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Best known for the short novel Manon Lescaut, Antoine-Francois Prevost was also the author of a dictionary, several important translations, an extensive corpus of historical writing, a dozen novels, and more than twenty volumes of journalism. While much of his fiction is reminiscent of the adventure stories of baroque novelists, Prevost's nonfiction expresses an encyclopedic ambition that prefigures the intellectual enterprises of the philosophes. In her exploration of the tension between his novelistic and journalistic writing, Rori Bloom argues that Prevost's novels employ established and even archaic attitudes toward authorship, while his newspaper elaborates a new understanding of the roles of author and public. By juxtaposing Prevost's novels and newspaper, Bloom analyzes the sophisticated literary strategies through which this author constructed his complex professional identity. Rori Bloom is an Assistant Professor of French in the Department of Romance Languages and Literatures at the University of Florida.
The Man of Letters as a Man of Business By William Dean Howells I think that every man ought to work for his living, without exception, and that when he has once avouched his willingness to work, society should provide him with work and warrant him a living. I do not think any man ought to live by an art. A man's art should be his privilege, when he has proven his fitness to exercise it, and has otherwise earned his daily bread; and its results should be free to all. There is an instinctive sense of this, even in the midst of the grotesque confusion of our economic being; people feel that there is something profane, something impious, in taking money for a picture, or a poem, or a statue. Most of all, the artist himself feels this. He puts on a bold front with the world, to be sure, and brazens it out as Business; but he knows very well that there is something false and vulgar in it; and that the work which cannot be truly priced in money cannot be truly paid in money. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
In letters filled with love, good advice, and old-fashioned common sense, Charlton Heston tells his grandson, Jack, and his readers, those things worth passing from generation to generation: lessons on sportsmanship, honesty, friendship, the outdoors, and a love of good books. Photos throughout.
On 16 August 1952, Ian Fleming wrote to his wife, Ann, 'My love, This is only a tiny letter to try out my new typewriter and to see if it will write golden words since it is made of gold'. He had bought the gold-plated typewriter as a present to himself for finishing his first novel, Casino Royale. It marked in glamorous style the arrival of James Bond, agent 007, and the start of a career that saw Fleming become one of the world's most celebrated thriller writers. And he did write golden words. Before his death in 1964 he produced fourteen bestselling Bond books, two works of non-fiction and the famous children's story Chitty-Chitty-Bang-Bang. Fleming's output was matched by an equally energetic flow of letters. He wrote constantly, to his wife, publisher, editors, fans, friends and critics, charting 007's progress with correspondence that ranged from badgering Jonathan Cape about his quota of free copies �- a coin was tossed; Fleming lost - to apologising for having mistaken a certain brand of perfume and for equipping Bond with the wrong kind of gun. His letters also reflect his friendships with contemporaries such as Raymond Chandler, No�l Coward and Somerset Maugham. Before the world-famous films came the world-famous novels. This books tells the story of the man who wrote them and how he created spy fiction's most compelling hero.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.