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Discovered in 1973, the manuscript for this unpublished and untitled Jacobean play is transcribed in five hands. A long romance on the life and deeds of Tom a Lincoln, or the Red Rose Knight, it dates from around 1611 and appears to contain allusions to or echoes of Henry IV, Hamlet, King Lear, and Shakespeare's late plays. One scene is imitated from Thomas Heywood's Rape of Lucrece (1608), and this, together with the evidence of its vocabulary, raises the possibility that the play was written by Heywood. How much of the play is parody is not certain. In this edition, Proudfoot describes the manuscript and hands in detail, and provides contexts for the play's genre and authorship. There are texts of eleven other short pieces in the manuscript, including memoranda, and poems in English and Welsh.
Of all the tales to be found in Boccaccio's Decameron, the tragic story of King Tancred's efforts to frustrate the love of his daughter Gismond for Guiscardo, was probably the best known and most popular in Renaissance England. This Collections volume brings together the earliest texts of the first and last pre-1642 plays to deal with the lovers' story: the Inner Temple tragedy, Gismond of Salern (1568), and a much-revised play probably by amateur Warwickshire dramatist John Newdigate (1620s). It presents the first modern transcription of the Hargrave MS of Gismond of Salern and the first ever printed edition of Newdigate's untitled play, here named Glausamond and Fidelia. Together, the plays offer fresh proof of the important influence of Boccaccio, and Italian literature on English Renaissance drama. They are also fascinating examples of the period's amateur drama, of interest to all scholars and students of early modern English theatre.