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In the process by which a new play migrates from the desk of the person who wrote it to the stage where it comes to life in front of an audience, the relationship between playwright and director is crucial. And yet, through a combination of circumstance and theatre etiquette, there is little public knowledge of what actually goes on in the rehearsal room except when something goes badly wrong and the code of privacy is broken.
At the heart of Making Play Just Right: Unleashing the Power of Play in Occupational Therapy is the belief that the most effective way to ensure pediatric occupational therapy is through incorporating play. The Second Edition is a unique resource on pediatric activity and therapy analysis for occupational therapists and students. This text provides the background, history, evidence, and general knowledge needed to use a playful approach to pediatric occupational therapy, as well as the specific examples and recommendations needed to help therapists adopt these strategies.
A history of our time.
Since 1995 The 24 Hour Plays have been responding to theatre in the moment. As the 2020 Coronavirus pandemic brought an end to live theatre in the USA and Europe, the company sprang to work to keep the arts alive. Bringing together some of America's most prolific writers for the stage and screen, this unique and contemporary book of monologues collates the responses in dramatic fashion, making for an anthology of work that is timely, moving, irreverent and at its best, transcendent. Featuring original monologues by writers such as David Lindsay-Abaire, Clare Barron, Hansol Jung, Stephen Adly Guirgis, Christoper Oscar Peña, Jesse Eisenberg and Monique Moses this is a rich collection that can be enjoyed by actors, writers and those looking for creative responses to the global COVID-19 crisis. With over 50 monologues from the first three weeks of the project, edited by Howard Sherman, this is an important collection that documents an unprecedented moment in history whilst also offering practical resource for actors and performers.
Many people would be surprised to hear that a playful attitude towards God and the world lies at the heart of Christian faith. Traditionally Christians have focused on the serious responsibilities of service, sacrifice, and commitment. But the prophets say that the future kingdom is full of people laughing and playing, which has implications for Christians who are called to live out the future kingdom in the present. Play is not trivial or secondary to work and service--only a playful way of living does justice to the seriousness of life! Play is the essential and ultimate form of relationship with God, which is why Jesus told people to learn from children. Indeed, a playful attitude is an important part of all significant relationships. This book explores grace, faith, love, worship, redemption, and the kingdom from the perspective of a playful attitude. It describes how to create a "play ethic" to match the "work ethic" and discusses play as a virtue, Aquinas's warning against the sin of not playing enough, and Bonhoeffer's claim that in a world of pain it is only the Christian who can truly play.
Part I examines the context for Shakespeare's history plays, including the a treatment of Elizabethan cosmology and its relevance to political order. Part 2 explores the 'Ricardian' plays, under the following headings: Mirrors of our Fickle State; Hawks and Handsaws: Modes and Genres of the Plays; This Blessed Plot: Husbandry and the Garden; Passing Brave to be a King: Richard II; This Royal Throne of Kings: Henry IV, parts 1 and 2; This Sceptred Isle: Henry V; A Trim Reckoning: Language, Poetics and Rhetoric.
The first collection of plays from Olivier-nominated playwright Isley Lynn, whose award-winning work uplifts their deeply human characters through stories that are unexpected, radically intimate, and profoundly theatrical. Lean (2013): "It's not just powerful but it's incandescent. There is a profound intensity... that truly keeps you on the edge of your seat the whole way through. Sensitively written... Exemplary theatre at its best." The London Stage Skin A Cat (2016): "Frequently hilarious, it's also refreshingly honest and open in its discussion of menstruation, masturbation, oral and anal sex, and might well be the smartest, sharpest piece about female sexual identity since Phoebe Waller Bridge's Fleabag... this is bold and genuinely exciting new writing." The Stage albatross (2021): "Every intimate, individual scene is engaging, as the full-bodied characters knock up against their own judgments and histories... Lynn's scenes are full of genuine connections between characters, and the hope that comes with change." Guardian The Swell (2023): "Isley Lynn's characters are nuanced and beautifully drawn, and the play's dialogue is gorgeously natural and flowing. Where the playwright really excels though, is in bold and unexpected choices. The Swell takes its audience on some hugely gripping twists and turns. Lynn's writing is genuinely exciting." Evening Standard Isley won the Charles Wintour Most Promising Playwright Award at the 2023 Evening Standard Theatre Awards for The Swell, which was also nominated for Outstanding Achievement In An Affiliate Theatre at the 2024 Olivier Awards, as well as Best New Play, Best Director, and Best Production at the 2023 Off West End awards. Skin A Cat was awarded Pick Of The Year at Vault Festival 2016 and nominated for four Off West End Awards (Most Promising New Playwright - shortlist, Best New Play, Best Lead Female, Best Director) for its transfer as inaugural production at The Bunker, 2016, before touring nationally throughout 2018. Isley was the 2014 Script6 winner at The Space with Bright Nights, they received Special Commendation from the 2012 Soho Young Writers Award for Lomography, and they were twice named Champion of Literary Death Match (Norfolk and Norwich Festival, The Book Club London).
Contains fifteen exciting, easy-to-read plays designed to aid mathematics instruction.