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Germany 1945. A young girl finds herself alone in a vast forest, amid post-war turmoil. As the countryside is ravaged by the final clashes of retreating and advancing troops, Malin has one thought in mind: She must head east, to find her family. Winter is approaching and, as she begins the long trek, she encounters a group of Wolf Children, the orphans of Germany parents killed in the war. They have gone feral in the forest, scavenging for food and shelter in sub-zero conditions with barely enough clothes to protect them from the snow and ice. But who is Lubina, the strange young woman who accompanies a group of these children? Is she to be trusted? Many dangers, fears, loves and obsessions will both bind and divide them until journeys end. This is the second of Skadi Winters atmospheric and mysterious tales, set in the deep countryside of post-war Germany, amid a culture of ancient wisdom, the world of forest spirits, gods and superstitions.
She might be small, but she's got it all—she's Kid McGear, Skid Steer! Kid McGear is the newest truck to join the Goodnight, Goodnight, Construction Site crew, and she's eager to help with even the roughest and toughest construction work. But when a steep cliff puts the other trucks in danger, can the new Kid on the site prove she's big enough for even this big, big job? Playful rhyming text from the bestselling team behind Construction Site on Christmas Night makes this thrilling tale of teamwork and the BIG potential in the littlest readers a must-have read-aloud for construction fans both big and small.
From the contents: Sandra BECKETT: Babes in the woods: today's riding hoods go to granny's. - Lewis SEIFERT: Madame Le Prince de Beaumont and the infantilization of the fairy tale. - Michael O'RILEY: La Bete est morte!': Mending images and narratives of ethnicity and national identity in post-World War II France. - Eileen HOFT-MARCH: Child Survivors and Narratives of Hope: Georges Perec's W ou le souvenir d'enfance'. - Alioune SOW: L'enfance metisse ou l'enfance entre les eaux: Le chercheur d'Afriques' de Henri Lopes. - Cheryl TOMAN: Writing Childhood: Reflection of a nation in a village voice in Marie-Claire Matip's Ngond'. - Julie BAKER: The childhood of the epic hero: representation of the child protagonist in the Old French Enfances' texts. - Mary EKMAN: Destinataire et/ou heritier du texte': figuring the child in early modern French memoirs."
Examines the phenomena of werewolves, vampires, feral children, and other legendary monsters reported throughout history.
Wolf is a hunter, feared by every creature. But he has a secret: in the middle of the forest lives a girl whose beautiful voice has entranced him . . . The Wolf longs for friendship. But is he prepared to sacrifice his own true nature in order for his wish to come true? A beautiful and lyrical contemporary fairy tale about difference, trust and the power of friendship to overcome any obstacle. This sumptuous hardback gift book, with gold foil detail, is perfect for lovers of fairy tales and fables, new and old. It is gloriously illustrated by acclaimed artist and Greenaway Medal nominee Júlia Sardà.
This work grew out of a conference held in Washington, D.C. in June 2003 on "Workforce/Workplace Mismatch: Work, Family, Health, and Well-Being" sponsored by the National Institute of Health (NIH). The text considers multiple dimensions of health and well-being for workers and their families, children, and communities.
Compilation of data on passengers of Russian nationality who immigrated to the United States from Russian territories between 1875 and 1891. Passenger lists are arranged chronolgically by date of arrival at New York harbor.
A comical twist on "Little Red Riding Hood" told by Cat and Dog! Cat starts reading "Little Red Riding Hood" and explains, "It's a story about a little girl who always wears a red cape with a hood."Dog says, "COOL! I love stories about superheroes. What's her special power?"Cat says, "She doesn't have any special powers. It's not that kind of a story."And then the fun ensues!The zany, fun back-and-forth of Dog and Cat celebrates the joy of reading -- and questioning. Young children will cheer Dog's persistent questions as well as Cat's dedication to keep telling the story.
The Coloniality of Animal Monstrous Othering in Children’s Books, Films, and Toys examines how the portrayal of animals as physically distorted, behaviorally depraved, and intellectually defective serves to justify their debasement, violation, and destruction in materials directed toward young consumers. The author argues that this animal monstrous Othering arises from the Eurocentric belief in humans’ natural superiority over animals and the right to categorize animals in accordance with a scale of worthiness that parallels the subjugation of racialized persons. The chapters examine a variety of canonical figures like the dissolute wolf of Red Riding Hood stories and the disfigured titular character of the Wonky Donkey picture book alongside non-canonical animals including reprobate pigs, degenerate sharks, self-centered flamingos, and wicked piranhas. To counter this animal debasement, Varga juxtaposes these readings with an examination of materials that articulate harmonious animal-human interrelationships without dependence on styles of anthropomorphism that diminish animality.
When Bernard, the Big Bad Wolf, joins Louis and his grandfather on their annual trip to the beach, getting there is half the fun.