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Promoted as virtually unsinkable, the ultimate luxury liner, the largest ship in the world, the RMS Titanic sank on its maiden voyage in April 1912, taking some 1,500 people to their death. Aboard the ship were the wealthy and famous as well as hundreds of immigrants seeking a new life in America. The most dramatic marine disaster of modern times, the Titanic tragedy captured the interest and imagination of the entire world. The intensity of interest in the catastrophe has increased, particularly after discovery of the wreck off the coast of Newfoundland in the mid-1980s. The resulting literature is vast, including both scholarly and popular sources. Covering more than the published literature, the book also surveys memorabilia, artifacts, cultural icons, music, film, and exhibitions. Divided into three sections, the work opens with a historiographical survey of the literature, then includes descriptive lists of more peripheral material, and concludes with a bibliography of 674 entries. All items covered in the historiographical survey are included in the bibliography. This useful guide will appeal to researchers - both laymen and scholars - interested in the Titanic.
This collection of essays, presented by an internationally known team of scholars, explores the world of Vienna and the development of opera buffa in the second half of the eighteenth century. Although today Mozart remains one of the most well-known figures of the period, the era was filled with composers, librettists, writers and performers who created and developed opera buffa. Among the topics examined are the relationship of Viennese opera buffa to French theatre; Mozart and eighteenth-century comedy; gender, nature and bourgeois society on Mozart's buffa stage; as well as close analyses of key works such as Don Giovanni and Le nozze di Figaro.
A Study Guide for Wolfgang Amadeus Mozart and Antonio Salieri's "Amadeus" (lit-to-film), excerpted from Gale's acclaimed Drama for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama for Students for all of your research needs.
The Anglo-French writer and historian, Hilaire Belloc also found fame as an orator, poet, sailor, satirist, soldier and political activist, whose comic verses and collaborations with G. K. Chesterton cemented his literary reputation during the early twentieth century. This eBook presents Belloc’s complete fictional works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Belloc’s life and works * Concise introductions to the novels and other texts * ALL 15 novels for the first time in digital publishing * Includes G. K. Chesterton's original illustrations * Many rare works available in no other collection * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes a large selection of Belloc’s non-fiction - spend hours exploring the author’s varied works * Belloc's sea classic and semi-autobiography 'The Cruise of the Nona', first time in digital print * Ordering of texts into chronological order and literary genres * UPDATED with 8 novels, 4 poetry collections , 10 non-fiction works and the autobiography CONTENTS: The Novels Emmanuel Burden, Merchant (1904) Mr. Clutterbuck’s Election (1908) A Change in the Cabinet (1909) Pongo and the Bull (1910) The Four Men (1911) The Girondin (1911) The Green Overcoat (1912) Mr. Petre (1925) The Haunted House (1927) But Soft: We Are Observed! (1928) Belinda (1928) The Missing Masterpiece (1928) The Man Who Made Gold (1930) The Postmaster General (1932) The Hedge and the Horse (1936) The Poetry Collections Verses and Sonnets (1896) The Bad Child’s Book of Beasts (1896) More Beasts for Worse Children (1897) The Modern Traveller (1898) A Moral Alphabet (1899) Cautionary Tales for Children (1907) More Peers (1911) Verses (1916) Sonnets and Verse (1923) The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Translation The Romance of Tristan and Iseult (1915) The Non-Fiction The Path to Rome (1902) Avril: Essays on the French Renaissance (1904) The Old Road: from Canterbury to Winchester (1904) Introduction to ‘Essays in Literature and History’ (1906) Hills and the Sea (1906) The Historic Thames (1907) On Nothing and Kindred Subjects (1908) On Everything (1909) On Anything (1910) On Something (1910) Introduction to ‘The Footpath Way: An Anthology for Walkers’ (1911) First and Last (1911) The French Revolution (1911) This and That and the Other (1912) Six British Battles (1913) The Book of the Bayeux Tapestry (1914) A General Sketch of the European War, the First Phase (1915) The Two Maps of Europe (1915) The Free Press (1918) Europe and the Faith (1920) Introduction to ‘The Romance of Madame Tussaud’s’ (1920) The Jews (1922) The Mercy of Allah (1922) Preface to ‘Kai Lung’s Golden Hours’ (1922) On (1923) The Autobiography The Cruise of the Nona (1925)
The founding in 1777 of the Journal de Paris, France’s first daily and distinctly commercial paper, represents an early use of disinformation as a tool for political gain, profit, and societal division. To attract a large readership and bar competition for C.W. Gluck’s works at the Paris Opéra, it launched a prolonged campaign of anonymous lies, mockery, and defamation against two prominent members of the Académie Française who wished the Opéra to be open to all deserving composers but lacked a comparable daily forum with which to defend themselves. In this unique episode, music served as a smokescreen for nefarious activity. No musical knowledge is necessary to follow this purely political drama.
Money and support tend to flow in the direction of economics, science, and other academic departments that demonstrate measurable "progress." The humanities, on the other hand, offer more abstract and uncertain outcomes. A humanist's objects of study are more obscure in certain ways than pathogens and cells. Consequently, it seems as if the humanities never truly progress. Is this a fair assessment? By comparing objects of science, such as the brain, the galaxy, the amoeba, and the quark, with objects of humanistic inquiry, such as the poem, the photograph, the belief, and the philosophical concept, Volney Gay reestablishes a fundamental distinction between science and the humanities. He frees the latter from its pursuit of material-based progress and restores its disciplines to a place of privilege and respect. Using the metaphor of magnification, Gay shows that, while we can investigate natural objects to the limits of imaging capacity, magnifying cultural objects dissolves them into noise. In other words, cultural objects can be studied only within their contexts and through the prism of metaphor and narrative. Gathering examples from literature, art, film, philosophy, religion, science, and psychoanalysis, Gay builds a new justification for the humanities. By revealing the unseen and making abstract ideas tangible, the arts create meaningful wholes, which itself is a form of progress.
Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions. Giving particular prominence to primary sources, Simon P. Keefe offers new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career. This comprehensive and accessible volume is essential for Mozart lovers and scholars alike, exploring his Viennese masterpieces and the people and environments that shaped them.
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