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An academically focused collection of papers highlighting the successes and challenges of a move from disaster to risk management in responding to drought. The book passes on the experiences gained from Australia’s trail-blazing new policy, introduced in 1992.
With knowledge from our deserts, Australians can reshape the human story. Dry Times: Blueprint for a Red Land provides new insights into how our desert environments and institutions work - and how this affects the people living in them, Aboriginal and non-Aboriginal alike.
Exploring widely diverse settings-from the wilds of the Australian Outback to urban adventures to biblical lands-this collection of short stories, poems, and other writings celebrates what it is to be Australian. It encompasses love, revenge, debauchery, wonder, loss, and uncertainty, but a common thread of hope emerges from the colourful and eccentric writings of bush author Fairbanks. An elder Aboriginal storyteller regales a group of eager tourists with an ancient story of betrayal, loss, and clever deception by "The Old Man in the Mountain." In "Tjamiti Ngunytji," an American youth is rescued by a character living in a remote outback Aboriginal community. After the devastating Black Saturday Bushfire destroyed his Victoria home and manuscripts, Fairbanks was inspired to capture the fleeting reflections of such an experience in "The Smouldering Stump." Life is, has always been, and will continue to be a complex thing, shaped by friendship and love bonds, ugliness and conflict, anticipation and uncertainty, comedy and joy, tragedy, mystery, and more. Above all, there is hope and beauty for those who look for it. The Old Man in the Mountain and Other Stories celebrates the many threads in the colourful tapestry of life with the quirky, sometimes irreverent Aussie sense of humour.
Fact or myth? Harold Bell Lasseter and his claim of finding a vast gold-bearing reef in Central Australia has continually been surrounded in mystery. Yet his ill-fated death in the Australian outback, where the land is unforgiving to the careless and the foolhardy, is relatively undisputed. Despite Lasseter taking secrets to a lonely desert grave in 1931, the story of the elusive gold reef has become a holy grail for explorers from near and far. One such explorer is Vietnam veteran Bill Decarli, who has spent the best part of forty years unravelling one of Australia’s greatest mysteries. On his maiden voyage to the outback in 1991, instead of heading towards Western Australia like other diehard explorers, Bill reversed his map and headed east towards Queensland. It was there that he struck upon the infamous gold reef, one that Lasseter had never laid eyes on, yet some how had been made aware of its existence. Based on significant new insights, and with a further nine trips to the reef, the key to putting all the pieces together, for Bill, was a man who barely left any trace of his own existence — until now. A story of adventurous hearts, honesty and resolve, in this new twist, Bill unearths how Lasseter’s claim was another man’s story, the exact location of the reef and how the reef stands to have a bright future.
The frontiersmen who came to the Victoria River District of Australia’s Northern Territory included cattle and horse thieves, outlaws, capitalists, dreamers, drunks, madmen and others, from the explorers of the 1830s and 1850s to the founders of the big stations in the 1880s and 1890s, and the cattle duffers in the early 1900s. This book looks at them all. Drawing on painstaking research into obscure and rich documentary sources, Aboriginal oral traditions, and first-hand investigations conducted in the region over thirty-five years, Darrell Lewis pieces together the complex interactions between the environment, the powerful and warlike Aboriginal tribes and the settlers and their cattle, which produced what truly became A Wild History.
Life story of a horseman, drover, camel man, dogger, prospector, miner and east Aranda law man, based on interviews and other oral accounts; includes observations of Aborigines, Chinese, Afghans and Europeans throughout central Australia; recounts visits to numerous stations, wells, soakages and ceremonial sites; participation in, and observation of, ceremonies; Aboriginal memories of Lasseter; Arltunga, Pine Creek, Tennant Creek and Granites gold fields.
Was Mounted Constable William Willshire really the cold-blooded killer of 'literally thousands' of Aboriginal people in Central Australia? Or was he the first white man to write a love poem to an Aboriginal woman? Was he both? Did the Finke River missionaries imprison and beat their recalcitrant converts, or did they mark out a future path for a people abandoned by South Australian society? Did the mission connive at the murder of the men who opposed them? Did they really convert anyone to Lutheran Christianity? And what did the people and governments of South Australia know and care about their northern frontier? Could a policeman be hanged for murder? This book goes beyond the stereotypes to answer these questions. It brings back to life some remarkable people.
A rare glimpse into the Australian heartland and the interactions of black and white Australians through the eyes of an artist. Two years after artist Rod Moss arrived in Alice Springs in Australia’s outback to teach painting, he met an indigenous couple who had set up camp in the gully beside his home. Over the next twenty-five years, his friendship with Xavier and Petrina Neil and the friendships that grew from it with the families of Whitegate, an Arrernte aboriginal camp on the outskirts of town, would nourish and challenge Moss beyond his imagining. The Hard Light of Day offers a rare insight into the reality of life in the Outback, from the contours of the MacDonnell Ranges and the textures and sounds of Arrernte culture, to the endemic violence, alcoholism and ill-health that continue to devastate Aboriginal lives. In recalling the relationships and experiences that have shaped his life and work in Alice Springs, Moss reveals the human face behind the statistics and celebrates the enriching, transformative power of friendship. Illustrated with Moss's evocative paintings and photographs, The Hard Light of Day is an incredible journey into a world that is rarely glimpsed, and an artist's chronicle of the moments that have inspired him.
In the third Quarterly Essay of 2003, Germaine Greer suggests that embracing Aboriginality is the only way Australia can fully imagine itself as a nation. In a wide-ranging essay she looks at the interdependence of black and white and suggests not how the Aborigine question may be settled but how a sense of being Aboriginal might save the soul of Australia. In a sweeping and magisterial essay, touching on everything from Henry Lawson to multiculturalism, Germaine Greer argues that Australia must enter the Aboriginal web of dreams. "[Whitefella Jump Up] is an essay about sitting down and thinking where all the politics start and what kind of legend Australia wants to place at its heart." —Peter Craven "I'm not here offering yet a solution to the Aborigine problem ... Blackfellas are not and never were the problem. They were the solution, if only whitefellas had been able to see it." —Germaine Greer, Whitefella Jump Up
Throughout history, gold has been the stuff of legends, fortunes, conflict and change. The discovery of gold in Australia150 years ago precipitated enormous developments in the newly settled land. The population and economy boomed in spontaneous cities. The effects on both the environment and indigenous Aboriginal peoples have been profound and lasting. In this book, a team of prominent historians and curators have collaborated to produce an innovative cultural history of gold and its impact on the development of Australian society.