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From a dazzling new voice in fantasy comes a mesmerizing tale of treachery, passion, intrigue, betrayal, and an act of pure vengeance that threatens to bring down a kingdom. Seething with decadent appetites unchecked by law or gods, the court of Antyre is ruled by the last of a dissolute aristocracy. But now to the kingdom comes a handsome, enigmatic nobleman, Maledicte, whose perfect manners, enchanting charisma, and brilliant swordplay entice the most jaded tastes . . . and conceal a hunger beyond reckoning. For Maledicte is actually a woman named Miranda—a beautiful thief raised in the city’s vicious slums. And she will do anything–even promise her soul to Black-Winged Ani, the most merciless of Antyre’s exiled gods—to reclaim Janus, the lover whose passion still haunts her dreams. As her machinations strike at the heart of Antyre’ s powerful noble houses, Miranda must battle not only her own growing bloodlust, but also her lover’s newly kindled and ruthless ambitions. As Ani’s force grows insatiable and out of control, Miranda has no choice but to wield a weapon that may set her free . . . or forever doom her and everything she holds dear.
Controlled by an aristocracy whose depraved whims bow to neither law nor god, the kingdom of Antyre is under siege from the only man who can save it. He is Janus Ixion, the new Earl of Last, a man whose matchless fighting abilities and leadership strike terror in Antyre’s powerful noble houses. For Janus is the illegitimate son who has returned from the brutal slums to reclaim his birthright, and will go to any lengths to become king and reverse his country’s decline. But with a conquering foreign prince sowing chaos throughout the kingdom, Janus must battle the terrifying power of Antyre’s forgotten god, one who has gifted Janus’s vengeful wife with mysterious and dangerous skills. As Antyre nears irrevocable collapse, Janus’s manipulations and all-consuming ambition will force him and his country to choose between the rule of resurgent gods, or a victor’s throne of ashes.
Commemorating the 50th Anniversary of the promulgation of Sacrosanctum Concilium, this volume assembles the liturgical documents needed by students and pastoral ministers to understand the theological, historical, and pastoral significance of this influential liturgical document.
Many books discuss the theology and doctrine of the medieval liturgy: there is no dearth of information on the history of the liturgy, the structure and development of individual services, and there is much discussion of specific texts, chants, and services. No book, at least in English, has struggled with the difficulties of finding texts, chants, or other material in the liturgical manuscripts themselves, until the publication of Medieval Manuscripts for Mass and Office in 1982. Encompassing a period of several centuries, ca 1200-1500, this book provides solutions for such endeavours. Although by this period the basic order and content of liturgical books were more or less standardized, there existed hundreds of different methods of dealing with the internal organisation and the actual writing of the texts and chants on the page. Generalization becomes problematic; the use of any single source as a typical example for more than local detail is impossible. Taking for granted the user's ability to read medieval scripts, and some codicological knowledge, Hughes begins with the elementary material without which the user could not proceed. He describes the liturgical year, season, day, service, and the form of individual items such as responsory or lesson, and mentions the many variants in terminology that are to be found in the sources. The presentation of individual text and chant is discussed, with an emphasis on the organisation of the individual column, line, and letter. Hughes examines the hitherto unexplored means by which a hierarchy of initial and capital letters and their colours are used by the scribes and how this hierarchy can provide a means by which the modern researcher can navigate through the manuscripts. Also described in great detail are the structure and contents of Breviaries, Missals, and the corresponding books with music. This new edition updates the bibliography and the new preface by Hughes presents his recent thoughts about terminology and methods of liturgical abbreviation.