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Malawian Oral Literature: The Aesthetics of Indigenous Arts The first edition of Malawian Oral Literature was seminal in the study of oral literature, giving a truly indigenous theoretical framework for the study of Malawi's oral literature, which could be replicated for other Bantu language cultures. Despite the fact that the text was first published more than 30 years ago, the theory and related studies herein remain remarkably current. For example, the trickster and the dupe continue to appear in news stories, both local and international, in different forms and environments, from politics to finance, as well as literature.
First comprehensive account of the origins and early history of the Chewa as revealed by oral tradition and archaeology that allows a more accurate picture of a pre-literate society.
"Trends in Malawian Literature's departure point is a brief examination of how Malawi's post-independence politics affected Malawi literary landscape and an assessment of the early missionaries contribution to early Malawian literature in the local languages. That done, it discusses messages in the early literature. The conclusion drawn is that the early literature in Malawi, like most African countries, was a potent mouth piece for Christian doctrine and western values. Against this background, Trends in Malawian Literature assesses the concerns of later writers, who although begin to move from the good versus evil dichotomy, still emphasize that socially and culturally one is either an (sic) initially and turns to be good later or vice versa".--Back cover.
This is a book about the Tonga of Northern Malawi, sometimes called the Lakeshore Tonga to distinguish them from other ethnic groups with the same name further west in Central Africa. The Lakeshore Tonga were the first ethnic group to identify themselves with the Christian faith. The purpose of the research was to investigate the use of Tonga myths, folktales, proverbs and rituals for their role in Moral Education and assess and evaluate their contribution towards value formation for the youth. Each chapter in the book aims to discuss some ideas in the anthropology of religion and to illustrate them with specific case studies formed primarily through conversation with friends, both young and old, over some years.
Reading these tales from Northern Malawi readers come close to watching an original performance and the tales and the songs encapsulate the essence of Malawian culture. The authors presentation, using performance directions, allows the reader to see and hear old Nyaviyuyi as she, through word, voice, tone and gesture, mocks nosy wives, and celebrates the devotion of friendship and parental love. The author has made a further contribution to the topic by including musical notations for the songs.