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1923. A group of lectures given by Wissler at the State Universities of Michigan, Iowa, Nebraska, and Kansas and also before the Anthropological Society of St. Louis and the Galton Society of New York. The object of these lectures was to present the problems and scope of contemporary anthropology, and recognizing that the most pertinent question before us as a people, is the relation of civilization to man, the emphasis in these pages has been placed upon culture and its biological background.
Review: "Epilogue reviews recent archaeological evidence for the precolumbian antiquity of social and settlement behavior of indigenous Amazonian groups"--Handbook of Latin American Studies, v. 57. http://www.loc.gov/hlas/
Most anthologies of Renaissance writing include only (or predominantly) male writers, whereas those that focus on women include women exclusively. This book is the first to survey both in an integrated fashion. Its texts comprise a wide range of canonical and non-canonical writing -- including some new and important discoveries. The texts are arranged so that writing by women and men is presented together, not in a "point-counterpoint" system that would "square off" female and male writers against one another, but rather in pairs, sometimes clusters, of texts in which women's writing is foregrounded even as it appears with writing by men. The anthology arranges recently recovered texts into intriguing patterns, juxtaposing, for example, Aemelia Lanyer's country house poem with an expression of a different type of nostalgia by Surrey. It includes unconventional voices, as in the homoerotic poems by Richard Barnfield or the possibly lesbian poems by Katherine Philips. It makes newly available the voices of English Marrano women (secret Jews) and the Miltonic poetry of Jean Lead. -- D. Aldrich-Watson, University of Missouri - St. Louis
Studies have shown that 60% of male managers feel uncomfortable working one-on-one with their female colleagues. That's where The Man's Guide to Corporate Culture comes in. Heather Zumarraga, a business journalist who has spent much of her career in testosterone-filled work environments, wants to make sure that any male leader who wants to be part of the solution knows how to do it the right way. Heather provides you with logical solutions to complex gender issues and gives important, practical lessons for men and women alike. The Man's Guide to Corporate Culture teaches you: Which behaviors to adopt (and which to avoid) to create and maintain a comfortable work environment for their female co-workers. How to create an environment that is not only welcoming to both women and men but also encourages healthy and respectful collaboration. And more real-world tested advice and approaches to help ensure every employee (and business) is best situated for success. There are numerous business books that coach women to deal with bias and harassment in a male-dominated workplace. However, The Man's Guide to Corporate Culture is?one of the only books that coaches men on how to succeed?in the new normal.
Following Master of Five Excellences, the previously published volume of Cheng Man-Ch'ing's teachings, comes this volume in which Man-Ch'ing expounds his views in 49 essays. His lessons of inner development and comments on daily life will be of particular interest to both t'ai chi adherents and those interested in Chinese culture. Photos & line drawings.
From the Beat poets' incarnation of the "white Negro" through Iron John and the Men's Movement to the paranoid masculinity of Timothy McVeigh, white men in this country have increasingly imagined themselves as victims. In Taking It Like a Man, David Savran explores the social and sexual tensions that have helped to produce this phenomenon. Beginning with the 1940s, when many white, middle-class men moved into a rule-bound, corporate culture, Savran sifts through literary, cinematic, and journalistic examples that construct the white man as victimized, feminized, internally divided, and self-destructive. Savran considers how this widely perceived loss of male power has played itself out on both psychoanalytical and political levels as he draws upon various concepts of masochism--the most counterintuitive of the so-called perversions and the one most insistently associated with femininity. Savran begins with the writings and self-mythologization of Beat writers William Burroughs, Allen Ginsberg, and Jack Kerouac. Although their independent, law-defying lifestyles seemed distinctively and ruggedly masculine, their literary art and personal relations with other men in fact allowed them to take up social and psychic positions associated with women and racial minorities. Arguing that this dissident masculinity has become increasingly central to U.S. culture, Savran analyzes the success of Sam Shepard as both writer and star, as well as the emergence of a new kind of action hero in movies like Rambo and Twister. He contends that with the limited success of the civil rights and women's movements, white masculinity has been reconfigured to reflect the fantasy that the white male has become the victim of the scant progress made by African Americans and women. Taking It Like a Man provocatively applies psychoanalysis to history. The willingness to inflict pain upon the self, for example, serves as a measure of men's attempts to take control of their situations and their ambiguous relationship to women. Discussing S/M and sexual liberation in their historical contexts enables Savran to consider not only the psychological function of masochism but also the broader issues of political and social power as experienced by both men and women.
Spengler's work describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity, and his controversial ideas spark debate over the meaning of historiography.