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This collection of papers from six leading experts explore different aspects of the ordinary individual in eighteenth-century Britain.
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This book presents an account of masculinity in eighteenth century Britain. In particular it is concerned with the impact of an emergent polite society on notions of manliness and the gentleman. From the 1660s a new type of social behaviour, politeness, was promoted by diverse writers. Based on continental ideas of refinement, it stressed the merits of genuine and generous sociability as befitted a progressive and tolerant nation. Early eighteenth century writers encouraged men to acquire the characteristics of politeness by becoming urbane town gentlemen. Later commentators promoted an alternative culture of sensibility typified by the man of feeling. Central to both was the need to spend more time with women, now seen as key agents of refinement. The relationship demanded a reworking of what it meant to be manly. Being manly and polite was a difficult balancing act. Refined manliness presented new problems for eighteenth century men. What was the relationship between politeness and duplicity? Were feminine actions such as tears and physical delicacy acceptable or not? Critics believed polite society led to effeminacy, not manliness, and condemned this failure of male identity with reference to the fop. This book reveals the significance of social over sexual conduct for eighteenth century definitions of masculinity. It shows how features traditionally associated with nineteenth century models were well established in the earlier figure of the polite town-dweller or sentimental man of feeling. Using personal stories and diverse public statements drawn from conduct books, magazines, sermons and novels, this is a vivid account of the changing status of men and masculinity as Britain moved into the modern period.
This 2001 book concerns the history of the family in eighteenth-century England. Naomi Tadmor provides an interpretation of concepts of household, family and kinship starting from her analysis of contemporary language (in the diaries of Thomas Turner; in conduct treatises by Samuel Richardson and Eliza Haywood; in three novels, Richardson's Pamela and Clarissa and Haywood's The History of Miss Betsy Thoughtless and a variety of other sources). Naomi Tadmor emphasises the importance of the household in constructing notions of the family in the eighteenth century. She uncovers a vibrant language of kinship which recasts our understanding of kinship ties in the period. She also shows how strong ties of 'friendship' formed vital social, economic and political networks among kin and non-kin. Family and Friends in Eighteenth-Century England makes a substantial contribution to eighteenth-century history, and will be of value to all historians and literary scholars of the period.
The eighteenth century represents a critical period in the transition of the English urban history, as the town of the early modern era involved into that of the industrial revolution; and since Britain was the 'first industrial nation', this transformation is of more-than-national significance for all those interested in the histroy of towns. This book gathers together in one volume some of the most interesting and important articles that have appeared in research journals to provide a rich variety of perspectives on urban evelopment in the period.
EIGHTEENTH-CENTURY ENGLAND is a an inter-disciplinary survey of English culture of the period. It deals with major developments in history, literature, theatre, architecture, art, and music with attention to the economic and social foundations. Philosophy and religion are also included. The book provides a broad background for students and general readers with an interest in eighteenth-century culture or in one or more of the specific disciplines with which the book deals.
The idea of progress stood at the very center of the intellectual world of eighteenth-century Britain, closely linked to every major facet of the British Enlightenment as well as to the economic revolutions of the period. Drawing on hundreds of eighteenth-century books and pamphlets, David Spadafora here provides the most extensive discussion ever written of this prevailing sense of historical optimism.
The aim of this book, originally published in 1978, is to make the reading of literary classics such as Gulliver’s Travels, Robinson Crusoe, Tom Jones, The Beggar’s Opera and Tristram Shandy an even richer experience by giving them an intelligible place in history. The ‘context’ is seen not as a vague backcloth, but as a living fabric of ideas and events which animate Augustan literature. The authors cover the achievements of men like Hume, Walpole, Chippendale, Newton and Reynolds, who are often merely names to the literary student, and show how writers were affected by exciting developments in psychology, aesthetics, medicine and other fields. As a whole the book shows this period to have been an active, questing and complex era, whose literary masterpieces emanate from a rich and diverse culture.
W. M. Jacob examines the concept of 'profession' during the later Stuart and Georgian period, with special reference to the clergy of the Church of England. He describes their social backgrounds, how they were recruited, selected, and educated, and obtained jobs; how they were paid, and their lifestyles and family life, as well as examining the evidence for what they did as leaders of worship, pastors and teachers, how their parishioners responded to them, and how they were supervised. Jacob concludes that, contrary to popular views, the clerical profession was much better organized, educated, and supervised than the medical and legal professions during this period. During the 'age of reform' from the 1780s to the 1830s, all the professions were criticized: Jacob suggests that the modest regulation and professional training introduced in the other learned professions in the 1830s only slowly brought them to the standard already achieved by the clerical profession.
What were the sources of pleasure during the eighteenth century? The range of pleasurable activities from the bawdy and perverse to the refined are brought together in this collection of essays, which is the first to look at both the philosophy and practice of the pleasure-seeking Georgians. Experts on the arts of pleasure will luxuriate over Italian opera, gastronomic delights, the pleasures of Gothic terror, seduction, and the revellers of the bizarre London clubs.