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Life has taken a sudden interior turn but the literature of the lockdown may have already been written. A century ago writers throughout the supposedly civilised world realised their once familiar, domestic world had changed profoundly and began to describe it in singular unsettling ways. The best word for what they found and how they described it is the German one ‘unheimlich’ whereby the familiar or homely is suddenly strange; a unique word for which we have in English the unsatisfactory ‘uncanny’. In his essay of 1919, Freud used the word ‘unheimlich’ to describe the disquieting, unsettling short fiction of his time. As has been noted by the critic Mark Fisher and others however, he structured his inquiry into the unheimlich on the stories themselves, unable to create a theory which superseded them. These stories have endured. We have collected together the best of them — the funny, the horrific and the simply disturbing — to offer insight and commentary on the strange world we have been living in. E Nesbitt’s ghost story is elevated from the thousands that were published in popular magazines such as the Strand in the early 20th century by the way she places a barely-competent middle class couple in a situation frighteningly beyond their depth.
A collection of titles by Edith Nesbit and told in short story for the reader who enjoys the darker side to tales but doesn't want to get bogged down in long Novels or Epics. These stories inspired many a suspense author and would seem at place in a Twilight Zone or Night Gallery episode. While Edith Nesbit was widely known for her childrens books, she had small success in other genres.This book includes a biography of the Author.
This richly illustrated anthology gathers together classic short stories from masters of supernatural fiction including M. R. James, Sheridan Le Fanu and Arthur Machen, alongside lesser-known voices in the field including Eleanor Scott and Margery Lawrence, and popular writers less bound to the horror genre, such as Thomas Hardy and E. F. Benson. These are damnable tales, selected and beautifully illustrated by Richard Wells. They stalk the moors at night, the deep forests, cornered fields and dusky churchyards, the narrow lanes and old ways of these ancient places, drawing upon the haunted landscapes of folk-horror – a now widely used term first applied to a series of British films from the late 1960s and 1970s: Witchfinder General (1968), Blood on Satan’s Claw (1971), and The Wicker Man (1973). But as this collection shows, writers of uncanny fiction were dabbling in the dark side of folklore long before. These twenty-two stories take the reader beyond the safety and familiarity of the town into the isolated and untamed wilderness. Unholy rites, witches’ curses, sinister village traditions and ancient horrors that lurk within the landscape all combine to remind us that the shiny modern, urban world might not have all the answers...
“It was surprising what old experiences remembered could do to a presumably educated, civilized man.” And Hugh Denismore, a young doctor driving his mother’s Cadillac from Los Angeles to Phoenix, is eminently educated and civilized. He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later? Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.
A Sunday Times Best Book of the Year: The “informative and entertaining” first major biography of the trailblazing, controversial children’s author (The Washington Post). Born in 1858, Edith Nesbit is today considered the first modern writer for children and the inventor of the children’s adventure story. In The Life and Loves of E. Nesbit, award-winning biographer Eleanor Fitzsimons uncovers the little-known details of her life, introducing readers to the Fabian Society cofounder and fabulous socialite who hosted legendary parties and had admirers by the dozen, including George Bernard Shaw. Through Nesbit’s letters and archival research, Fitzsimons reveals “E.” to have been a prolific lecturer and writer on socialism and shows how Nesbit incorporated these ideas into her writing, thereby influencing a generation of children—an aspect of her literary legacy never before examined. Fitzsimons’s riveting biography brings new light to the life and works of this remarkable writer and woman. “Meticulous and invaluable...exceptionally illuminating and detailed.” —The Wall Street Journal “Fitzsimons handily reassembles the hundreds of intricate, idiosyncratic parts of the miraculous E. Nesbit machine.” —The New York Times Book Review “I’ve always loved the work of E. Nesbit—The Railway Children and Five Children and It are my favorites—but I knew nothing about the extraordinary, surprising life of this great figure in children’s literature . . . so gripping that I read [it] in two days.” —Gretchen Rubin, #1 New York Times-bestsellingauthor of The Happiness Project “A charming, lively, and old-fashioned biography . . . highly readable.” —Publishers Weekly “A terrific book.” —Neil Gaiman
This is a book to be read by a blazing fire on a winter's night, with the curtains drawn close and the doors securely locked. The unquiet souls of the dead, both as fictional creations and as 'real' apparitions, roam the pages of this haunting selection of ghost stories by Rex Collings. Some of these stories are classics while others are lesser-known gems unearthed from this vintage era of tales of the supernatural. There are stories from distant lands - 'Fisher's Ghost' by John Lang is set in Australia and 'A Ghostly Manifestation' by 'A Clergyman' is set in Calcutta. In this selection, Sir Walter Scott (a Victorian in spirit if not in fact), keeps company with Edgar Allen Poe, Sheridan Le Fanu and other illustrious masters of the genre.
An essential American novel from Sandra Dallas, an unparalleled writer of our history, and our deepest emotions... During World War II, a family finds life turned upside down when the government opens a Japanese internment camp in their small Colorado town. After a young girl is murdered, all eyes (and suspicions) turn to the newcomers, the interlopers, the strangers. This is Tallgrass as Rennie Stroud has never seen it before. She has just turned thirteen and, until this time, life has pretty much been what her father told her it should be: predictable and fair. But now the winds of change are coming and, with them, a shift in her perspective. And Rennie will discover secrets that can destroy even the most sacred things. Part thriller, part historical novel, Tallgrass is a riveting exploration of the darkest--and best--parts of the human heart.
Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.
When newlyweds find the cottage of their dreams in the English countryside, they are warned that long-ago owners, two evil knights, always return on Halloween night.