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This book examines the first human colonization of Asia and particularly the tropical environments of Southeast Asia during the Upper Pleistocene. In studying the unique character of the Asian archaeological record, it reassesses long-accepted propositions about the development of human 'modernity.' Ryan J. Rabett reveals an evolutionary relationship between colonization, the challenges encountered during this process - especially in relation to climatic and environmental change - and the forms of behaviour that emerged. This book argues that human modernity is not something achieved in the remote past in one part of the world, but rather is a diverse, flexible, responsive, and ongoing process of adaptation.
It’s tempting to believe that the Christian faith is alive and well in our country today. Our politicians talk about God. Our mega-churches are filled. Christian schools dot our landscape. Brace yourself. It’s an illusion. Believe it or not, only 8 percent of Americans profess and practice true evangelical Christian faith. There are more left-handed people than evangelical Christians in America. In this book, Mark Driscoll delivers a wake-up call for every believer: We are living in a post-Christian culture—a culture fundamentally at odds with faith in Jesus. This is good and bad news. The good news is that God is still working, redeeming people from this spiritual wasteland and inspiring a resurgence of faithful believers. The bad news is that many believers just don’t get it. They continue to gather exclusively into insular tribes, lobbing e-bombs at each other in cyberspace. Mark’s book is a clarion call for Christians. It’s time to get to work. We can only do this if we unite around Jesus and the essentials found in his Word, while at the same time, appreciating the distinctives within each Christian tribe. Mark shows us how to do just that. This isn’t the time to wait or debate. Join the resurgence.
The Handbook of East and Southeast Asian Archaeology focuses on the material culture and lifeways of the peoples of prehistoric and early historic East and Southeast Asia; their origins, behavior and identities as well as their biological, linguistic and cultural differences and commonalities. Emphasis is placed upon the interpretation of material culture to illuminate and explain social processes and relationships as well as behavior, technology, patterns and mechanisms of long-term change and chronology, in addition to the intellectual history of archaeology as a discipline in this diverse region. The Handbook augments archaeologically-focused chapters contributed by regional scholars by providing histories of research and intellectual traditions, and by maintaining a broadly comparative perspective. Archaeologically-derived data are emphasized with text-based documentary information, provided to complement interpretations of material culture. The Handbook is not restricted to art historical or purely descriptive perspectives; its geographical coverage includes the modern nation-states of China, Mongolia, Far Eastern Russia, North and South Korea, Japan, Taiwan, Vietnam, Cambodia, Laos, Thailand, Burma, Malaysia, Indonesia, the Philippines and East Timor.
The idea that morally, mentally, and physically superior 'new men' might replace the currently existing mankind has periodically seized the imagination of intellectuals, leaders, and reformers throughout history. This volume offers a multidisciplinary investigation into how the 'new man' was made in Russia and the early Soviet Union in the first third of the 20th century. The traditional narrative of the Soviet 'new man' as a creature forged by propaganda is challenged by the strikingly new and varied case studies presented here. The book focuses on the interplay between the rapidly developing experimental life sciences, such as biology, medicine, and psychology, and countless cultural products, ranging from film and fiction, dolls and museum exhibits to pedagogical projects, sculptures, and exemplary agricultural fairs. With contributions from scholars based in the United States, Canada, the UK, Germany and Russia, the picture that emerges is emphatically more complex, contradictory, and suggestive of strong parallels with other 'new man' visions in Europe and elsewhere. In contrast to previous interpretations that focused largely on the apparent disconnect between utopian 'new man' rhetoric and the harsh realities of everyday life in the Soviet Union, this volume brings to light the surprising historical trajectories of 'new man' visions, their often obscure origins, acclaimed and forgotten champions, unexpected and complicated results, and mutual interrelations. In short, the volume is a timely examination of a recurring theme in modern history, when dramatic advancements in science and technology conjoin with anxieties about the future to fuel dreams of a new and improved mankind.
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The history and ideologies of the Far Right in Britain have been well documented, but there has been little understanding of the movement's cultural foundations. This text explores the cultural history of fascism and the Far Right and mines a seam of intense interest for both academics and students, as well as for the general reader. The book demonstrates that British fascism is essentially not just a political movement, but one that has as its goal the establishment of an all-embracing fascist culture in Britain. The contributions cover film, theatre, music, literature, the visual arts and the mass media. Striking examples of the material that they examine include fascist marching songs, "Aryan music", the creation of Mosley as a "matinee idol", even "fascist science", the cult of the "New Fascist Man" and fascist "masculinity" and "feminity". The authors demonstrate the persistence of the Far Right cultural forms from Mosley's British Union of Fascists within the present National Front and British National Party.