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"Malcolm's Katie and Other Poems" from Isabella Valancy Crawford. Irish-born Canadian writer and poet (1850-1887).
Anthology of poetry by Canadian authors from the 1600s to the first decade of the 20th century.
Charles Bernstein is our postmodern jester of American poesy, equal part surveyor of democratic vistas and scholar of avant-garde sensibilities. In a career spanning thirty-five years and forty books, he has challenged and provoked us with writing that is decidedly unafraid of the tensions between ordinary and poetic language, and between everyday life and its adversaries. Attack of the Difficult Poems, his latest collection of essays, gathers some of his most memorably irreverent work while addressing seriously and comprehensively the state of contemporary humanities, the teaching of unconventional forms, fresh approaches to translation, the history of language media, and the connections between poetry and visual art. Applying an array of essayistic styles, Attack of the Difficult Poems ardently engages with the promise of its title. Bernstein introduces his key theme of the difficulty of poems and defends, often in comedic ways, not just difficult poetry but poetry itself. Bernstein never loses his ingenious ability to argue or his consummate attention to detail. Along the way, he offers a wide-ranging critique of literature’s place in the academy, taking on the vexed role of innovation and approaching it from the perspective of both teacher and practitioner. From blues artists to Tin Pan Alley song lyricists to Second Wave modernist poets, The Attack of the Difficult Poems sounds both a battle cry and a lament for the task of the language maker and the fate of invention.
When God died, art was born. With Christ's crucifixion, resurrection, and ascension, the human imagination began to be remade. In Bezalel's Body: The Death of God and the Birth of Art, Harvard-trained art historian Katie Kresser locates the historical roots of the thing we call art. She weaves together centuries of art history, philosophy, theology, psychology, and art theory to uncover the deep spiritual foundations of this cultural form. Why do some people pay hundreds of millions of dollars for a single painting? Why are art museums almost like modern temples? The answer lies in Christian theology and the earliest forms of Christian image making. By examining how cutting-edge art trends reveal age-old spiritual dynamics, Kresser helps recover an ancient tradition with vital relevance for today.
In this survey and analysis of long poems written about Canada between 1690 and 1900, D.M.R. Bentley establishes literary contexts for a greatly neglected period of Canadian literature. He also provides critical discussions of the poems, addresses larger questions of tradition and intertextuality, and demonstrates the existence of a continuity in Canadian writing from the colonial to the post-colonial period.