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The 1960s was famously the decade of sex, drugs and rock'n'roll. It was also a decade of revolution and counter-revolution, of the Cuban missile crisis, of the American intervention in Vietnam, of economic booms and the beginning of consumerism (and the rebellion against it). In Hollywood, the genres which had held audiences captive in the 1940s and 50s - musicals, Westerns, melodramas - were losing their appeal and their great practitioners were approaching retirement. The scene was therefore set for new cinemas to emerge to attract the young, the discriminating, the politically conscious and the sexually emancipated. Making Waves, Revised and Expanded is a sharp, focused, and brilliant survey of the innovative filmmaking of the 1960s, placing it in its political, economic, cultural and aesthetic context - capturing the distinctiveness of a decade which was great for the cinema and for the world at large. Geoffrey Nowell-Smith pays particular attention to a handful of the most remarkable talents (Godard, Antonioni, Oshima) that emerged during the period and helped to make it so special. Nowell-Smith updates his classic text with a focus on 1960s Japan and the burgeoning New York scene.
A collection of autobiographical writings, short stories, poetry, essays, and photos by and about Asian American women.
This book explores the political emergence of the Imperial Japanese Navy between 1868 and 1922. It fundamentally challenges the popular notion that the navy was a 'silent,' apolitical service. Politics, particularly budgetary politics, became the primary domestic focus—if not the overriding preoccupation—of Japan's admirals in the prewar period. This study convincingly demonstrates that as the Japanese polity broadened after 1890, navy leaders expanded their political activities to secure appropriations commensurate with the creation of a world-class blue-water fleet. The navy's sophisticated political efforts included lobbying oligarchs, coercing cabinet ministers, forging alliances with political parties, occupying overseas territories, conducting well-orchestrated naval pageants, and launching spirited propaganda campaigns. These efforts succeeded: by 1921 naval expenditures equaled nearly 32 percent of the country's total budget, making Japan the world's third-largest maritime power. The navy, as this book details, made waves at sea and on shore, and in doing so significantly altered the state, society, politics, and empire in prewar Japan.
The 1960s was famously the decade of sex, drugs and rock'n'roll. It was also a decade of revolution and counter-revolution, of the Cuban missile crisis, of the American intervention in Vietnam, of economic booms and the beginning of consumerism (and the rebellion against it). In Hollywood, the genres which had held audiences captive in the 1940s and 50s - musicals, Westerns, melodramas - were losing their appeal and their great practitioners were approaching retirement. The scene was therefore set for new cinemas to emerge to attract the young, the discriminating, the politically conscious and the sexually emancipated. Making Waves, Revised and Expanded is a sharp, focused, and brilliant survey of the innovative filmmaking of the 1960s, placing it in its political, economic, cultural and aesthetic context - capturing the distinctiveness of a decade which was great for the cinema and for the world at large. Geoffrey Nowell-Smith pays particular attention to a handful of the most remarkable talents (Godard, Antonioni, Oshima) that emerged during the period and helped to make it so special. Nowell-Smith updates his classic text with a focus on 1960s Japan and the burgeoning New York scene.
Making Waves: New Serials Landscapes in a Sea of Change addresses the traditional concerns of librarians in innovative ways. Budgets are discussed in terms of serials-purchasing consortia and the globalization of academic publishing. Cataloging and preserving now include electronic materials. These proceedings of the fifteenth conference of the North American Serials Interest Group, Inc. also include discussions of the Digital Millennium Copyright Act and reports on specific test projects such as BioOne, the Open Archives Project, and PubMed Central.
Making Waves tells the human story of an academic field based on one-to-one interviews with 43 of the most famous scholars in Variationist Sociolinguistics. Explanations of concepts, ideas, good practice and sage advice come directly from the progenitors of the discipline. An authentic, inside story about the origins of Sociolinguistics as Language Variation and Change, recording the context and spirit of sociolinguistics Gives students access to the views on language variation of major sociolinguists such as Bill Labov and Peter Trudgill Offers a human story of an academic field, and is written in the style of a novel, offering complete accessibility with minimal in-group terminology Provides a timely audio archive of the reminiscences of the major Sociolinguists, including Labov, Fasold, Milroy, Trudgill, and Wolfram, with a companion website featuring 400 audio clips from the interviews. Visit the site at www.wiley.com/go/tagliamonte/makingwaves
The navies of China, India and to a lesser extent Japan are expanding rapidly at present. This has the potential to alter the US-dominated naval balance in Asia-Pacific but it also raises a question: are the regions powers involved in a naval arms race? Naval development is and always has been a crucial indicator of economic and political development. It shows the emergence of a significant shift in strategic weight from West to East. But within the Asia-Pacific Region, alongside growing economic and institutional integration, there are geo-political tensions that threaten the regions stability and peace. The balance between the two determines the form that naval development in that region is taking. Some aspects of this suggest the beginnings of a naval arms race that would have profound consequences for the region and the world.
A guide is a welcome addition on most any journey. So it is with the greatest of all journeys: the journey to God. One of the Church’s most long-standing and fruitful traditions, spiritual direction is an instrument of God’s glory in the world. The act of clearing the way for the Holy Spirit is a delicate yet challenging matter, and one that requires humility, patience, and charity, among other virtues. Through Wind and Waves is a guidebook for those undertaking this important work. It offers wisdom for both the supernatural and the practical elements of spiritual direction. It shows that being a spiritual guide is not simply a matter of prayer and meditation, but one of a firm interior life, genuine friendship, and the daily realities of living one’s life for the Lord. That life will be marked by adventure, since every soul is unique and is led by the Spirit to blaze new paths to holiness. Filled with wisdom from the saints, as well as Jesus’ words in the Gospels, Through Wind and Waves is a valuable resource for those called to lead others into the safe harbor of God’s love. Rev. Francis Fernández-Carvajal holds graduate degrees in both History and Canon Law. Ordained in 1964, he is a priest of the Opus Dei Prelature and the author of many popular spiritual works. His seven-volume series In Conversation with God provides over 500 meditations to be used throughout the liturgical year. It has sold over 2 million copies and has been translated into many languages.
The religious landscape in Europe is changing dramatically. While the authority of institutional religion has weakened, a growing number of people now desire individualized religious and spiritual experiences, finding the self-complacency of secularism unfulfilling. The "crisis of religion" is itself a form of religious life. A sense of complex, subterraneous interaction between religious, heterodox, secular and atheistic experiences has thus emerged, which makes the phenomenon all the more fascinating to study, and this is what Religion in Contemporary European Cinema does. The book explores the mutual influences, structural analogies, shared dilemmas, as well as the historical roots of such a "post-secular constellation" as seen through the lens of European cinema. Bringing together scholars from film theory and political science, ethics and philosophy of religion, philosophy of film and theology, this volume casts new light on the relationship between the religious and secular experience after the death of the death of God.
Michigan will always be known as the automobile capital of the world, but the Great Lakes State boasts a similarly rich heritage in the development of boat building in America. By the late nineteenth century, Michigan had emerged as the industry’s hub, drawing together the most talented designers, builders, and engine makers to produce some of the fastest and most innovative boats ever created. Within decades, gifted Michigan entrepreneurs like Christopher Columbus Smith, John L. Hacker, and Gar Wood had established some of the nation’s top boat brands and brought the prospect of boat ownership within reach for American consumers from all ranges of income. More than just revolutionizing recreational boating, Michigan boat builders also left their mark on history—from developing the speedy runabouts favored by illicit rum-runners during the Prohibition era to creating the landing craft that carried Allied forces to shores in Europe and the Pacific in WWII. In Making Waves, Scott M. Peters explores this intriguing story of people, processes, and products—of an industry that evolved in Michigan but would change boating across the world.