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This text explores the changing ideologies of Australian manliness, particularly middle-class masculinity, over a crucial 50-year period of the country's history. The author shows how redefinitions of middle-class manliness reflect the power relations in Australian society.
Australian history has been revised and reinterpreted by successive generations of historians, writers, governments and public commentators, yet there has been no account of the ways it has changed, who makes history, and how. Making Australian History responds to this critical gap in Australian historical research.A few years ago Anna Clark saw a series of paintings on a sandstone cliff face in the Northern Territory. There were characteristic crosshatched images of fat barramundi and turtles, as well as sprayed handprints and several human figures with spears. Next to them was a long gun, painted with white ochre, an unmistakable image of the colonisers. Was this an Indigenous rendering of contact? A work of history?Each piece of history has a message and context that depends on who wrote it and when. Australian history has swirled and contorted over the years: the history wars have embroiled historians, politicians and public commentators alike, while debates over historical fiction have been as divisive. History isn't just about understanding what happened and why. It also reflects the persuasions, politics and prejudices of its authors. Each iteration of Australia's national story reveals not only the past in question, but also the guiding concerns and perceptions of each generation of history makers.Making Australian History is bold and inclusive: it catalogues and contextualises changing readings of the past, it examines the increasingly problematic role of historians as national storytellers, and it incorporates the stories of people.
This detailed ethnographic study explores the intercultural crafting of contemporary forms of Aboriginal manhood in the world of country, rock and reggae music making in Central Australia. Focusing on four different musical contexts – an Aboriginal recording studio, remote Aboriginal settlements, small non-indigenous towns, and tours beyond the musicians’ homeland – the author challenges existing scholarly, political and popular understandings of Australian Aboriginal music, men, and related indigenous matters in terms of radical social, cultural and racial difference. Based on extensive anthropological field research among Aboriginal rock, country and reggae musicians in small towns and remote desert settlements in Central Australia, the book investigates how Aboriginal musicians experience and articulate various aspects of their male and indigenous sense of selves as they make music and engage with indigenous and non-indigenous people, practices, places, and sets of values.Making Aboriginal Men and Music is a highly original, intimate study which advances our understanding of contemporary indigenous and male identity formation within Aboriginal Australian society. Providing new analytical insights for scholars and students in fields such as social and cultural anthropology, cultural studies, popular music, and gender studies, this engaging text makes a significant contribution to the study of indigenous identity formation in remote Australia and beyond.
'The best Australian novel I have read in more than a decade' Sydney Morning Herald 'Astonishing, captivating ... a wild, beautiful, heart-exploding ride' Elizabeth Gilbert The bestselling novel that has taken Australia, and the world, by storm. Winner of Book of the Year at the 2019 Indie Book Awards, winner of a record four Australian Book Industry Awards in 2019, including the prestigious Book of the Year Award, and winner of the 2019 UTS Glenda Adams Award for New Writing, NSW Premier's Literary Awards Brisbane, 1985: A lost father, a mute brother, a junkie mum, a heroin dealer for a stepfather and a notorious crim for a babysitter. It's not as if Eli Bell's life isn't complicated enough already. He's just trying to follow his heart and understand what it means to be a good man, but fate keeps throwing obstacles in his way - not the least of which is Tytus Broz, legendary Brisbane drug dealer. But now Eli's life is going to get a whole lot more serious: he's about to meet the father he doesn't remember, break into Boggo Road Gaol on Christmas Day to rescue his mum, come face to face with the criminals who tore his world apart, and fall in love with the girl of his dreams. A story of brotherhood, true love and the most unlikely of friendships, Boy Swallows Universe will be the most heartbreaking, joyous and exhilarating novel you will read all year. Awards: 2019 ABIA Book of the Year Award, Winner 2019 Indie Book Award, Winner 2019 UTS Glenda Adams Award for New Writing, NSW Premier's Literary Awards, Winner 2019 People's Choice Award, NSW Premier's Literary Awards, Winner MUD Literary Prize 2019, Winner 2019 ABIA Matt Richell Award for New Writer of the Year, Winner 2019 ABIA Literary Fiction Book of the Year, Winner 2019 ABIA Audiobook of the Year, Winner 2019 Miles Franklin Literary Award, Longlisted 2019 Colin Roderick Award, shortlist Reviews: 'Boy Swallows Universe is a wonderful surprise: sharp as a drawer full of knives in terms of subject matter; unrepentantly joyous in its child's-eye view of the world; the best literary debut in a month of Sundays.' The Australian 'Boy Swallows Universe hypnotizes you with wonder, and then hammers you with heartbreak.' Washington Post 'This thrilling novel' New York Times Book Review 'Marvelously plot-rich ... filled with beautifully lyric prose ...At one point Eli wonders if he is good. The answer is "yes," every bit as good as this exceptional novel.' Booklist 'Dalton's splashy, stellar debut makes the typical coming-of-age novel look bland by comparison ... This is an outstanding debut.' Publisher's Weekly (starred review) 'Extraordinary and beautiful storytelling' Guardian
The Australian Performing Group, or APG, helped to bring about a profound change in Australian theatre and nurtured the talents of a generation of writers and performers who have become household names including Max Gillies, David Williamson, Graeme Blundell, Jack Hibberd, Sue Ingleton and Grieg Pickhaver (aka H G Nelson). Yet to date the only published full-length accounts of the group have been written by former members. "Make it Australian!" gives an outsider's view of this influential group and the social, political and cultural context in which it operated. Through its observation of the personalities, conflicts and ideologies embedded in the APG, it challenges myths, reveals paradoxes and investigates divergences between the professed aims of its members and what the group did. This is the first critical history of APG and the book traces the group's development from its beginnings at La Mama Theatre in 1968 through its flowering at the Pram Factory and to its demise in 1981. It draws on interviews with key members, reviews of productions and an analysis of significant plays.
Domestic abuse is a national emergency: one in four Australian women has experienced violence from a man she was intimate with. But too often we ask the wrong question: why didn’t she leave? We should be asking: why did he do it? Investigative journalist Jess Hill puts perpetrators – and the systems that enable them – in the spotlight. See What You Made Me Do is a deep dive into the abuse so many women and children experience – abuse that is often reinforced by the justice system they trust to protect them. Critically, it shows that we can drastically reduce domestic violence – not in generations to come, but today. Combining forensic research with riveting storytelling, See What You Made Me Do radically rethinks how to confront the national crisis of fear and abuse in our homes. ‘A shattering book: clear-headed and meticulous, driving always at the truth’—Helen Garner ‘One Australian a week is dying as a result of domestic abuse. If that was terrorism, we’d have armed guards on every corner.’ —Jimmy Barnes ‘Confronting in its honesty this book challenges you to keep reading no matter how uncomfortable it is to face the profound rawness of people’s stories. Such a well written book and so well researched. See What You Made Me Do sheds new light on this complex issue that affects so many of us.’—Rosie Batty
'Compelling. What does it mean to be a man? Finally, we're talking about it. This book is the conversation we need to have-with each other, our sons and fathers.' Peter FitzSimons, bestselling author of Kokoda 'A terrific read-gutsy, plain-speaking and personal, addressing almost every aspect of Australian men's lives today . . . This book will greatly help the growing avalanche of masculine change.' Steve Biddulph, psychologist and bestselling author of Manhood The performance of being a man, from the moment we open our eyes, until we gasp our last breath, is damaging us, and those around us. Phil Barker has written thousands of words about being a man in these strange and terrible times. As a journalist, he has spent years investigating the modern epidemics of suicide, domestic violence, pornography and misogyny, but also the essential bonds of male friendship, fatherhood and men's relationships with women. During this time, Phil found himself seeing what it is to 'be a man' in a completely new light. Men are forced into a performance of masculinity that is suffocating, limiting and damaging. The Revolution of Man shows us how to rethink what it means to be a man and urges men to reconnect with their emotions so they, and the people they love, can start leading happier, healthier and more meaningful lives. 'Phil Barker skewers toxic masculinity and provides a manifesto for modern manhood. This well-researched, engaging and thought-provoking book explains why positive masculinity is good for men, women and children. We need more male allies like Phil to create a safer future for the post #MeToo generation.' Tracey Spicer, journalist and bestselling author of The Good Girl Stripped Bare
Looks at the ideals of masculine Hinduism—and the corresponding feminine ideals—that have built the Indian nation, and explores their consequences.
This text looks at how an understanding of rugby can provide insight into what it has meant to "be a man" in societies influenced by the ideals of Victorian upper and middle classes. It shows that rugby has been a means of promoting male exclusivity, but also been a means of cultural incorporation.
"This is not a book of documents, snippets or worthy speeches. Instead it presents the original essays and the moments of insight that told us what Australia is and could be. These are the essential statements – from historians, reporters, novelists, mavericks and visionaries – that take us from Federation to the present-day, and tell a story of national self-discovery. There is the Frenchman who saw that Australia was a ‘workingman’s paradise’, and the historian who explained why. The two reporters who realised the true significance of Gallipoli and conveyed it to the nation. Russel Ward on the Australian Legend, Robin Boyd on the Australian Ugliness, Donald Horne on the Lucky Country, W.E.H. Stanner on the Great Australian Silence and Anne Summers on Manzone Country. Real Matildas, Cultural Cringers, Future Eaters and For- gotten People – and much more. Memorably written and cohesive, this is the essential sourcebook of the words that made Australia."