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(Educational Piano Solo). Intermediate piano solo arrangements of traditional Malay songs popular in Malaysia, Indonesia, Brunei, and Singapore. Includes notes on every song as well as illustrations and a map of the Malay Archipelago. Titles include The Cockatoo (Burung Kakak Tua) * Milk Coffee (Kopi Susu) * Chan Mali Chan * The Goodbye Song (Geylang Sipaku Geylang) * Longing (Rasa Sayang) * Wau Bulan (The Moon Kite) * Ayo Mama (C'mon Mama) * Song for the Ladybugs (Tepuk Amai-Amai) * It's All Good Here (Di Sini Senang) and more! Also includes national anthems.
(Educational Piano Solo). This delightful collection of Celtic favorites for the intermediate level pianist features 24 traditional Irish folk songs, as well as notes on the songs, illustrations, and even a map of Ireland! Songs include: As I Walked Out One Morning * Ballinderry * Carrickfergus * The Cliffs of Doneen * Down by the Salley Gardens * Follow Me Up to Carlow * The Gartan Mother's Lullaby * I'll Tell My Ma * Kitty of Coleraine * The Londonderry Air * Rocky Road to Dublin * Slieve Gallion Braes * and more.
Lyrics and guitar chords for traditional and modern folk songs.
The Music of Malaysia, first published in Malay in 1997 and followed by an English edition in 2004 is still the only history, appreciation and analysis of Malaysian music in its many and varied forms available in English. The book categorizes the types of music genres found in Malaysian society and provides an overview of the development of music in that country. Analyses of the music are illustrated with many examples transcribed from original field recordings. Genres discussed include theatrical and dance forms, percussion ensembles, vocal and instrumental music and classical music. It is an excellent introduction to and exploration of the country's vibrant musical culture. This new, fully revised and updated edition includes time lines, listening guides and downloadable resources of field recordings that are analysed and discussed in the text.
Chamorro Christmas Hymns Song Book - Favorite Novena Songs of Guam and CNMI is a compilation of 14 of the most memorable novena songs traditionally sung across the islands of Guam and the CNMI during the holiday season.Song titles include: Iya Belen, Fanmåtto Manhengge, Dåndan i Panderetas, Sen Bonito, O Maria, Si Jose Yan Si Maria, Magof Noche-Buena, Ta Fanmagof Todos, Kantåyi Gui', Puengen Yu'os, Ta Falågue Sahyao, Na Guinaiyayon, Nihi Pastores, O Patgon Belen, and Maila' Maila' Emmanuel.
One of the Spectator's Books of the Year 2012 'Farewell and adieu to you fair Spanish ladies Farewell and adieu to you ladies of Spain For we've received orders for to sail for old England But we hope in a short while to see you again' One of the great English popular art forms, the folk song can be painful, satirical, erotic, dramatic, rueful or funny. They have thrived when sung on a whim to a handful of friends in a pub; they have bewitched generations of English composers who have set them for everything from solo violin to full orchestra; they are sung in concerts, festivals, weddings, funerals and with nobody to hear but the singer. This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning. Published in cooperation with the English Folk Dance and Song Society, it is a worthy successor to Ralph Vaughan Williams and A.L.Lloyd's original Penguin Book of English Folk Songs. 'Her keen eye did glitter like the bright stars by night The robe she was wearing was costly and white Her bare neck was shaded with her long raven hair And they called her pretty Susan, the pride of Kildare' In association with EFDSS, the English Folk Dance and Song Society
The first of two studies included is “Music in Kelantan, Malaysia and Some of Its Cultural Implications,” by William P. Malm. Kelantan is the northernmost province on the east coast of Malaysia. It is considered to be the most orthodox area in a nation whose state religion is Islam. At the same time it must be noted that it borders to the north with the Buddhist country of Thailand and to the west is the Malaysian province of Perak whose jungles and mountains contain many “pagan” tribal traditions. Beyond Perak is Kedah with its larger Indian and Chinese populations and to the south is Trengganu where some Indonesian traits are still to be found. It is in this context that Malm's study of music is made. The second study is “Professional Malay Story-Telling: Some Questions of Style and Presentation” by Amin Sweeney. In view of the hitherto almost exclusive concern with the content of such tales as those of Sang Kanchil or Pak Pandir, Sweeney throws some light on the form, style, and presentation of oral Malay literature, with special reference to that class of story-telling popularly known as penglipur lara, or what Winstedt termed “folk romances.”
From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent.