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With its unparalleled coverage of English slang of all types (from 18th-century cant to contemporary gay slang), and its uncluttered editorial apparatus, Cassell's Dictionary of Slang was warmly received when its first edition appeared in 1998. 'Brilliant.' said Mark Lawson on BBC2's The Late Review; 'This is a terrific piece of work - learned, entertaining, funny, stimulating' said Jonathan Meades in The Evening Standard.But now the world's best single-volume dictionary of English slang is about to get even better. Jonathon Green has spent the last seven years on a vast project: to research in depth the English slang vocabulary and to hunt down and record written instances of the use of as many slang words as possible. This has entailed trawling through more than 4000 books - plus song lyrics, TV and movie scripts, and many newspapers and magazines - for relevant material. The research has thrown up some fascinating results
"In Float, art is far more than decoration. It is the power of achievement and change. Out of it, we're encouraged to believe, may come the transformation of our world." — Maine Sunday Telegram"…a stellar model of eco-literature…" — Cape Ann Beacon"…witty, profound, and beautifully observed…" — Margot Livesey"[Float] is all of these things: joyful and troubling, hilarious and somber, evocative and introspective." — Necessary Fiction When everything around you is sinking, sometimes it takes desperate measures to stay afloat… When Duncan Leland looks down at the garbage-strewn beach beneath his office window, he sees the words God Help Us scrawled in the sand. While it seems a fitting message—not only is Duncan’s business underwater, but his marriage is drowning as well—he goes down to the beach to erase it. Once there, he helps a seagull being strangled by a plastic six-pack holder—the only creature in worse shape than he is at the moment. Duncan rescues the seagull, not realizing that he’s being filmed by a group of conceptual artists and that the footage will soon go viral, turning both him and the gull into minor celebrities. And when an unsavory yet very convincing local, Osbert Marpol, talks him into a not-quite-legitimate loan arrangement, Duncan can’t help but agree in a last-ditch attempt to save the jobs of his employees. For a while, it seems as if things are finally looking up for Duncan—yet between his phone-sex-entrepreneur ex-girlfriend’s very public flirtations and the ever-mysterious terms of his new loan, Duncan realizes that there’s no such thing as strings-free salvation—and that it’s only a matter of time before the tide rises ominously around him again. A wry tale of financial desperation, conceptual art, insanity, infertility, seagulls, marital crisis, jellyfish, organized crime, and the plight of a plastic-filled ocean, JoeAnn Hart’s novel takes a smart, satirical look at family, the environment, and life in a hardscrabble seaside town in Maine.
From the Introduction to the American Edition: Though his readers would demand no explanation, Ivor Brown has, with growing diffidence, offered the successive volumes in this series of delightful word anthologies. But, besieged by eagerly interested correspondents who, with each book's appearance, have pressed upon him the claims for attention of still other words, he followed A Word in Your Ear with Just Another Word, and I Give You My Word with Say the Word. Still importuned, he brought forth No Idle Words and then, in an access of firm resolution, conceived the ominous title, Having the Last Word. This, with No Idle Words, forms what he bids us accept as the final pair in these double-barreled American editions of his work.--page v.
Includes section "In printed pastures new".
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