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In this innovative book, theorists and researchers from various social science disciplines explore the potential of realist social theory for empirical research. The examples are drawn from a wide range of fields health and medicine, crime, housing, sociolinguistics, development theory and deal with issues such as causality, probability, and reflexivity in social science. Varied and lively contributions relate central methodological issues to detailed accounts of research projects which adopt a realist framework. Making Realism Work provides an accessible discussion of a significant current in contemporary social science and will be of interest to social theorists and social researchers alike.
In this innovative book, theorists and researchers from various social science disciplines explore the potential of realist social theory for empirical research. The examples are drawn from a wide range of fields health and medicine, crime, housing, sociolinguistics, development theory and deal with issues such as causality, probability, and reflexivity in social science. Varied and lively contributions relate central methodological issues to detailed accounts of research projects which adopt a realist framework. Making Realism Work provides an accessible discussion of a significant current in contemporary social science and will be of interest to social theorists and social researchers alike.
Subject: The case for realism -- The new painting in America -- Vernacular modernism -- New brutalism and the 'as found' -- New realism and pop art -- Composite painting -- Assemblages and world making -- Art and life: happenings -- Hybrid practices and political art
Rusty Duncan and Samantha Macgregor continue their adventures in a small town called Sunnyville.
What makes a story a story? What is style? What’s the connection between realism and real life? These are some of the questions James Wood answers in How Fiction Works, the first book-length essay by the preeminent critic of his generation. Ranging widely—from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings—Wood takes the reader through the basic elements of the art, step by step. The result is nothing less than a philosophy of the novel—plainspoken, funny, blunt—in the traditions of E. M. Forster’s Aspects of the Novel and Strunk and White’s The Elements of Style. It sums up two decades of insight with wit and concision. It will change the way you read.
John Henry Schlegel recovers a largely ignored aspect of American Legal Realism, a movement in legal thought in the 1920s and 1930s that sought to bring the modern notion of empirical science into the study and teaching of law. In this book, he explores individual Realist scholars' efforts to challenge the received notion that the study of law was primarily a matter of learning rules and how to manipulate them. He argues that empirical research was integral to Legal Realism, and he explores why this kind of research did not, finally, become a part of American law school curricula. Schlegel reviews the work of several prominent Realists but concentrates on the writings of Walter Wheeler Cook, Underhill Moore, and Charles E. Clark. He reveals how their interest in empirical research was a product of their personal and professional circumstances and demonstrates the influence of John Dewey's ideas on the expression of that interest. According to Schlegel, competing understandings of the role of empirical inquiry contributed to the slow decline of this kind of research by professors of law. Originally published in 1995. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Realism and Social Science offers an authoritative guide to critical realism and an assessment of its virtues in comparison with other leading traditions in social science. It is illustrated throughout with relevant and accessible examples.
Making Sense of Ultra-Realism offers a unique insight into one of the most significant theoretical advances in 21st century criminology, drawing upon popular films and television series to contextualise and clarify the ultra-realist school of thought and providing a theoretically rich yet accessible introduction to the topic.
You are not happy. You may enjoy periods of relative happiness and you may be happier than other people that you know, but you are not as happy as you'd like to be or as happy as you can be. How do I know? First of all, if you were completely satisfied with your life you wouldn't be holding this book in your hands right now. Second, it is very rare to find people that are in touch with certain realities regarding their existence that lead to lasting happiness. Spiritual Realism works in two ways. First, it will challenge the way you think about yourself and your personal reality construct, or in simpler terms, what you think is real. Your illusions need to be shattered in order to achieve the bliss that you desire, yet has been eluding you for so long. Second, this book will teach you a series of techniques that will make you happier and more content with your life if you practice them sincerely over an extended period of time. Spiritual Realism works. It cannot fail to work. Good luck! IMPORTANT NOTE: If you have strong religious beliefs you will likely find views in this book disturbing.
The classic book that has taught generations how to read Western literature More than half a century after its translation into English, Erich Auerbach’s Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depict reality has taught generations how to read Western literature. A German Jew who was forced out of his professorship at the University of Marburg in 1935, Auerbach left for Turkey, where he taught in Istanbul. There he wrote Mimesis, publishing it in German after the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how, from antiquity to modernity, literature progresses toward ever more naturalistic and democratic forms of representation. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach uses his remarkable skills in philology and comparative literature to present an optimistic view of Western history and culture and to refute any narrow form of nationalism or chauvinism. This expanded Princeton Classics edition of Mimesis includes a substantial introduction by Edward Said as well as an essay in which Auerbach responds to his critics.