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Analyzes the breadth of representations of the mythic figure of M?ra in Buddhism to reveal how closely tied such narratives are to the social and historical concerns of Buddhist communities. This is the first book to examine the development of the figure of M?ra, who appears across Buddhist traditions as a personification of death and desire. Portrayed as a combination of god and demon, M?ra serves as a key antagonist to the Buddha, his followers, and Buddhist teaching in general. From ancient India to later Buddhist thought in East Asia to more recent representations in Western culture and media, M?ra has been used to satirize Hindu divinities, taken the form of wrathful Tibetan gods, communicated psychoanalytic tropes, and appeared as a villain in episodes of Doctor Who. Michael D. Nichols details and surveys the historical transformations of the M?ra figure and demonstrates how different Buddhist communities at different times have used this symbol to react to changing social and historical circumstances. Employing literary and cultural theory, Nichols argues that the representation of M?ra closely parallels and reflects the social concerns and anxieties of the particular Buddhist community producing it. “This book is an original and engaging exploration of the various forms myths about M?ra have taken across Buddhist history.” — Maria Heim, author of Voice of the Buddha: Buddhaghosa on the Immeasurable Words
The essays collected in this volume for the first time foreground the fundamental role Asian actors played in the formation of scholarly knowledge on Buddhism and the emergence of Buddhist studies as an academic discipline in Europe and Asia during the second half of the nineteenth century. The contributions focus on different aspects of the interchange between Japanese Buddhists and their European interlocutors ranging from the halls of Oxford to the temples of Nara. They break the mould of previous scholarship and redress the imbalances inherent in Eurocentric accounts of the construction of Buddhism as an object of professorial interest. Contributors are: Micah Auerback, Mick Deneckere, Stephan Kigensan Licha, Hans Martin Krämer, Ōmi Toshihiro, Jakub Zamorski, Suzanne Marchand, Martin Baumann, Catherine Fhima, and Roland Lardinois.
2019 CHOICE Outstanding Academic Title This is the first book to examine the development of the figure of Māra, who appears across Buddhist traditions as a personification of death and desire. Portrayed as a combination of god and demon, Māra serves as a key antagonist to the Buddha, his followers, and Buddhist teaching in general. From ancient India to later Buddhist thought in East Asia to more recent representations in Western culture and media, Māra has been used to satirize Hindu divinities, taken the form of wrathful Tibetan gods, communicated psychoanalytic tropes, and appeared as a villain in episodes of Doctor Who. Michael D. Nichols details and surveys the historical transformations of the Māra figure and demonstrates how different Buddhist communities at different times have used this symbol to react to changing social and historical circumstances. Employing literary and cultural theory, Nichols argues that the representation of Māra closely parallels and reflects the social concerns and anxieties of the particular Buddhist community producing it.
This Oxford Guide is designed for the philosophically interested student or scholar reading Candrakīrti's Introduction to the Middle Way, a key text in the Buddhist philosophical tradition. Jan Westerhoff's commentary focuses on the philosophical content of the text, using Candrakīrti's auto-commentary as the main explicatory resource.
Praise for the French edition “This is a book that should be read by all those who are interested, whether near or far, in Buddhism, its history and its interpretations. . . . [Faure] proposes considering the ‘Life of the Buddha’ as a kind of treasure that never ceases to be reinvented and experienced, from story to story, from language to language, from culture to culture.” —Roger-Pol Droit, Le Monde Many biographies of the Buddha have been published in the last 150 years, and all claim to describe the authentic life of the historical Buddha. This book, written by one of the leading scholars of Buddhism and Japanese religion, starts from the opposite assumption and argues that we do not yet possess the archival and archaeological materials required to compose such a biography: All we have are narratives, not facts. Yet traditional biographies have neglected the literary, mythological, and ritual elements in the life of the Buddha. Bernard Faure aims to bridge this gap and shed light on a Buddha that is not historical but has constituted a paradigm of practice and been an object of faith for 2,500 years. The Thousand and One Lives of the Buddha opens with a criticism of the prevalent historicism before examining the mythological elements in a life of the Buddha no longer constrained by an artificial biographical framework. Once the search for the “historical Buddha” is abandoned, there is no longer any need to limit the narrative to early Indian stories. The life—or lives—of the Buddha, as an expression of the creative imaginations of Buddhists, developed beyond India over the centuries. Faure accordingly shifts his focus to East Asia and, more particularly, to Japan. Finally, he examines recent developments of the Buddha’s life in not only Asia but also the modern West and neglected literary genres such as science fiction.
The emotional exchange between so-called “humans” and more-than-human creatures is an overlooked phenomenon in societies characterized by the ubiquitous deaths of animals. This text offers examples of people across diverse disciplines and perspectives—from biomedical research to black theology to art—learning and performing emotions, expanding their desires, discovering new ways to behave, and altering their sense of self, purpose, and community because of passionate, but not romanticized, attachments to animals. By articulating the emotional ties that bind them to specific animals’ lives and deaths, these authors play host to creaturely ghosts who reorient their world vision and work in the world, offering examples of affect and feeling needed to enliven multi-species ethics.
When Mara Gregory receives a letter from the father whom she believed to have died when she was a child, her world is turned upside down. Aaron Buchanan only discovered that he had a daughter a couple of years ago and now he's desperate to play a part in her life. In the face of her mother's opposition, Mara arranges to go to Australia to meet her father and his family. Will she find him the disappointment that her mother promises? And when Australia brings another man into her life, she's faced with some huge decisions and some heartrending choices.
The NexLord series is a traditional fantasy in the sense that it deals with strong good and evil. The focus of this epic fantasy story are four young people caught up in a deadly struggle started long ago. It explores the good and evil power of all emotions.The magic system is based on emotion and deals with the power of group beliefs and self fulfilling prophecy. The setting of the story is a unique planet where all normal human emotional tendencies are magnified. Humans are not alone there, and four other intelligent races inhabit the lands as well. Prejudice runs rampant and wars based on racial hatred have plagued the lands for hundreds of years.The emotions of hate and fear have coalesced into one place and continuously inhabit the body of a human, known as the Dreadmaster. This being continuously gathers and wields these evil powers. The ever growing power exists independently of the human vessel it inhabits, and when the body is destroyed it is only a matter of time until the power inhabits a new vessel.To combat the Dreadmaster's power all free humans gathered at one time and created a power fueled by their common belief and emotional need, a power that can be given to a NexLord. Using a check an balance system to keep this power from being abused a test was created. Those who pass this test become Knights of the Realm, known as NexLords. The NexLords and their Bondsmen are the one counter to the Dreadmaster's power.But with the ending of the Final War the last of the NexLords disappeared into the east, warning that the Dreadmaster's power was still out there, but no one listened or believed. For three hundred years now there has not been a new Dreadmaster and no one in the Human Realm has followed the difficult path to become a NexLord. However, there is a Prophecy spreading across the land, a prophecy that tells of the coming of a new NexLord who will bring a golden age. But what it predicts is about to go terribly wrong... for there is another prophecy, a Dark Prophecy, and the world is about to change to that path.Dark Prophecies is the first novel of a three book Fantasy Epic series. A mysterious old woman named Mara comes to teach four children who have been foretold in two dire prophecies. The kids have wild adventures while forming strong bonds. Mara teaches them to fight, and much more, for the mysterious old woman knows what the future holds for these children, and their coming will shake the world.