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Los preescolares quieren explorar su mundo, pero no se dan cuenta por completo de las situaciones peligrosas. Cuando un padre, una madre o un cuidador cariñoso establece límites o da permiso, el niño aprende a respetar su medio ambiente. Mamá: ¿puedo abrazar al pez? trata de este tema de una manera divertida y apropiada para la edad. El texto ha sido escrito en un ritmo vivo y está diseñado para lectores principiantes.
Preschoolers want to explore their world but are not fully aware of harmful situations. When a loving parent or care-giver sets limits or gives permission, the child learns to respect his or her environment. Mommy, May I Hug the Fish addresses this subject in a humorous and age-appropriate way. The text is written in lively rhythm and rhyme and is designed for beginning readers. Los preescolares quieren explorar su mundo, pero no se dan cuenta por completo de las situaciones peligrosas. Cuando un padre, una madre o un cuidador carinoso establece limites o da permiso, el nino aprende a respetar su medio ambiente. Mama: puedo abrazar al pez? trata de este tema de una manera divertida y apropiada para la edad. El texto ha sido escrito en un ritmo vivo y esta disenado para lectores principiantes.
Preschoolers never seem to run out of questions or the need for Mommy and daddy to define safe boundaries and set loving limits.
Preschoolers never seem to run out of questions or the need for Mommy and daddy to define safe boundaries and set loving limits.
In the summer of 1931, folklorist Espinosa traveled throughout northern New Mexico asking Spanish-speaking residents for tales of olden times. These tales are available once again, in the original Spanish and now for the first time in English translation.
Perfect for advanced beginning and intermediate students of Spanish CD-ROM features 300 exercises not included in the book Exercises on CD-ROM are cross-referenced to grammar explanations in the book
A Frequency Dictionary of Spanish has been fully revised and updated, including over 500 new entries, making it an invaluable resource for students of Spanish. Based on a new web-based corpus containing more than 2 billion words collected from 21 Spanish-speaking countries, the second edition of A Frequency Dictionary of Spanish provides the most expansive and up-to-date guidelines on Spanish vocabulary. Each entry is accompanied with an illustrative example and full English translation. The Dictionary provides a rich resource for language teaching and curriculum design, while a separate CD version provides the full text in a tab-delimited format ideally suited for use by corpus and computational linguistics. With entries arranged both by frequency and alphabetically, A Frequency Dictionary of Spanish enables students of all levels to get the most out of their study of vocabulary in an engaging and efficient way.
From undocumented men named Angel, to angels falling from the sky, Natalie Scenters-Zapico’s gripping debut collection, The Verging Cities, is filled with explorations of immigration and marriage, narco-violence and femicide, and angels in the domestic sphere. Deeply rooted along the US-México border in the sister cities of El Paso, Texas, and Cd. Juárez, Chihuahua, these poems give a brave new voice to the ways in which international politics affect the individual. Composed in a variety of forms, from sonnet and epithalamium to endnotes and field notes, each poem distills violent stories of narcos, undocumented immigrants, border patrol agents, and the people who fall in love with each other and their traumas. The border in Scenters-Zapico’s The Verging Cities exists in a visceral place where the real is (sur)real. In these poems mouths speak suspended from ceilings, numbered metal poles mark the border and lovers’ spines, and cities scream to each other at night through fences that “ooze only silt.” This bold new vision of border life between what has been named the safest city in the United States and the murder capital of the world is in deep conversation with other border poets—Benjamin Alire Saenz, Gloria Anzaldúa, Alberto Ríos, and Luis Alberto Urrea—while establishing itself as a new and haunting interpretation of the border as a verge, the beginning of one thing and the end of another in constant cycle.
"People of the Desert and Sea is one of those books that should not have to wait a generation or two to be considered a classic. A feast for the eye as well as the mind, this ethnobotany of the Seri Indians of Sonora represents the most detailed exploration of plant use by a hunting-and-gathering people to date. . . . Scholarship in the best sense of the term—precise without being pedantic, exhaustive without exhausting its readers."—Journal of Arizona History "To read and gaze through this elegantly illustrated book is to be exposed, as if through a work of science fiction, to an astonishing and unknown cultural world."—North Dakota Quarterly