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The Reunion" is based on actual events," reveals the author, "but the story only really came into focus for me when I was invited to contribute to Ellen Datlow's Poe anthology. Poe is brilliant. I was at a conference recently where a teacher revealed that she had read Poe's 'The Black Cat' to a lecture theatre full of schoolchildren. She switched off all the lights and used a torch to read by. A number of parents lodged complaints, which she took as a measure of the event's success. My tale is inspired by a different Poe story.
"My cousin-by-marriage Sean Lavery, knowing my love for weird and outré websites, sent me a link to the Dark Roasted Blend site (www.darkroastedblend.com)," reveals the author, "where I found several pages featuring photographs of abandoned places. "My imagination was fired by pictures taken at Chippewa Lake Park in Medina, Ohio, which opened in 1878 and was abandoned in 1978, with the buildings and rides left to rot where they stood, and I began looking around for some information about the park. "I've always had a fondness for amusement parks, ever since I was a child visiting Vancouver's Pacific National Exhibition with my father and my brother: an annual trip which was one of the red-letter days on my childhood calendar. The photographs of Chippewa Lake Park were equal parts eerie and sad, for anyone who has ever thrilled to the sights and sounds of a midway, and the story sprang, almost fully-formed, into my head; one of the few times that's happened." To see some of the pictures that inspired the following story, visit: www.defunctparks.com/parks/OH/ChippewaLake/chippewa-lake.htm.
When I was first asked to contribute to Exotic Gothic 3 (which was to feature Gothic-influenced stories in non-Gothic environments), I agreed without really thinking about it," Unsworth explains, "and then spent a long time struggling, trying to work out how, precisely, I was going to manage it or quite how to make a start. "I knew what I wanted to do, sort of, but not exactly how to do it, so one day alarmingly close to the deadline I did a fun thing: I freewheeled through Google. Using a small document about Zambian myths and cultures I found online (I set the story in Zambia for no reason other than an old family friend lives there and it seemed exotic in Gothic terms), I used one Zambian word from it as a search term and read what came up, took one intriguing Zambian term from the search results and searched for that, etc, and disappeared into Google's merry depths. "I ended up with an academic paper about a particular myth, a travel blog about a sort of beer made from corn and a weird little 'my God's better than your God' blog by a kid in Africa, and somewhere in the middle of that, the story appeared.
Kelly recalls: "The genesis of 'Princess of the Night' is a little murky. It was written for an anthology of Halloween tales. Alas, it didn't make it into the book. The tale then sold to a slick new professional magazine, where it promptly languished for four years until the magazine (which published four issues, I believe) folded before publication. I forgot about the story for a while. Then, one day, as I was looking through my files for possible stories to include in a new collection, I chanced upon it again.
Stories often find their origins in unexpected ways," Strantzas reveals. "I was inspired in this case by a photograph of a Zen garden I once used as my computer's desktop background. After staring at it day-in and day-out while I worked, I began to wonder about that dark circle of rocks and just what its true purpose might be. "There was something there in the coldness of the photograph, something that brought to mind the barren vistas of the Canadian Arctic, which ended up being the perfect setting for my tale of tested faith.
What Happens When You Wake Up in the Night - Michael Marshall Smith For Michael Marshall Smith, this was one of those stories that dropped straight into his head, but the problem was that he didn't want it: "It wasn't an idea I liked. It was clearly some part of my brain serving up a notion simply because it could, and because it knew it could frighten me with it. "It did frighten me, and so I did what I always do when that happens - which is write it down, in the hope it will go away." Respects - Ramsey Campbell "'Respects' was suggested by a local incident in which a car thief in his early teens killed himself while fleeing the police," recalls Campbell. "A lamp standard at the site of his demise is still decorated with flowers years after the incident, and the tributes on the obituaries page of one Wallasey newspaper were at least as grotesque as the ones I've invented - the romanticisation of a petty criminal. Cold to Touch - Simon Strantzas "Stories often find their origins in unexpected ways," Strantzas reveals. "I was inspired in this case by a photograph of a Zen garden I once used as my computer's desktop background. "There was something there in the coldness of the photograph, something that brought to mind the barren vistas of the Canadian Arctic, which ended up being the perfect setting for my tale of tested faith." The Reunion - Nicholas Royle "'The Reunion' is based on actual events," reveals the author, "but the story only really came into focus for me when I was invited to contribute to Ellen Datlow's Poe anthology. "Poe is brilliant. I was at a conference recently where a teacher revealed that she had read Poe's 'The Black Cat' to a lecture theatre full of schoolchildren. She switched off all the lights and used a torch to read by. A number of parents lodged complaints, which she took as a measure of the event's success. My tale is inspired by a different Poe story." Granny's Grinning - Robert Shearman "I love Christmas," says Shearman. "Always have done, and always a bit too passionately. The intensity with which I loved Christmas was delightful when I was eight years old, slightly unusual by the time I was eighteen, and increasingly disturbing thereafter. "I was the last one to grow up. It suddenly dawned on me one year, looking into the faces of my parents, and of my sister, that they were all older, and fatter, and less and less festive. And that they were trying so hard to keep me happy each Christmas, pretending they wanted all those presents I'd bought, all those sausage rolls and Quality Street chocs. That what I was trying to do, each December, was somehow reach back into the past and resurrect a time that was dead, that was long dead. "I still love Christmas. But now I recognize - as I still make them perform party games, as I still make them open their gifts and smile and say thank you - that they're zombies now. All of them, zombies. I'll never get my childhood back again, not really, or the innocence of that family get-together. So I'll make do with the dead, and pretend. "This is a story all about that." In The Garden - Rosalie Parker "'In the Garden' was written after I challenged myself to write a horror story about gardening," explains the author. "It emerged more quickly and easily than anything I've ever written. I think of it more as a prose poem than a story."
In this grizzly anthology of the undead, four fascinatingly horrid dystopian universes are described, with zombies taking centre stage. Included are: What Will Come After - Scott Edelman In this most personal of zombie stories, the author imagines himself as the protagonist, looking ahead to what would happen after his own death . . . and rebirth. Christmas with the Dead - Joe R. Lansdale The ultimate in holiday horror stories. Fort Clay, Louisiana: A Tragical History - Albert E. Cowdrey When a young photographer welcomes an elderly man to her house to see the book she has published about a long-deserted 19th century military fort on the Mississippi, watery southern horrors emerge from the past. When the Zombies Win - Karina Sumner-Smith The ultimate in dystopian what-ifs, Karina Sumner-Smith's story is set after the zombie apocalypse has reached its zenith. When there's no one left to infect, where do the zombies turn?
Everyone loves a good conspiracy. From the Jonestown massacre and the Philadelphia experiment to Nazi gold and the moon landing, there are umpteen conspiracy theories that even the least sceptical of us can recall and discuss at length. Entire libraries have been furnished and internet forums filled with this cultural phenomenon in which complex threads are weaved together to explain seismic events in our recent history. Indeed, there are few things more captivating than a well-research, convincing argument that flies in the face of perceived knowledge. So follow Jon E. Lewis down the rabbit hole and look at our political system from a different perspective. Controversies include: - Bar Codes - Can it really be that these codes apparently indicate 666; the mark of the devil and his coming cashless economy? - The Bilderberg Group - An annual polite discussion on current affairs or a forum in which policy with worldwide implications is shaped? - Bohemian Grove - To some, this is a private camping site dubbed 'the greatest men's party on earth', while other's regard it as opportunity to win friends in high places and to secure jobs or contracts. What really goes on at Bohemian Grove when the elite gather? - Bush-Bin Laden Connection - Is it possible that George W. Bush made errors of judgement pre 9/11 because of his family's ties to the Bin Laden's? Is it possible that 9/11 could have been prevented? - Cancer - Is there a cancer cure which is being suppressed by pharmaceutical companies and the medical establishments to keep their multibillion-dollar industry thriving? - Club of Rome - Is it true that the Club of Rome wish to use war, disease and famine as the main ways to eliminate "useless eaters"? - Jonestown - Was this a mass suicide, or was it mass murder intended to cover-up mind-control experiments? - 1969 Moon Landing Hoax - Were all the Apollo landings an astronomical hoax? - Nazi Gold - Did US authorities turn a blind eye to $3 million stolen by its own troops? - Philadelphia Experiment - Did the US Navy cover up invisibility experiments which went hideously wrong? - Ronald Reagan - Did George Bush seek to assassinate Ronald Reagan? - The Royal Institute of International Affairs- To what extent do they influence world agendas? - Star Gate - What is the truth behind the CIA's psi-operations in the 1970s?
'Oh I Do Like To Be Beside The Seaside' came about firstly because I was commissioned to write a story for the World Horror Convention souvenir book and, as the event was to take place in Brighton, it seemed logical to set a tale on the South coast of England. "I had written a fantasy novel, Calabash, some years earlier, hinting at the dark madness of such seaside towns, which are the antithesis of their Mediterranean counterparts. I thought of the depressing Morrissey song "Every Day is Like Sunday", which captures the awfulness of English resorts. "Coincidentally, Kim Newman and I were discussing the inherent creepiness of pantomime dames, and I decided it was time to give vent to my horror of these coastal pleasure domes. I wish I'd thought to include screaming gangs of hen-nighters as well. And I thought it was a nice touch to have everyone in the story telling the hero to 'fuck off' until he finally does.
122 fantastic stories from Britain's best crime writers For ten years the Mammoth Best British Crime series has been publishing an annual volume of the most outstanding crime and mystery short fiction published in the UK. Over 400 stories by the very best writers in the field have been published. Contributors have included, among many others, Mark Billingham, Liza Cody, Roger Jon Ellory, Reginald Hill, Peter James, Simon Kernick, Alexander McCall Smith, Val McDermid, John Mortimer, Anne Perry, Ian Rankin, Derek Raymond and Andrew Taylor. On several occasions, stories published in The Mammoth Book of Best British Crime have won some of the most prestigious awards in the field, including the Crime Writers Association Short Story Dagger, The Mystery Writers of America Edgar award and the Anthony award, while countless others have featured on the respective shortlists. This truly bumper collection of over 120 stories, an omnibus edition of Volumes 7, 8 and 9, showcases as ever the impressive breadth of crime writing, from cosy tales of detection to noir mayhem and psychological suspense and terror. There are puzzles to solve, nagging questions about the nature of the society in which we live, but, above all, there is an abundance of first-class entertainment. Over 1600 pages of outstanding crime fiction by: Lin Anderson, Kate Atkinson, Ian Ayris, Ray Banks, Robert Barnard, Colin Bateman, Mark Billingham, Nigel Bird, Tony Black, Stephen Booth, Paul D. Brazill, Simon Brett, Gerard Brennan, Christopher Brookmyre, Alison Bruce, Ken Bruen, Declan Burke, Col Bury, Tom Cain, Ann Cleeves, Liza Cody, Natasha Cooper, Bernie Crosthwaite, Judith Cutler, Colin Dexter, Martin Edwards, Matthew J. Elliott, Kate Ellis, R. J. Ellory, Chris Ewan, Christopher Fowler, Simon R. Green, Jon Courtenay Grimwood, Allan Guthrie, Sophie Hannah, John Harvey, Mick Herron, David Hewson, Reginald Hill, Matt Hilton, Kate Horsley, Peter James, Paul Johnston, L. Kennedy, Bill Kirton, John Lawton, Simon Levack, Michael Z. Lewin, Toby Litt, Peter Lovesey, Phil Lovesey, Stuart MacBride, Adrian Magson, Barry Maitland, Alexander McCall Smith, Keith McCarthy, Val McDermid, Brian McGilloway, Denise Mina, Steve Mosby, Edward Marston, Amy Myers, Barbara Nadel, Stuart Neville, Christine Poulson, Ian Rankin, Sarah Rayne, Peter Robinson, Nicholas Royle, Zoë Sharp, Roz Southey, Sally Spedding, Jay Stringer, Andrew Taylor, Marilyn Todd, Peter Turnbull, L. C. Tyler, Simon Kernick, Nick Quantrill, Sheila Quigley, Louise Welsh, Marc Werner and Kevin Wignall.