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Portraits of the 16 Body Guards. Las Vegas men who you would typically see as security guards. Ranging from the very big and built, to the strong guy next door. In addition, each has their own photo book, as well as DVD of live video from their photo shoot. In cooperation with MJ Photography, Las Vegas.
Male Nude Photography book. Intimate moments from Matt Prince's 1st nude photo shoot. Full frontal male nudity, color photographs and digital stills from DVD video, 46 pages. Matt Prince is 23 years old, and this is his first photo shoot and first nude experience ever. Exotic look, great blue eyes. Aspires to be a reality TV personality. Has moved to LA and auditions for all those VH1 and MTV series. Matt is one of The Next Body Guards, and the video DVD of his 1st nude photo shoot is also available.
Male Nude Photography book. Intimate moments behind the scenes of Bryan Valley's 1st nude photo shoot. Full frontal male nudity, color, 50 pages. Bryan aspires to be a Fitness Model in National Fitness and Nutrition Publications. He trains 7 days a week, and his physique shows it! Bryan is one of The Next Body Guards, and the video DVD of his 1st nude photo shoot is also available.
Male Nude Photography book. Intimate moments from Nick Parris's 1st nude photo shoot. Full frontal male nudity, color photographs plus digital stills from the DVD video, 46 pages. Nick Parris is 19 years old, and a full time college student. He was born and raised in France until age of 12 years old, then moved the USA. A typical 19 year old guy, he loves to party, hang with his friends at Strip Clubs, and date the sorority girls at school. Nick is one of The Next Body Guards, and the video DVD of his 1st nude photo shoot is also available.
Male Nude Photography book. Intimate moments from Tom Browne's 1st nude photo shoot. Full frontal male nudity, color photographs and digital stills from the DVD video, 44 pages. Tom Browne is a former Playgirl model, also appearing in multiple gay publications like Black Inches, Black Meat, as well as straight adult films under his porn name "Rod Diesel". A former ASAF Mechanic, he also is a Male Escort. Tom is one of The Next Body Guards, and the video DVD of his 1st nude photo shoot is also available.
This special issue of Paragraph, Volume 26 Numbers 1 and 2, brings together differing approaches (from a diverse range of disciplines) to the question of the representation of men's bodies in twentieth-century visual culture - from art photography and cinema to popular culture, advertising and pornography. These are bodies of different colours, nationalities, sexualities, ages, which are available to be gazed upon by many different consumers even though the location of the different images may condition both who looks and how they look.
A darker, harder spin-off from Biker Daddy Bodyguards The bodyguard must keep his head in the game and his heart locked up. He may be a Daddy but there’s no way he can take this boy in hand. Not if he wants to remain breathing. Dark Heart: Nico may be the boy Leon longs to take to his heart, but the bodyguard can’t afford to get involved with the beautiful young man. However, the Prince of Darkness isn’t used to the word, no. Dark Secret: He killed his father. Now he expects to die in the cave. Alone. No one knows where he is. No one cares. The only thing that keeps him from falling apart is the sound of a heartbeat in the darkness, strong and there for him. Dark Haven: Finn waits for the order from the Prince of Darkness. There’s a good chance it isn’t the one he wants to hear. Then he will have to disobey the head of his Mafia family and put a target on his own back. Is Matty worth the danger? Dark Angel: The Dark Angel has a job to do. The Bodyguard is there to stop him. Once they were lovers, now they are enemies. Men like them don’t get second chances at love.
Films fill our imagination with figures, figurines, and talismans. They ceaselessly rework the same archetypes and invent troubling prototypes – especially when they establish a deeper relationship to reality. How do we understand these presences that are both so characteristic and so diverse in cinema? How does film deal with bodies, movements, and gestures? Why are we so drawn to these shadows, silhouettes, and hypothetical beings? What organizes the figurative values at work in a film? How do cinematic creatures circulate from film to film and image to image? How does film articulate the links between the abstract and figurative? Is it possible to write a history of figurative forms? Starting from films themselves and works that are both classical (Sergei Eisenstein, Roberto Rossellini, Orson Welles) and contemporary (Abel Ferrara, Brian DePalma, Patricia Mazuy), celebrated (Robert Bresson, John Cassavetes, Ken Jacobs, Paul Sharits) and overlooked (Al Razutis, Jean Genet, Monte Hellman, and John Travolta), from auteurs as well as aesthetic questions (representations of dance, the naked body, character development...), the essays in this volume, most available for the first in English, aim to open a field that has been neglected by analysis, while also suggesting the tools necessary to understanding figurative phenomena specific to cinema.
"Examining this innovative collaboration as a turning point in the history of photography and in queer American culture. Body Language is the first in-depth study of the extraordinary interplay between photographer George Platt Lynes and PaJaMa (painters Paul Cadmus, Jared French, and Margaret Hoening French). These enigmatic photographs--issuing from intimate private networks and queer sexualities--helped ground friendships and also found their way into the public worlds of fashion and fame. Nick Mauss and Angela Miller offer timely readings of how practices of staging, collaboration, and psychological enactment through the body arced across the boundaries of art and life, private and public worlds, anticipating contemporary social media. For these audacious artists, the camera was used not to capture, but to actively perform. Renouncing photography's conventional role as mirror of the real, Lynes and PaJaMa energized forms of worldmaking via a new social framing of the self"--