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De l'image interdite à l'art : l'ouvrage de référence sur l'histoire de la photographie du nu masculin.
From the classical ideal to contemporary icons, the male body is a symbol of perfection in art. This pocket-size volume, which offers a fascinating visual survey of the nude, features nearly sixty paintings, sculptures, and photographs spanning classic to contemporary art.
While nude women are a staple of commercial and art photography, the photographed male nude is often the target of censorship but seldom the subject of serious critical discussion. This is the first study to examine the unique interrelation between social perceptions of the nude and the medium of photography. Melody Davis focuses on the work of six artists whose photography confronts societal prohibitions. In order to understand the taboo and silence which surrounds this subject, she addresses the many social and cultural fears that inhibit the presentation and discussion of photographed male nudity. Because she deals with distinctions between the nude and the naked, the interrelational and the pornographic, the book has close connections with current debates about the impact of images and the limits of public tolerance of images of "deviance." Through the photographs of Robert Mapplethorpe, Lucas Samaras, John Coplans, George Dureau, Joel-Peter Witkin, and a film by Dusan Makavejev, the author examines how the action ideal for the male body is challenged by an artistic medium in which man becomes the spectacle, not the spectator. By presenting three of photography's genres—self-portraiture, portraits of others, and allegorical nudes—Davis is able to reveal the critical and theoretical issues which shape our understanding of photographed nudity, and, by extension, representations of gender. Author note:Melody D. Davisis an independent writer and photographer who has taught in the Fine Arts Departments of Montclair State College and State University of New York at Stony Brook.
A Nude barber, a nude guy, equals a Nude Haircut! All over his body! Digital still images from the DVD Primal Man Nude haircut. Full frontal male nudity, color digital stills from video, 42 pages.
Fully Exposed is a pioneering cultural history of the photography of the male nude which sets the photographer and the model within our cultural and historical perceptions and prejudices. This second edition extends the book's coverage so that the story from the beginnings of the medium to the present day is complete. Fully Exposed is lavishly illustrated with over two hundred and fifty photographs,many of them new to this edition. Different chapters discuss how the male nude has been used by artists, the way it has been treated in the popular press,in relation to British colonialism and scientific ideology. It also discusses `private pictures' taken at home or acquired as erotic material by the private collector. A final chapter brings the book up-to-date and discusses the male nude in the nineties. The combination of art criticism and photographic essay make this an unusual and important book both for academics and the general reader.
As images of men's bodies have proliferated in pop culture and advertising during the past decade, many artists and photographers have taken up the male nude as a primary subject. Recent work has sparked controversy as well as praise for its shocking frankness, and the line between art and pornography has become increasingly difficult to define. New digital technologies have brought about new ways of representing the body, and we are now faced with a multiplicity of eroticisms, previously unexplored channels of desire, and more inclusive and varied body ideals. "Male Nudes Now "offers an essential guide through this new territory with more than 240 fresh and provocative images. Featuring contemporary work, mostly unpublished, this important sourcebook showcases a dynamic mix of visionaries, from established masters to breakthrough newcomers. Feature Artists Include Lyle Ashton Harris Marc Baptiste Clive Barker Cecily Brown Chuck Close John Dugdale Todd Eberle Eric Fischl Nan Goldin Greg Gorman David Hockney Patrick McMullan Duane Michals Pierre et Gilles Jack Pierson Rankin Terry Richardson Michael Roberts Stewart Shining Wolfgang Tillmans George Tooker Ellen von Unwerth
Nick Baer presents 40 nude male models in his classic "Touch Your Toes" pose.Full frontal male nudity, color, 44 pages.
Giovanni Civardi breaks down the complex process of drawing the male nude, from making rudimentary choices about framing, lighting and the most appropriate drawing tools, to rendering detailed and anatomically accurate artworks. Civardis own masterful drawings provide an excellent touchstone for the artist wanting to explore the depiction of the male body, and his studies of numerous poses cover all aspects of life drawing. Civardi takes a pragmatic, almost scientific, approach to teaching the subject, combining basic physics with artistic interpretation. Drawing the Male Nude also touches upon the significant anatomical differences between the male and the female form, but these are also covered in some detail in the companion to this title, Drawing the Female Nude.
Published on occasion of the major Sargent retrospective traveling to the National Gallery of Art in Washington, D.C. and the Museum of Fine Arts, Boston in 1999, John Singer Sargent: The Male Nudes brings to light a fascinating portion of Sargent's work long hidden from the public eye. Beginning in his adolescence, and throughout his distinguished career, John Singer Sargent, the celebrated painter of patricians, produced a superbly rendered, uninhibited body of work that was rarely seen and never exhibited: the male nudes. Over the last century, these little-known works have been dispersed to museum archives and private collections throughout the United States and Great Britain. John Esten has unearthed the most extraordinary of these images, ranging from vibrant watercolors and oil paintings to charcoal studies, published here for the first time in a single volume.
Rankin Male Nudes draws its subjects from an anonymous ad for models placed in the classifieds column of London's Time Out magazine. The subjects were then chosen for their ideas about how they wanted to be portrayed rather than how they looked, making this book a true collaboration between photographer and subject. These men are literally revealing themselves, and the results are funny, sexy, tender, theatrical, and audacious. While naked women appear in advertisements, films, and newspapers with almost relentless frequency, men do not. Rankin Male Nudes asks why this is, aiming to raise the profile of the male form in the mainstream, and explore the attitudes that inform its presentation and reception.