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Memories of Manchester as told through the Facebook group "Manchester Memories," now with over 10,000 members
Hey Long Island . . . Do U Remember? began in 2008 when two lifelong friends from Oceanside, New York started a Facebook group to share pictures and history of Long Island's iconic places, themes and landmarks. Hey Long Island . . . Do U Remember? is now one of the largest New York history groups on Facebook with more than 142,000 members sharing pictures and information about Long Island's colourful past. Hey Long Island . . . Do U Remember? offers us a window into the past, showing life as it was then, and stirring in us the emotions of wonder and curiosity about those who have gone before us and the lives they lived. With more than 130 photographs, many of them seen here for the first time, Hey Long Island... Do U Remember? offers a stunning portrait of this one-of-a-kind place.
'Beautifully judged account of the Manchester scene . . . There is something of the fairy tale about Dave Haslam's sage joyful testament to the kind of life that nobody could ever plan, a happy aligning of a cultural moment and a young man who instinctively knew that it was his once upon a time' Victoria Segal, Sunday Times 'Witty, sometimes dark, revealing, insightful, everything one could hope for from one of those folk without whom independent music simply wouldn't exist' Classic Rock Sonic Youth Slept on My Floor is writer and DJ Dave Haslam's wonderfully evocative memoir. It is a masterful insider account of the Hacienda, the rise of Madchester and birth of the rave era, and how music has sound-tracked a life and a generation. In the late 1970s Dave Haslam was a teenage John Peel listener and Joy Division fan, his face pressed against a 'window', looking in at a world of music, books and ideas. Four decades later, he finds himself in the middle of that world, collaborating with New Order on a series of five shows in Manchester. Into the story of those intervening decades, Haslam weaves a definitive portrait of Manchester as a music city and the impact of a number of life-changing events, such as the nightmare of the Yorkshire Ripper to the shock of the Manchester Arena terror attack. The cast of Haslam's life reads like a who's who of '70s, '80s and '90s popular culture: Tony Wilson, Nile Rodgers, Terry Hall, Neneh Cherry, Tracey Thorn, John Lydon, Johnny Marr, Ian Brown, Laurent Garnier and David Byrne. From having Morrissey to tea and meeting writers such as Raymond Carver and Jonathan Franzen to discussing masturbation with Viv Albertine and ecstasy with Roisin Murphy, via having a gun pulled on him at the Hacienda and a drug dealer threatening to slit his throat, this is not your usual memoir.
Taking Hollywood as its focus, this timely book provides a sustained, interdisciplinary perspective on memory and film from early cinema to the present. Considering the relationship between official and popular memory, the politics of memory, and the technological and representational shifts that have come to effect memory's contemporary mediation, the book contributes to the growing debate on the status and function of the past in cultural life and discourse. By gathering key critics from film studies, American studies and cultural studies, Memory and Popular Film establishes a framework for discussing issues of memory in film and of film as memory. Together with essays on the remembered past in early film marketing, within popular reminiscence, and at film festivals, the book considers memory films such as Forrest Gump, Lone Star, Pleasantville, Rosewood and Jackie Brown.
Alan Keegan combines many previously unpublished photographs with well-researched captions to create a picture of the Irish community in Manchester: suburbs, people, shops, clubs, buildings, events and entertainment of the past.
This book is part of the Images of England series, which uses old photographs and archived images to show the history of various local areas in England, through their streets, shops, pubs, and people.
This book examines the role of collective memory in the origins and development of the European Union. It traces Europe's political, economic and financial crisis to the loss of these memories of the rupture of 1945. In order to survive the EU will have to prove that it can act effectively in the face of future challenges.
In recent years, "memory" has become a central and controversial concept in historical studies. It is a term that denotes a new and distinctive field of study and a fresh way of conceptualizing history as a more general field of inquiry. This book provides historians with an accessible and stimulating introduction to debates and theories about memory and approaches to the study of it in history and other disciplines. The book explores the relationships between the individual and the collective, between memory as survival and memory as reconstruction, between remembering as a subjective experience and as a social or cultural practice, and between memory and history as modes of retrospective knowledge.
Written in his own unmistakable voice and with a new afterword by the author, this is the frank and fascinating memoir by arguably the greatest bass player of his generation. Beginning with an East End childhood in a London barely recovered from the War, he takes us on a journey through the beginnings of punk and post-punk as a founding member of Public Image Limited, an illustrious forty-year solo career which has seen collaborations musical greats such as U2, Brian Eno and CAN and a Mercury Music Prize nomination through to the present day still playing to sell out audiences. Along the way we hear how Wobble navigated chronic alcoholism and marital breakdown and has emerged as a national treasure. If you ever wondered how got his name, the answer is here: his teenage pal Sid Vicious gave it to him when he drunkenly slurred Wobble's real name, John Wardle.