my looks and wealth, all the better. Should be easy. Right?Apparently not, because my people go and hire Tabitha. My hairdresser. What were they thinking? Yes, I said annoying, but I didn't mean Tabitha, the most frustrating woman in the world. Tabitha is sunshiny. She has a pet hamster. She loves Hello Kitty, and she gets under my skin like nobody else. As if that's not bad enough, the minute we step on deck, she thinks that certain people on the yacht are up to something shady--based completely on her soap opera knowledge. She won't listen when I tell her she's being ridiculous. But as the days go by, I find that we're actually having fun. And our fake kisses are heating up. And suddenly her wild theories aren't sounding so strange after all...
Songs of Innocence and Experience: Romance in the Cinema of Frank Capra is a study of the director’s chosen movies from the perspective of three types of comedies: paradisal, purgatorial and infernal, as assigned by Dante in his Divine Comedy. Magdalena Grabias views Capra’s films in two broader categories of “innocence” and “experience,” where “innocence” represents Dantean paradisal level, and “experience” combines the levels of purgatory and inferno. Such a division constitutes the means to interpret Capra’s filmic universe and to describe the ever-evolving directorial vision of Frank Capra. The main purpose of the book is to demonstrate how, in the light of the theory of literary romance as presented by Northrop Frye in his seminal works concerning the subject, the films of Frank Capra fit into the genre of romance. Romantic elements in Frank Capra’s movies can be found in both “innocence” and “experience” categories and, hence, consequently in his paradisal, purgatorial and infernal comedies. However, in both categories, and all three comedy types, the romantic reality of each examined film is structured and developed in a different manner. The book offers an insight into Frank Capra’s films and the complex process of creating his multidimensional romantic universe within them.