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Malice Noir is a hybrid, half human and half demon. Feeling rejected by the world and ashamed of the creature inside of her, she spends most of her time hiding from society and battling her inner darkness. It's because of the darkness that her life is about to change forever.Malice is called upon by the dark forces that she's been indebted to since birth. There is another like her, a child named Mya who has mistakenly crossed over to another realm and can't find her way back. Malice must cross over and bring the child back safely, but once on the other side the task becomes far more deadly than she ever imagined. The child has been taken to be used as a sacrifice for the demons who ruthlessly rule the realm. With time running out and the road ahead winding further into darkness, Malice must come to embrace what she is. Her only chance for survival is to unleash her inner darkness; that darkness is the only hope that Mya has got.
Aaron Sorkin is one of the most notable voices in Hollywood, attracting millions of weekly viewers with his television series The West Wing and scoring box office success with films like A Few Good Men and The American President. With a musician's sense of rhythm and writing skills honed in the theater, Sorkin crafts dialogue that brings characters to life. His crisp, tight language is both exciting to listen to and poetic in its beauty and power--but what lies behind the slick, sophisticated exchanges between Sorkin's characters? Does Sorkin's ability to captivate viewers with rapid-fire, humorous dialogue lull them into overlooking an inherent political agenda, a sense of elitism, and gender bias prominent throughout his work? Aaron Sorkin's skill as a writer garners him accolades, even from his critics: complex, nuanced, sometimes subtle but often forceful, Sorkin's work is best understood when viewed from a variety of perspectives. This collection of essays on the work of Aaron Sorkin affords greater insight into the complexities of his writing, drawing connections between the film and television output of today's most prominent and influential screenwriter. Scholars from various fields--film, literature, art history, political science, and more--examine the thematic content and rhetorical strategy of Sorkin's writing. Eleven essayists explore the subtle, pervasive and often contradictory messages woven throughout Sorkin's work, from politics to portrayals of women, and consider his impact on film, television and culture. An interview with Aaron Sorkin precedes the essays, each of which has notes and a bibliography. An appendix covering film and television credits is included. Instructors considering this book for use in a course may request an examination copy here.
"A crafty plot and a nuanced look at gentrified Boston lifts Abramowitz’s impressive second mystery featuring bike messenger and would-be stand-up comic Zesty Meyers (after 2017’s Bosstown)... Robert B. Parker fans will appreciate Abramowitz’s depiction of the darker corners of Beantown." —Publishers Weekly, Starred Review A bike messenger navigates Boston’s gritty underworld of gangsters and blood money in this novel with more twists and turns than Boston’s streets, in Adam Abramowitz's A Town Called Malice. Boston’s fastest-talking, baddest bike messenger Zesty Meyers is back in town...Bosstown. Boston’s Big Dig has put a brand new shine on the city, its once insular neighborhoods awash with new money and runaway development. Not everybody is happy with the change. Zesty is struggling to keep his courier business afloat and is falling behind on rent, while his brother, Zero, owner of a moving company stocked with ex-cons has hired an unemployed rabbi who begins to exert a strange influence on the family and delivers most of his sermons with his fists. When a rock and roll legend suspected of murdering his girlfriend reappears after thirty years on the run, Zesty is once again haunted by his family’s dark past and the mounting evidence that his father, Boston’s former Poker King now suffering from Alzheimer’s, has long been dealing from the bottom of the deck. From shady bars to college campus underground poker leagues, Zesty’s speeding toward trouble, desperately trying to map out a future in a town where stop signs are optional, signaling is for the weak and Karma lurks around every corner with payback on its mind.
Residents of Philadelphia have been nagging Akashic Books for years to see their own entry in the award-winning Noir series. The time has finally arrived - but the city must beware as there may be no recovery from the tarnishing of this collection of 15 original crime stories. Features brand-new stories by Diane Ayres, Cordelia Frances Biddle, Keith Gilman, Cary Holladay, Solomon Jones, Gerald Kolpan, Aimee LaBrie, Halimah Marcus, Carlin Romano, Asali Solomon, Laura Spagnoli, Duane Swierczynski, Dennis Tafoya and Jim Zervanos.
A philandering doctor resolves to poison his domineering wife in this classic of psychological suspense. No. 16 in the Crime Writers' Association's Top 100 Crime Novels of All Time.
Malice and mayhem simmer beneath the surface of one of America's favorite vacation areas. “Youthful alienation and despair dominate the 13 stories in Akashic’s noir volume devoted to Cape Cod. [It] will satisfy those with a hankering for a taste of the dark side.” —Publishers Weekly “David L. Ulin has put together a malicious collection of short stories that will stay with you long after you return home safe.” —The Cult: The Official Chuck Palahniuk Website Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: William Hastings, Elyssa East, Dana Cameron, Paul Tremblay, Adam Mansbach, Seth Greenland, Lizzie Skurnick, David L. Ulin, Kaylie Jones, Fred G. Leebron, Ben Greenman, Dave Zeltserman, and Jedediah Berry. From the introduction by David L. Ulin: “Here, we see the inverse of the Cape Cod stereotype, with its sailboats and its presidents. Here, we see the flip side of the Kennedys, of all those preppies in docksiders eating steamers, of the whale watchers and bicycles and kites. Here, we see the Cape beneath the surface, the Cape after the summer people have gone home. It doesn’t make the other Cape any less real, but it does suggest a symbiosis, in which our sense of the place can’t help but become more complicated, less about vacation living than something more nuanced and profound . . . "For me, Cape Cod is a repository of memory: forty summers in the same house will do that to you. But it is also a landscape of hidden tensions, which rise up when we least anticipate. In part, this has to do with social aspiration, which is one of the things that brought my family, like many others, to the Cape. In part, it has to do with social division, which has been a factor since at least the end of the nineteenth century, when then summer trade began. There are lines here, lines that get crossed and lines that never get crossed, the kinds of lines that form the web of noir. Call it what you want—summer and smoke is how I think of it—but that’s the Cape Cod at the center of this book.“
Brace yourself for an "Electrifying and thoroughly satisfying" read (Publishers Weekly) from #1 New York Times bestselling author Sue Grafton "M" is for money. Lots of it. "M" is for Malek Construction, the $40 million company that grew out of modest soil to become one of the big three in California construction, one of the few still in family hands. "M" is for the Malek family: four sons now nearing middle age who stand to inherit a fortune--four men with very different outlooks, temperaments, and needs, linked only by blood and money. Eighteen years ago, one of them--angry, troubled, and in trouble--went missing. "M" is for Millhone, hired to trace that missing black sheep brother. "M" is for memories, none of them happy. The bitter memories of an embattled family. This prodigal son will find no welcome at his family's table. "M" is for malice. And in brutal consequence, "M" is for murder, the all-too-common outcome of familial hatreds. "M" is for malice . . . and malice kills. "A" Is for Alibi "B" Is for Burglar "C" Is for Corpse "D" Is for Deadbeat "E" Is for Evidence "F" Is for Fugitive "G" Is for Gumshoe "H" Is for Homicide "I" Is for Innocent "J" Is for Judgment "K" Is for Killer "L" is for Lawless "M" Is for Malice "N" Is for Noose "O" Is for Outlaw "P" Is for Peril "Q" Is for Quarry "R" Is for Ricochet "S" Is for Silence "T" Is for Trespass "U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"
A “delightful . . . nonstop action” thriller from the author of In a Lonely Place—“readers new to this forgotten classic are in for a treat” (Publishers Weekly). At the age of twenty-four, Griselda Satterlee has already lived two lifetimes. A star of the silver screen, she gives up Hollywood after a year, and moves to New York to become a designer. While her ex-husband, Con, is out of town, she is staying in his apartment. Walking back one night, she meets two cheerful young men who want to go home with her—and won’t take no for an answer. David and Danny are twins, and they are the most beautiful men Griselda has ever seen. They are also the most dangerous. They want something from her: a lustrous blue marble, which they insist is in Con’s apartment. Though they leave without hurting her, Griselda knows that next time, they won’t be so amiable. To save herself, she must discover the secret of the marble—a secret with death at its core.

Reports

Great Britain. Royal Commission on Historical Manuscripts

Published: 1912

Total Pages: 812


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