Download Free Mammys White Folks Book in PDF and EPUB Free Download. You can read online Mammys White Folks and write the review.

A revealing exploration of the origins and meanings of the mammy figure
When Aunt Jemima beamed at Americans from the pancake mix box on grocery shelves, many felt reassured by her broad smile that she and her product were dependable. She was everyone's mammy, the faithful slave who was content to cook and care for whites, no matter how grueling the labor, because she loved them. This far-reaching image of the nurturing black mother exercises a tenacious hold on the American imagination. Micki McElya examines why we cling to mammy. She argues that the figure of the loyal slave has played a powerful role in modern American politics and culture. Loving, hating, pitying, or pining for mammy became a way for Americans to make sense of shifting economic, social, and racial realities. Assertions of black people's contentment with servitude alleviated white fears while reinforcing racial hierarchy. African American resistance to this notion was varied but often placed new constraints on black women. McElya's stories of faithful slaves expose the power and reach of the myth, not only in popular advertising, films, and literature about the South, but also in national monument proposals, child custody cases, white women's minstrelsy, New Negro activism, anti-lynching campaigns, and the civil rights movement. The color line and the vision of interracial motherly affection that helped maintain it have persisted into the twenty-first century. If we are to reckon with the continuing legacy of slavery in the United States, McElya argues, we must confront the depths of our desire for mammy and recognize its full racial implications.
DIVFrom a highly respected thinker on race, gender, and American politics, a new consideration of black women and how distorted stereotypes affect their political beliefs/div
"These sketches are typical of the negroes of lower Richland County and the great swamps of the Congaree."--Foreword.
Welfare queen, hot momma, unwed mother: these stereotypes of Black women share their historical conception in the image of the Black woman as domestic. Focusing on the issue of stereotypes, the new edition of Trudier Harris’s classic 1982 study From Mammies to Militants examines the position of the domestic in Black American literature with a new afterword bringing her analysis into the present. From Charles Chesnutt’s The Marrow of Tradition to Toni Morrison’s The Bluest Eye, Black writers, some of whom worked as maids themselves, have manipulated the stereotype in a strategic way as a figure to comment on Black-white relations or to dramatize the conflicts of the Black protagonists. In fact, the characters themselves, like real-life maids, often use the stereotype to their advantage or to trick their oppressors. Harris combines folkloristic, sociological, historical, and psychological analyses with literary ones, drawing on her own interviews with Black women who worked as domestics. She explores the differences between Northern and Southern maids and between “mammy” and “militant.” Her invaluable book provides a sweeping exploration of Black American writers of the twentieth century, with extended discussion of works by Charles Chesnutt, Kristin Hunter, Toni Morrison, Richard Wright, Ann Petry, William Melvin Kelley, Alice Childress, John A. Williams, Douglas Turner Ward, Barbara Woods, Ted Shine, and Ed Bullins. Often privileging political statements over realistic characterization in the design of their texts, the authors in Harris’s study urged Black Americans to take action to change their powerless conditions, politely if possible, violently if necessary. Through their commitment to improving the conditions of Black people in America, these writers demonstrate the connectedness of art and politics. In her new afterword, “From Militants to Movie Stars,” Harris looks at domestic workers in African American literature after the original publication of her book in 1982. Exploring five subsequent literary treatments of Black domestic workers from Ernest J. Gaines’s A Lesson Before Dying to Lynn Nottage’s By the Way, Meet Vera Stark, Harris tracks how the landscape of representation of domestic workers has broken with tradition and continues to transform into something entirely new.
Minority.
Making Whiteness is a profoundly important work that explains how and why whiteness came to be such a crucial, embattled--and distorting--component of twentieth-century American identity. In intricately textured detail and with passionately mastered analysis, Grace Elizabeth Hale shows how, when faced with the active citizenship of their ex-slaves after the Civil War, white southerners re-established their dominance through a cultural system based on violence and physical separation. And in a bold and transformative analysis of the meaning of segregation for the nation as a whole, she explains how white southerners' creation of modern "whiteness" was, beginning in the 1920s, taken up by the rest of the nation as a way of enforcing a new social hierarchy while at the same time creating the illusion of a national, egalitarian, consumerist democracy. By showing the very recent historical "making" of contemporary American whiteness and by examining how the culture of segregation, in all its murderous contradictions, was lived, Hale makes it possible to imagine a future outside it. Her vision holds out the difficult promise of a truly democratic American identity whose possibilities are no longer limited and disfigured by race.
When These Are Our Lives was first published by The University of North Carolina Press in 1939, the late Charles A. Beard hailed it as "literature more powerful than anything I have read in fiction, not excluding Zola's most vehement passages." A very early experiment in the publication of oral history, it consisted of thirty-five life histories of sharecroppers, farmers, mill workers, townspeople, and the unemployed of the Southeast, selected from over a thousand such histories collected by the Federal Writers' Project in the 1930s. It was the Press' intention to publish several more volumes from the material that had been amassed, but World War II forced the cancellation of those plans. The editors of Such As Us have taken up the abandoned task and have produced a volume every bit as rich as its predecessor. From the perspective of forty years we can now read these stories as vivid chapters in the social history of the South, reaching as far back as slavery times and as far forward as the eve of World War II. To the modern reader the people speaking in this book may at first seem quaint, like curious from a past time and a different world. They worked on farms, in mills, oil fields, coal mines, and other people's homes. Their life histories provide a view of the world they saw, experienced, and helped to create. They tell about family life, religion, sex roles, being poor, and getting old, and they describe how major events -- the Civil War, Emancipation, World War I, the Great Depression, and the New Deal -- affected them. These accounts offer the reader the chance to experience vicariously the world these people lived in -- to know, for example, the wife of the tenant farmer who commented, "We seem to move around in circles like the mule that pulls the syrup mill. We are never still, but we never get anywhere." Such as Us is a contribution to the history of anonymous Americans. Like the former-slave narratives, which have become an important primary source for the historian, these life histories will enable the reader to reexamine traditional views and address new questions about the South. By providing an introduction and historical interchapters that place the histories in perspective, the editors set these histories within the cultural context of the 1930s and illustrate the relationship between private lives and public events. These life histories allow individuals to reach across time and share their lives with us. Although the people who speak in Such As Us are representatives of social types and classes, they are also unique individuals -- a paradoxical truth their life histories affirm.