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A selection of plays by the American playwrigth David Mamet.
These seven imaginative short theatre pieces by one of America's most inventive and highly regarded playwrights range widely in content, mood and style. The plays offer a stimulating challenge in terms of selecting, arranging, and mounting the diverse com
In a Chicago junk shop three small-time crooks plot to rob a man of his coin collection, the showpiece of which is a valuable "Buffalo nickel". These high-minded grifters fancy themselves businessmen pursuing legitmate free enterprise. But the reality of the three--Donny, the oafish junk shop owner; Bobby, a young junkie Donny has taken under his wing; and "Teach"; a violently paranoid braggart--is that they are merely pawns caught up in their own game of last-chance, dead-end, empty pipe dreams.
David Mamet is one of America’s most celebrated playwrights. The author of plays, screenplays, poetry, essays, and children’s books, he has won many awards, including the Pulitzer Prize for Glengarry Glen Ross. The Obie award-winning Sexual Perversity in Chicago is about two office workers, Danny and Bernie, on the make in the swinging singles scene of the early 1970s. Danny meets Deborah in a library and soon they are not only lovers but roommates, and their story quickly evolves into a modern romance in all its sticky details. The Duck Variations is a dialogue between two old men sitting on a park bench. The conversation turns to the mating habits of ducks, but soon begins to reveal their feelings about natural law, friendship, and death. New York magazine has called The Duck Variations “a gorgeously written, wonderfully observant piece whose timing and atmosphere are close to flawless.”
Charlie Fox has a terrific vehicle for a hot male movie star, and he has brought it to his friend Bobby Gould, head of production for a major film company. Both see the script as a ticket to the really big table where the power is. The star wants to do it; all they have to do is pitch it to their boss in the morning. Meanwhile, Bobby bets Charlie that he can seduce the secretary temp. As a ruse, he has given her a novel "by some Eastern sissy writer" that he is supposed to read before saying "thanks but no thanks." She is determined that the novel, not the trite vehicle, should be the company's next project. When she does sleep with Bobby, he finds the experience is so transmogrifying that Charlie must plead with Bobby not to pitch the sissy film. - Publisher's note.
In a series of scenes we see two actors - a seasoned pofessional and a novice - backstage and onstage going through a cycle of roles and an entire wardrobe of costumes.
In a terrifyingly short time, a male college instructor and his female student descend from a discussion of her grades into a modern reprise of the Inquisition. Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the mechanisms of power, censorship, and abuse.
"Essays in direct line from Stanislavsky, Chekhov, Shaw, and Brecht" —Mike Nichols A collection of essays from Pulitzer Prize winning playwright David Mamet adressing many issues in contemporary American theater Temporarily putting aside his role as playwright, director, and screen-writer, David Mamet digs deep and delivers thirty outrageously diverse vignettes. On subjects ranging from the vanishing American pool hall, family vacations, and the art of being a bitch, to the role of today's actor, his celebrated contemporaries and predecessors, and his undying commitment to the theater, David Mamet's concise style, lean dialogue, and gut-wrenching honesty give us a unique view of the world as he sees it.
THE STORY: A young boy, John, comes downstairs to tell about his upcoming trip with his dad to the family friend, Dell. Mother, Donnie, is in the kitchen making tea. Soon the three are discussing the excitement of the trip, why John can't sleep, an
Three plays from the Pulitzer Prize and Tony Award–winning author of Glengarry Glen Ross and American Buffalo. The Woods is a modern dramatic parable about, as Mamet put it, “why men and women have a hard time trying to get along with each other.” The story features a young man and woman spending a night in his family’s cabin where they experience passion, then disillusionment, but are in the end reconciled by mutual need. In Lakeboat, an Ivy League college student takes a summer job as a cook aboard a Great Lakes cargo ship where the crewmembers—men of all ages—share their wild fantasies about sex, gambling, and violence. Mamet also wrote the screenplay to the 2000 film starring Peter Falk and Denis Leary. In Edmond, a white-collar New York City man is set morally adrift after a visit to a fortune-teller. He soon leaves an unfulfilling marriage to find sex, adventure, companionship, and, ultimately, the meaning of his existence. Mamet also wrote the screenplay for the 2005 film starring William H. Macy. “[A] beautifully conceived love story.” —Chicago Daily News on The Woods “[Mamet’s] language has never been so precise, pure, and affecting.” —Richard Eder of The New York Times on The Woods “Richly overheard talk and loopy, funny construction.” —Michael Feingold in The Village Voice on Lakeboat “A riveting theatrical experience that illuminates the heart of darkness.” —Jack Kroll of Newsweek on Edmond