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For centuries, the demon Seere has prided himself on his work—granting the wishes of those he contracts with. Whether it’s slaughtering their enemies or obtaining wealth beyond measure, anything is possible with his powerful magic. But Seere’s latest summoner, Sakura Masuda, is unlike any he’s dealt with before. Namely, she’s only in fourth grade, and her wish is…for Seere to become her mama! Well, if that’s what she desires, then that’s what he will deliver—by becoming the greatest mama ever!
Explores the significant impact of this countercultural figure of postwar Japan.
They’re so goofy, they’re cool. Enter: a group of cool guys who seem like they’ve got that unapproachable swag. But look closer and you’ll find a bunch of dorks who’ve gotten the act down pat. So sit back, grab some popcorn, and enjoy watching these clumsy dudes try to look cool all day, every day.
Just as Seere is starting to get used to his new role as Sakura’s mama, an old demon friend, Gaap, shows up at the Masuda house! He wants to know why Seere hasn’t completed his contract and returned, but Seere has a bigger problem on his mind—he’s starting to worry that no matter how good he gets at doing chores, he may never be able to fill the hole left by Sakura’s real mother...
AT THE MERCY OF THE FELINE MASTER Yukiharu Izumi just wants one thing—to be a normal high school student. But homeless, penniless, and with nobody else to rely on, he finds himself begging on his knees in front of…shape-shifting cats? They’re willing to take him in—but only if he waits on their every whim. And so start his chaotic days as the catlords’ manservant!
In this book, the first collection of its kind, you will hear insights directly from the mouths and minds of the anime and manga creators themselves, in interviews with are often the only ones on record in English. some of these creators are larger-than-life legends in their native Japan, some are up-and-coming young talents, but all have a lot to say on the subject of their work.
These twelve dazzling stories from Chimamanda Ngozi Adichie — the Orange Broadband Prize–winning author of Half of a Yellow Sun — are her most intimate works to date. In these stories Adichie turns her penetrating eye to the ties that bind men and women, parents and children, Nigeria and the United States. In “A Private Experience,” a medical student hides from a violent riot with a poor Muslim woman, and the young mother at the centre of “Imitation” finds her comfortable life in Philadelphia threatened when she learns that her husband has moved his mistress into their Lagos home. Searing and profound, suffused with beauty, sorrow and longing, this collection is a resounding confirmation of Adichie’s prodigious literary powers.
According to the ancient legend, the Lord of the Dead kidnapped the innocent daughter of Demeter--or did he? The truth is, Persephone is no damsel in distress, but a spirited young lady with an overbearing mother. A failed scheme by Apollo leads Persephone to a chance encounter with the mysterious and handsome Hades, who is struck by love's arrow. Now Hades must wrestle with his aching heart before he loses total control of his feelings, but desire is raging inside Persepone herself.
Manga and anime (illustrated serial novels and animated films) are highly influential Japanese entertainment media that boast tremendous domestic consumption as well as worldwide distribution and an international audience. Drawing on Tradition examines religious aspects of the culture of manga and anime production and consumption through a methodological synthesis of narrative and visual analysis, history, and ethnography. Rather than merely describing the incidence of religions such as Buddhism or Shinto in these media, Jolyon Baraka Thomas shows that authors and audiences create and re-create “religious frames of mind” through their imaginative and ritualized interactions with illustrated worlds. Manga and anime therefore not only contribute to familiarity with traditional religious doctrines and imagery, but also allow authors, directors, and audiences to modify and elaborate upon such traditional tropes, sometimes creating hitherto unforeseen religious ideas and practices. The book takes play seriously by highlighting these recursive relationships between recreation and religion, emphasizing throughout the double sense of play as entertainment and play as adulteration (i.e., the whimsical or parodic representation of religious figures, doctrines, and imagery). Building on recent developments in academic studies of manga and anime—as well as on recent advances in the study of religion as related to art and film—Thomas demonstrates that the specific aesthetic qualities and industrial dispositions of manga and anime invite practices of rendition and reception that can and do influence the ways that religious institutions and lay authors have attempted to captivate new audiences. Drawing on Tradition will appeal to both the dilettante and the specialist: Fans and self-professed otaku will find an engaging academic perspective on often overlooked facets of the media and culture of manga and anime, while scholars and students of religion will discover a fresh approach to the complicated relationships between religion and visual media, religion and quotidian practice, and the putative differences between “traditional” and “new” religions.
Monsters known as yōkai have long haunted the Japanese cultural landscape. This history of the strange and mysterious in Japan seeks out these creatures in folklore, encyclopedias, literature, art, science, games, manga, magazines and movies, exploring their meanings in the Japanese imagination over three centuries.