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Published to accompany an exhibition held Feb. 7-May 27, 2013, at the National Portrait Gallery, London; June 22-Sept. 8, 2013, at the Scottish National Portrait Gallery, Edinburgh; Oct. 28, 2013-January 19, 2014, at the Pushkin Museum of Fine Arts, Moscow.
“...Man Ray’s two decades of mutual love and admiration, between the two wars, with and within the dreams and realities of the Ville de Paris. Unlike such romantic tales, we have a vivid, visual record of all that its characters and great moments: Man Ray’s Paris portraits, hopefully brought back to life for you within these pages once again.” — author.
When American-born Surrealist Man Ray died in 1976, he left behind thousands of photo negatives, mostly portraits taken in his studio after his arrival in Paris in 1921. The Centre Georges Pompidou, which has owned them since the mid-1990s, has duly catalogued the collection of negatives and is now in a position to bring out what is an encyclopedic publication in the best sense of the term. It attests both to Man Ray s ability as a portrait photographer and to the quality of his archive as a monument to cultural history. The catalog features 500 portraits, each of which is explained in a short commentary. Since Man Ray's clientele was made up of members of Dadaist and Surrealist circles, of artists and painters, of writers and US emigrants of the Lost Generation, of aristocrats, and paragons of the worlds of fashion and theater, the book is at the same time a marvelous Who's Who and an indispensable reference work for a broad range of different historians and scholars of the 20th century.
A close look at Man Ray's interwar portraiture, as well as the friendships between the photographer and his subjects: the international avant garde in Paris Shortly after his arrival in Paris in July 1921, Man Ray (1890-1976)--the pseudonym of Emmanuel Radnitzky--embarked on a sustained campaign to document the city's international avant-garde in a series of remarkable portraits that established his reputation as one of the leading photographers of his era. Man Ray's subjects included cultural luminaries such as Berenice Abbott, André Breton, Jean Cocteau, Marcel Duchamp, Ernest Hemingway, Miriam Hopkins, Aldous Huxley, James Joyce, Lee Miller, Méret Oppenheim, Pablo Picasso, Alice Prin (Kiki de Montparnasse), Elsa Schiaparelli, Erik Satie, and Gertrude Stein. As this lavishly illustrated publication demonstrates, Man Ray's portraits went beyond recording the mere outward appearance of the person depicted and aimed instead to capture the essence of his sitters as creative individuals, as well as the collective nature and character of Les Années folles (the crazy years) of Paris between the two world wars, when the city became famous the world over as a powerful and evocative symbol of artistic freedom and daring experimentation.
New York Dadaist, Parisien surrealist, international portraitist & fashion photographer, this work considers how the career of Man Ray was shaped by his turn-of-the-century Jewish immigrant experience & his lifelong evasion of his past.
American artist Man Ray spend the most productive years of his career, during the 1920s and 1930s, in Paris.
Man Ray: Women~ISBN 88-89431-32-6 U.S. $49.00 / Hardcover, 8.5 x 11 in. / 152 pgs / 130 b&w. ~Item / March / Photography
Still lifes, landscapes, nudes, women's faces, portraits, and rayographs (photographs made without cameras) produced by Ray in the twenties and early thirties are accompanied by the comments of his contemporaries
In this remarkable autobiography, Man Ray - painter, photographer, sculptor, film maker and writer - relates the story of his life, from his childhood determination to be an artist and his technical drawing classes in a Brooklyn high school, to the glamorous and heady days of Paris in the 1940s, when any trip to the city 'was not complete until they had been "done" by Man Ray's camera'. Friend to everyone who was anyone, Ray tells everything he knows of artists, socialites and writers such as Matisse, Hemingway, Picasso and Joyce, not to mention Lee Miller, Nancy Cunard, Alberto Giacometti, Gertrude Stein, Dali, Max Ernst and many more, in this decadent, sensational account of the early twentieth-century cultural world.
Already in 1972, the National Museum of Modern Art had a major retrospective devoted to Man Ray. Like all exhibitions held in collaboration with the artist at that time, he extensively showed his creative activity and its fascinating diversity: paintings, collages, drawings, sculptures, assemblages, etc rayographs. In relation to the photographs, the other media were there in very small numbers. The current exhibition at the Centre Pompidou proposes therefore is the complementary part of the previous. The focus is on photography by bringing together hundreds of photographs, both masterpieces of unknown, or little known, aspects of his production: portraits of Dadaists and Surrealists friends, the celebrities of intellectual and artistic Paris, the Anglo-Saxon writers, creative photography Illustrative for surrealist magazines, nudes and rayographs but also views of Paris, the photo mode and commissioned portraits. Some of these blocks, unknown in original prints, have recently been drawn and will be shown for the first time. As for painting and objects, fifty highly selected pieces will give a renewed vision of success he has achieved in various moments of his life with fresh and inventive works.