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Why would a burglar break into a Washington, DC art gallery and steal an historic fountain pen worth $2200, but leave behind other art and cultural objects worth tens of thousands of dollars each? And why would someone else later commit murder to protect the burglar's secret? These are some of the questions that confront Socrates Cheng - an American of Chinese and Greek heritage - in Steven M. Roth's intricate murder mystery - Mandarin Yellow - as Socrates investigates the burglary and attempts to recover the pen, all in an effort to curry favor with his lover's estranged father who is the leader of a Washington and Shanghai based criminal Triad. In a search that takes him from Georgetown to Chinatown and elsewhere in Washington, Socrates finds himself threatened, physically assaulted, suspected of having committed murder, jailed for a time, and constantly confronted by conflicts arising out of his three disparate cultures. Yet he is neither daunted nor deterred by these obstacles. Instead, Socrates draws upon his deep knowledge of vintage fountain pens, Chinese history, and the Mandarin language to puzzle out the complex motives behind the burglary and murders, until he finally uncovers the identities of the criminals and makes a discovery that forever changes his life and the lives of everyone else involved.
Mandarin, Guoyu or Putonghua? 'Chinese' is a language known by many names, and China is a country home to many languages. Since the turn of the twentieth century linguists and politicians have been on a mission to create a common language for China. From the radical intellectuals of the May Fourth Movement, to leaders such as Chiang Kai-shek and Mao Zedong, all fought linguistic wars to push the boundaries of language reform. Now, Internet users take the Chinese language in new and unpredictable directions. David Moser tells the remarkable story of China's language unification agenda and its controversial relationship with modern politics, challenging our conceptions of what it means to speak and be Chinese. 'If you want to know what the language situation of China is on the ground and in the trenches, and you only have time to read one book, this is it. A veritable tour de force, in just a little over a hundred pages, David Moser has filled this brilliant volume with linguistic, political, historical, and cultural data that are both reliable and enlightening. Written with captivating wit and exacting expertise, A Billion Voices is a masterpiece of clear thinking and incisive exposition.' Victor H. Mair, American sinologist, professor of Chinese language and literature at the University of Pennsylvania and author of The Columbia History of Chinese Literature 'David Moser explains the complex aspects of Putonghua against the backdrop of history, delivering the information with authority and simplicity in a style accessible both to speakers of Chinese and those who are simply fascinated by the language. All of the questions that people have asked me about Chinese over the years, and more, are answered in this book. The history of Putonghua and the vital importance of creating a common language is a story David Moser brings to life in an enjoyable way.' Laszlo Montgomery, The China History Podcast
DIVThe distribution of the gramophone and the birth of popular music, including jazz, as a part of nation-building and modernity in China./div
Yellow Music is the first history of the emergence of Chinese popular music and urban media culture in early-twentieth-century China. Andrew F. Jones focuses on the affinities between "yellow” or “pornographic" music—as critics derisively referred to the "decadent" fusion of American jazz, Hollywood film music, and Chinese folk forms—and the anticolonial mass music that challenged its commercial and ideological dominance. Jones radically revises previous understandings of race, politics, popular culture, and technology in the making of modern Chinese culture. The personal and professional histories of three musicians are central to Jones's discussions of shifting gender roles, class inequality, the politics of national salvation, and emerging media technologies: the American jazz musician Buck Clayton; Li Jinhui, the creator of "yellow music"; and leftist Nie Er, a former student of Li’s whose musical idiom grew out of virulent opposition to this Sinified jazz. As he analyzes global media cultures in the postcolonial world, Jones avoids the parochialism of media studies in the West. He teaches us to hear not only the American influence on Chinese popular music but the Chinese influence on American music as well; in so doing, he illuminates the ways in which both cultures were implicated in the unfolding of colonial modernity in the twentieth century.
Much new material has been added to this revised edition. This covers angling experiences, methods of fishing, flies, lures, lines, leaders and other things. When Trout was first published spinning had not been introduced in the United States. Since that time it has become very popular and I took up the method at once. There are two lengthy and complete chapters on this method of fishing. They cover tackle, methods, and experiences.
Contained within this book is a comprehensive index of the various different types of fly that can be used by the fly-fisherman to catch his prey. With helpful illustrations and a wealth of useful information provided by an expert fisherman, this timeless volume is sure to be of considerable utility to modern readers with an interest in fly-fishing. This is a classic guide that is not to be missed by collectors of vintage fishing literature. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on the history of fishing.
The world's most comprehensive, well documented, and well illustrated book on this subject. With an extensive subject and geographical index. 76 photographs and illustrations. Free of charge in digital PDF format on Google Books.
This volume presents authoritative and up-to-date research in colour studies by specialists across a wide range of academic disciplines, including vision science, psychology, psycholinguistics, linguistics, anthropology, onomastics, philosophy, archaeology and design. The chapters have been developed from papers and posters presented at the Progress in Colour Studies (PICS2016) conference held at University College London in September 2016. The book continues the series from the earlier PICS conferences, which have become renowned for their insights into colour in language and cognition. In the present book all chapters have been rigorously peer-reviewed and revised to ensure the highest standards throughout. The chapters are grouped into three sections: Colour Perception and Cognition; The Language of Colour; and The Diversity of Colour. Each section is preceded by a short introduction drawing together the themes of its chapters. There are over 120 colour illustrations.