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'Oh I Do Like To Be Beside The Seaside' came about firstly because I was commissioned to write a story for the World Horror Convention souvenir book and, as the event was to take place in Brighton, it seemed logical to set a tale on the South coast of England. "I had written a fantasy novel, Calabash, some years earlier, hinting at the dark madness of such seaside towns, which are the antithesis of their Mediterranean counterparts. I thought of the depressing Morrissey song "Every Day is Like Sunday", which captures the awfulness of English resorts. "Coincidentally, Kim Newman and I were discussing the inherent creepiness of pantomime dames, and I decided it was time to give vent to my horror of these coastal pleasure domes. I wish I'd thought to include screaming gangs of hen-nighters as well. And I thought it was a nice touch to have everyone in the story telling the hero to 'fuck off' until he finally does.
The author reveals the following story "...began with a dreadful image at the end of a dream. I couldn't remember the other details of that dream, but I was determined to find out where that image might have come from."
When I was first asked to contribute to Exotic Gothic 3 (which was to feature Gothic-influenced stories in non-Gothic environments), I agreed without really thinking about it," Unsworth explains, "and then spent a long time struggling, trying to work out how, precisely, I was going to manage it or quite how to make a start. "I knew what I wanted to do, sort of, but not exactly how to do it, so one day alarmingly close to the deadline I did a fun thing: I freewheeled through Google. Using a small document about Zambian myths and cultures I found online (I set the story in Zambia for no reason other than an old family friend lives there and it seemed exotic in Gothic terms), I used one Zambian word from it as a search term and read what came up, took one intriguing Zambian term from the search results and searched for that, etc, and disappeared into Google's merry depths. "I ended up with an academic paper about a particular myth, a travel blog about a sort of beer made from corn and a weird little 'my God's better than your God' blog by a kid in Africa, and somewhere in the middle of that, the story appeared.
The Reunion" is based on actual events," reveals the author, "but the story only really came into focus for me when I was invited to contribute to Ellen Datlow's Poe anthology. Poe is brilliant. I was at a conference recently where a teacher revealed that she had read Poe's 'The Black Cat' to a lecture theatre full of schoolchildren. She switched off all the lights and used a torch to read by. A number of parents lodged complaints, which she took as a measure of the event's success. My tale is inspired by a different Poe story.
THE WOODS - Michael Kelly Michael Kelly reveals "The Woods' was written for an anthology seeking regional horror and ghost stories. I'd just read Hemingway's 'Hills Like White Elephant's'. Now, in no way am I comparing myself to Hemingway but I wanted to write a similarly brief tale, with only two main characters, and where the horror was off-stage. As well, the setting had to be distinctly Canadian. What, I thought, could be more Canadian than the frozen north and allusions to mythical beasts?" MAMI WATA - Simon Kurt Unsworth Unsworth reveals, "When I was first asked to contribute to Exotic Gothic 3 (which was to feature Gothic-influenced stories in non-Gothic environments), I agreed without really thinking about it, and then spent a long time struggling, trying to work out how, precisely, I was going to manage it or quite how to make a start. "I knew what I wanted to do, sort of, but not exactly how to do it, so one day alarmingly close to the deadline I did a fun thing: I freewheeled through Google. Using a small document about Zambian myths and cultures I found online (I set the story in Zambia for no reason other than an old family friend lives there and it seemed exotic in Gothic terms), I used one Zambian word from it as a search term and read what came up, took one intriguing Zambian term from the search results and searched for that, etc, and disappeared into Google's merry depths. "I ended up with an academic paper about a particular myth, a travel blog about a sort of beer made from corn and a weird little 'my God's better than your God' blog by a kid in Africa, and somewhere in the middle of that, the story appeared." THE AXHOLME TOLL - Mark Valentine "In the following story, the book called The MS. in a Red Box really exists," the author reveals. "All of the legends about the Isle, and about Beckett's assassins, are also genuine, except (so far) that of the Toll, and their final place of rest - or unrest." TWO STEPS ALONG THE ROAD - Terry Dowling "Two Steps Along the Road' came out of a conversation with US editor Danel Olson," Dowling explains, "where we discussed me doing a ghost story set in Vietnam for Exotic Gothic 3, and the interesting possibilities it might provide for delivering atmosphere and an interesting perspective on familiar things. "Before I knew it, I was blending two separate elements that were demanding attention: the notion of a root-form behind all hauntings, regardless of what form they took, and the unnerving realization that the eyes of a quite attractive teaching colleague would be truly terrifying to behold if they were set just a tad closer together. "The ideas were intended for very different stories but, as so often happens, they decided they were meant for each other."
Autumn Chill - Richard L. Tierney Inspired by the work of Edgar Allan Poe, H.P. Lovecraft, Donald Wandrei, Robert E. Howard and Frank Belknap Long, Tierney's poetry has been collected in Dreams and Damnations, The Doom Prophet and One Other, the Arkham House volume of Collected Poems, Nightmares and Visions, The Blob That Gobbled Abdul and Other Poems and Songs and Savage Menace and Other Poems of Horror. S.T. Joshi has described Tierney as "one of the leading weird poets of his generation." The Lemon in the Pool - Simon Kurt Unsworth "In the summer of 2009, I went on holiday with my family - the extended version. As well as my wife and son, Wendy and Ben, there were my parents, my sister and her husband, and my mother-in-law all sharing a villa in Moreira, Spain. "One of the delights of the holiday was having a private pool, and seeing Ben enjoy himself in the water, where over the course of seven days he learned to swim. Perhaps even more fun was seeing his joy when things started to appear in the pool on a daily basis - a tomato, a lemon, two courgettes, three green chillies. "I have no idea where they came from, but I suspect that children in a neighbouring villa were playing a joke on us and Ben loved it. It got to be one of the most exciting things about the holiday, waiting to see what would appear that day. After the appearance of the courgettes, my sister said, 'This'll find its way into one of Simon's stories,' and everyone laughed and someone (I think my mum) said, 'Even he couldn't write a story about this.' "Mum, if it was you that said that, this story is entirely your fault." Losenef Express - Mark Samuels About the story, Mark Samuels explains: "I think most fans of horror will recognise at once the late, great American author upon whom the central character of this tale is based (or, perhaps more accurately, filtered through my imagination). We never met, although I did once catch sight of him across a room at the 1988 World Fantasy Convention in London and, prompted by curiosity, took a hasty, half-obscured photograph. "A number of my friends knew him well, and I regret I myself never had the chance to do so. Sadly, I only discovered his brilliant work years after his untimely death." As Red as Red - Caitlín R. Kiernan "I don't know that 'As Red as Red' had any single source of inspiration," says Kiernan. "It coalesced from numerous experiences and accounts of the supernatural in Rhode Island. Also, I very much wanted to write a non-conventional vampire story which was also (and maybe more so) a werewolf story and a ghost story. "It's also true that I was just coming off having finished The Red Tree, and, in some ways, 'As Red as Red' is an extended footnote to that novel. I was still trying to get The Red Tree out of my system."
"My cousin-by-marriage Sean Lavery, knowing my love for weird and outré websites, sent me a link to the Dark Roasted Blend site (www.darkroastedblend.com)," reveals the author, "where I found several pages featuring photographs of abandoned places. "My imagination was fired by pictures taken at Chippewa Lake Park in Medina, Ohio, which opened in 1878 and was abandoned in 1978, with the buildings and rides left to rot where they stood, and I began looking around for some information about the park. "I've always had a fondness for amusement parks, ever since I was a child visiting Vancouver's Pacific National Exhibition with my father and my brother: an annual trip which was one of the red-letter days on my childhood calendar. The photographs of Chippewa Lake Park were equal parts eerie and sad, for anyone who has ever thrilled to the sights and sounds of a midway, and the story sprang, almost fully-formed, into my head; one of the few times that's happened." To see some of the pictures that inspired the following story, visit: www.defunctparks.com/parks/OH/ChippewaLake/chippewa-lake.htm.
The Pier - Thana Niveau "The pier exists," explains Thana Niveau, "and yes, it is decorated with strange plaques and cryptic memorials, although none are quite as morbid as I've invented. "It's mostly Clevedon Pier, which is where the story was born. I was reading the plaques one day and a couple of the quirkier ones made me wonder. What if they weren't written by the living to remember the dead at all, but were instead a channel for voices from somewhere else? "Somerset is the original Wicker Man country, after all. It's a place rich in pagan tradition and many of its strange rituals are lost to time. Or are they?" Fallen Boys - Mark Morris "Porthellion Quay, which features in this story, is a real place - only the name is different," says Morris. "My family and I spent a lovely, sunny day there one summer a few years ago during a Cornish holiday. "I love Cornwall not only because it's breathtakingly beautiful, but also because it is wild and rugged and desolate, and because past echoes and ancient legends seem to seep out of the very rock. It's a landscape which lends itself perfectly to the kinds of ghost stories I love, of which it seems there are far too few these days - stories which are not cosy and comforting and familiar, but which are dark and insidious, and evoke a crawling sense of dread." Lavender and Lychgates - Angela Slatter "'Lavender and Lychgates' is the second last story in Sourdough and Other Stories," recalls Slatter. "I had ideas I wanted to continue to explore - consequences of actions in an earlier story in the collection - and I had a picture in my head of a young girl in a graveyard. "Many years ago, a friend had told me a garbled tale of lilacs and lychgates, the details of which I cannot remember. I managed to garble it even more, and I couldn't get the words 'lavender and lychgates' out of my head, nor the image of shadows swirling in the apex of a lychgate roof above the heads of people passing out underneath. I also wondered what happens when you hang onto a memory too tightly." With the Angels - Ramsey Campbell "My fellow clansman Paul Campbell will remember the birth of this tale," he reveals. "At the Dead Dog party after the 2010 World Horror Convention in Brighton, someone was throwing a delighted toddler into the air. I was ambushed by an idea and had to apologise to Paul for rushing away to my room to scribble notes. The result is here."
Kelly recalls: "The genesis of 'Princess of the Night' is a little murky. It was written for an anthology of Halloween tales. Alas, it didn't make it into the book. The tale then sold to a slick new professional magazine, where it promptly languished for four years until the magazine (which published four issues, I believe) folded before publication. I forgot about the story for a while. Then, one day, as I was looking through my files for possible stories to include in a new collection, I chanced upon it again.
Six short stories to shake you to your core. Out and Back by Barbara Roden An abandoned amusement park attracts unwary thrill seekers The Game of Bear - Reggie Oliver & M. R. James Reggie Oliver completes M. R. James' unfinished classic. Shem-el-Nessim: An Inspiration in Perfume - Chris Bell Venturi - Richard Christian Matheson Party Talk - John Gaskin Princess of the Night - Michael Kelly