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Orla O’Reilly, the youngest in a long line of hedge witches, is compelled to return home after the death of her grandmother, Mamo. In the wake of her Mamo’s passing, seas are impossible to fish, crops have soured, even Jo Manalo’s attic is taken over by a poltergeist! And to make matter worse it appears that the cause is Mamo, or her mislaid bones that is. Can Orla shoulder the responsibility of quieting her Mamo’s spirit, saving her hometown, and will she have to step up as the new witch of Haresden like Mamo always wanted? Collects Mamo #1-5.
Hedge witch Orla has returned home after her grandmother's death to find that her mislaid bones are wreaking havoc all across Haresden! Mamo's graves must be brought together in order to give her spirit and the town some peace. Can Orla shoulder the responsibility of quieting her Mamo's spirit and saving her hometown?
BOOM! Studios is proud to showcase the incredible artistic vision of Sas Milledge! Can Orla O'Reilly embrace her destiny in order to bridge the divide between humanity and the faerie world? Orla, the youngest in a long line of hedge witches, finds herself pulled back to her hometown after the death of her grandmother - Mamo. Without Mamo managing magical relationships between the townsfolk and the fae, the seas are impossible to fish, the crops have soured... and Jo Manalo's attic has been taken over by a poltergeist! Now, Orla and Jo will both be pulled into worlds they never wanted to be part of. Can the two girls work together to save the town? Sas Milledge (The Lost Carnival: A Dick Grayson Graphic Novel) debuts her first original series perfect for fans of The Last Witch and Sabrina The Teenage Witch that answers the question of how we all reconcile our responsibilities with our dreams for our own future.
An Ethopian Tale. A little goat herder starts out his day with a special game board from his father. Somebody takes it from him, and he spends the rest of the day trading things until he gets a new game board.
The graphic novel Are You Listening? is an intimate and emotionally soaring story about friendship, grief, and healing from Eisner Award winner Tillie Walden. Bea is on the run. And then, she runs into Lou. This chance encounter sends them on a journey through West Texas, where strange things follow them wherever they go. The landscape morphs into an unsettling world, a mysterious cat joins them, and they are haunted by a group of threatening men. To stay safe, Bea and Lou must trust each other as they are driven to confront buried truths. The two women share their stories of loss and heartbreak—and a startling revelation about sexual assault—culminating in an exquisite example of human connection. This magical realistic adventure from the celebrated comics creator of Spinning and On a Sunbeam will stay with readers long after the final gorgeously illustrated page. 2020 Eisner Award Winner, Best Graphic Album--New A Chicago Public Library Best of the Best Book of 2019 A National Public Radio (NPR) Best Book of 2019 An O Magazine Best LGBTQ Book of 2019 One of The Comics Beat's Best Comics of 2019 A Lambda Literary Award Finalist A Harvey Award nominee, Best Book of the Year
Originally developed to help heterosexual couples, fertility treatments such as in vitro fertilization and sperm donation have provided lesbians with new methods for achieving pregnancy during the past two decades. Queering Reproduction is an important sociological analysis of lesbians’ use of these medical fertility treatments. Drawing on in-depth interviews with lesbians who have been or are seeking to become pregnant, Laura Mamo describes how reproduction has become an intensely medicalized process for lesbians, who are transformed into fertility patients not (or not only) because of their physical conditions but because of their sexual identities. Mamo argues that this medicalization of reproduction has begun to shape queer subjectivities in both productive and troubling ways, destabilizing the assumed link between heterosexuality and parenthood while also reinforcing traditional, heteronormative ideals about motherhood and the imperative to reproduce. Mamo provides an overview of a shift within some lesbian communities from low-tech methods of self-insemination to a reliance on outside medical intervention and fertility treatments. Reflecting on the issues facing lesbians who become parents through assisted reproductive technologies, Mamo explores questions about the legal rights of co-parents, concerns about the genetic risks of choosing an anonymous sperm donor, and the ways decisions to become parents affect sexual and political identities. In doing so, she investigates how lesbians navigate the medical system with its requisite range of fertility treatments, diagnostic categories, and treatment trajectories. Combining moving narratives and insightful analysis, Queering Reproduction reveals how medical technology reconfigures social formations, individual subjectivity, and notions of kinship.
No Nā Mamo is an updated and enlarged compilation of books in the acclaimed Ka Wana series, published in 2005-2010. The books, revised and presented here as individual chapters, offer invaluable insights into the philosophy and way of life of Native Hawaiian culture: Pono (right way of living) Aloha (love and affection) Welina (welcome and hospitality) A'o (education) Ola (health and healing) Ho'oponopono (healing to make things right) Ho'omana (the sacred and spiritual) Alaka'i (leadership) Kākā'ōlelo (oratory) Ho'onohonoho (cultural management) Kapu (gender roles) Hewa (wrong way of living) Readers both familiar and unfamiliar with Native Hawaiian traditions and practices will find much to reflect on as well as practical guidance and knowledge. Throughout Chun draws on first-hand accounts from early Hawaiian historians, early explorers and missionaries, and nineteenth-century Hawaiian language publications--as well as his own experience, gained from a lifetime of engagement with the language and culture. No Nā Mamo contains new and updated information throughout, a completely new chapter on Aloha, color illustrations, prefaces by the author and editor, a new Afterword, and an Appendix describing the challenges faced in creating this book.
Who will Orla and Jo turn to for help when they really need it? Haresden is in chaos! From destroyed troll cairns to a bewitched flock of sheep being mesmerized by a mysterious moth that may be Mamo’s familiar. Maybe the girls could enlist the help of a murder of crows and their leader, Caractus, who owes Jo an old life debt? It just might be time for Jo to lead Orla into something new, and strange, and magical. That is, if these corvids can even be trusted.
Before he met Batman, Dick Grayson discovered the power of young love-and its staggering cost-at the magical Lost Carnival. Haly's traveling circus no longer has the allure of its glamorous past, but it still has one main attraction: the Flying Graysons, a family of trapeze artists featuring a teenage Dick Grayson. The only problem is that Dick loathes spending his summers performing tired routines for dwindling crowds. When the Lost Carnival opens nearby and threatens to pull Haly's remaining customers, Dick is among those drawn to its nighttime glow. But there are ancient forces at work at the Lost Carnival, and when Dick meets the mysterious Luciana and her nomadic family, he may be too mesmerized to recognize the danger ahead. Beneath the carnival's dazzling fireworks, Dick must decide between who he is and who he wants to be-choosing either loyalty to his family history or a glittering future with new friends and romance. Author Michael Moreci and illustrator Sas Milledge will suspend readers from a tightrope in this graphic novel, redefining Dick Grayson for a new generation.