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This new, thoroughly updated fourth edition of Bradt's Malta - written by an expert who has been visiting for more than a decade - remains the most comprehensive guide available and has built a reputation for being the essential guide for getting beneath the surface of this island nation and discovering what lies beyond the beaches. Sun, sand and sea there may be, but Malta boasts so much more, and this new edition is packed with historical and archaeological insights, from the Stone Age to the Romans, the Knights Hospitaller to World War II. It also showcases the islands' wildlife and bird-watching opportunities, summer festas, and the less commercialised islands of Gozo and Comino. Malta has been changing at the rate of knots, with Valletta's year as European Capital of Culture accelerating restoration and renovation. Copious openings - of historic sights, key fortresses, a new national gallery and boutique accommodation, particularly in Valletta - are covered, while the culinary scene continues to thrive, with notably greater choice for vegetarians and vegans. Malta has recently become much more socially accepting and is now considered one of the top places for LGBT travellers, while the offering for younger travellers has expanded, too. The Isle of MTV festival is going strong, Annie Mac now has a spring festival in Malta and a host of bars and clubs has sprung up. There is also lots on offer culturally, with festivals, concerts, exhibitions, theatre and opera all contributing to a full programme. Bradt's Malta contains all the information needed for a successful trip. Whatever your budget, it is the ideal guide for everyone from culture aficionados to history and archaeology buffs, foodies, war veterans, families and couples escaping for a romantic break.
The Thirty Pieces of Silver: Coin Relics in Medieval and Modern Europe discusses many interconnected topics relating to the most perfidious monetary transaction in history: the betrayal of Jesus by Judas for thirty pieces of silver. According to medieval legend, these coins had existed since the time of Abraham’s father and had been used in many transactions recorded in the Bible. This book documents fifty specimens of coins which were venerated as holy relics in medieval and modern churches and monasteries of Europe, from Valencia to Uppsala. Most of these relics are ancient Greek silver coins in origin mounted in precious reliquaries or used for the distribution of their wax imprints believed to have healing powers. Drawing from a wide range of historical sources, from hagiography to numismatics, this book will appeal to students and academics researching Late Antique, Medieval, and Early Modern History, Theology, as well as all those interested in the function of relics throughout Christendom. The Thirty Pieces of Silver is a study that invites meditation on the highly symbolic and powerful role of money through coins which were the price, value, and measure of Christ and which, despite being the most abject objects, managed to become relics.
In this volume, a microhistorical approach is employed to provide a transcription, translation, and case-study of the proceedings (written in Latin, Italian and Arabic) of the Roman Inquisition on Malta’s 1605 trial of the ‘Moorish’ slave Sellem Bin al-Sheikh Mansur, who was accused and found guilty of practising magic and teaching it to the local Christians. Through both a detailed commentary and individual case-studies, it assesses what these proceedings reflect about religion, society, and politics both on Malta and more widely across the Mediterranean in the early 17th century. In so doing, this inter- and multi-disciplinary project speaks to a wide range of subjects, including magic, Christian-Muslim relations, slavery, Maltese social history, Mediterranean history, and the Roman Inquisition. It will be of interest to both students and researchers who study any of these subjects, and will help demonstrate the richness and potential of the documents in the Maltese archives. With contributions by: Joan Abela, Dionisius A. Agius, Paul Auchterlonie, Jonathan Barry, Charles Burnett, Frans Ciappara, Pierre Lory, Alex Malett, Ian Netton, Catherine R. Rider, Liana Saif
This study traces and analyses the evolution of domestic space in Maltese vernacular and ‘polite’ houses from medieval to contemporary times.
Wind bands are common around the world, and the small Mediterranean island of Malta is no exception. Their abundance in Malta testifies to the popularity of the wind band tradition among the locals. It is central to everyday life, particularly during the village feast, which is synonymous with Maltese bands. These ensembles are not made up merely of performers and musical instruments but encapsulate a rich and intricate tradition embedded in the local community. This book describes the history and development of Maltese wind bands, social and political values, the Maltese march, entertainment, and the recording industry. Chapters demonstrate how local communality, partisan political division and rivalry, foreign influences, continuation of past practices as well as the introduction of new ones, and other interests have coalesced to shape the contemporary Maltese wind band tradition.
This book sheds new light on the interplay of the funerary arts, tomb cult and the mentalities that shaped them in France, over a period famous for profound and often violent change. Using previously untouched archival sources and period published material, this study proposes new and vital contexts for nineteenth-century France's celebrated funerary projects, often profoundly reinterpreting them, and brings to light significant enterprises that are little known today.
Even before the upheaval of the Revolution, France sought a new formal language for a regenerated nation. Nowhere is this clearer than in its tombs, some among its most famous modern sculpture-rarely discussed as funerary projects. Unlike other art-historical studies of tombs, this one frames sculptural examples within the full spectrum of the material funerary arts of the period, along with architecture and landscape. This book further widens the standard scope to shed new and needed light on the interplay of the funerary arts, tomb cult, and the mentalities that shaped them in France, over a period famous for profound and often violent change. Suzanne Glover Lindsay also brings the abundant recent work on the body to the funerary arts and tomb cult for the first time, confronting cultural and aesthetic issues through her examination of a celebrated sculptural type, the recumbent effigy of the deceased in death. Using many unfamiliar period sources, this study reinterprets several famous tombs and funerals and introduces significant enterprises that are little known today to suggest the prominent place held by tomb cult in nineteenth-century France. Images of the tombs complement the text to underline sculpture's unique formal power in funerary mode.