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Is work a primordial curse, a punishment for our fallen state? Or a spiritual calling? Or is it a tedious necessity that technology will abolish, freeing us to indulge lives of leisure and plenty? In this book David Spencer argues that work is only an alienating burden because of the nature of work under capitalism. Expertly analysing past and modern debates on work, he makes the case not for the abolition of work – which can remain a source of meaning and dignity - but for its lightening. Taking inspiration from thinkers ranging from Marx and William Morris to Keynes and Graeber, he stresses the potential for the transformation of work beyond capitalism. He rejects the idea that high-quality work can only be open to a few while the majority are condemned to menial tasks and sets out an agenda for shortening the working week while also making work a site of creativity, usefulness and joy for all. This erudite book combines razor-sharp analysis with a compelling agenda for radical change. It’s essential reading for anyone interested in the future of their work.
Is work a primordial curse? Or a spiritual calling? Or is it a tedious necessity that technology will abolish, freeing us to indulge lives of leisure? In this book David A. Spencer argues that work is only an alienating burden because of the nature of work under capitalism. He makes the case not for the abolition of work – which can remain a source of meaning and dignity - but for its lightening. Engaging with thinkers ranging from Marx and William Morris to Keynes and Graeber, he rejects the idea that high-quality work can only be open to a few while the majority are condemned to menial tasks, and sets out an agenda for shortening the working week while also making work a site of creativity, usefulness and joy for all. This erudite book sets out a compelling agenda for radical change. It’s essential reading for anyone interested in the future of their work.
"Bill Culbert is one of New Zealand's most celebrated artists. Light is the material of his art, 'both object, and the means by which objects are prerceived'. In Bill Culbert : making light work, the first substantial monograph on the artist's work, writer and critic Ian Wedde explores the ideas, materials and conditions that have formed Culbert's art over the past fifty years." -- Book jacket.
Just when you thought you knew what was going on in your community, here comes a story that just may shatter the security of your American Dream. This is a story about abuse, survival, false religion and dubious court systems in a state that may be advanced on some levels, but sometimes proves to be a miserable failure in terms of equity and fairness and conventional thinking. – Tim King, Editor/Salem-News.com, War Correspondent, Author, “BETRAYAL: Toxic Exposure of U.S. Marines, Murder and Cover-Up” BONSHEÁ pierces through the darkness that hides the legal system’s routine abuse of mothers and children. It is a work of immense courage, a true tale of heartbreak and salvation. Not a single particle of the wisdom Coral shares misses the mark. - Maureen T. Hannah, Ph.D., Chair, Battered Mother’s Custody Conference, Albany, New York BONSHEÁ illustrates the degree to which the legal system can also be used as a vehicle to further perpetuate abuse even after the victim has chosen to take a stand against the abuse. – John Haroldson, District Attorney, Benton County District Attorney’s Office, Corvallis, Oregon Coral Theill’s BONSHEÁ is intense in its effort to “open the doors” behind which many domestic violence perpetrators have stood for so long in the name of “privacy.” At every level, family and friends, key people in her community, the health care system, the legal and judicial system, and the culture which socializes us all, she met with adversity and re-victimization. In the telling of her recovery, which is truly remarkable given her circumstances, the reader gets a vivid sense of the indominability of her spirit and light. I recommend this book for health care providers, those in the criminal justice system, and volunteers or helpers of any kind to get insights and clarity about the complex dynamics of domestic violence and its toxic effects to individuals and society---and what needs to be done to eradicate this pandemic problem.” – Barbara A. May, PhD, RN, Professor Emerita of Nursing, Linfield College, Portland, Oregon
'Making Light Work' is a practical resource for anyone wanting to learn the basics of evolving their own higher consciousness and assisting others if they feel called to do so. This book covers the Lightworker's philosophy, 12 Principles of the Lightworker Practitioner, Spiritual Resources, Structuring a session plus an Overview of the Lightworker Practitioner Training . A Lightworker Practitioner Toolkit is also included with 15 meditations and many more tools. This is the 1st of a series of 7 training manuals written for the Lightworker Practitioner Training . Author and creator of this training Michelle Lightworker lives and breathes Lightworking and her life's purpose is dedicated to projects assisting the evolution of consciousness towards love and light.
Jessica Grant flies under the radar of realism to find targets worth writing about. These stories are profound, magical and true to life. Nothing seems impossible. It's good to be reminded of that.
Making Light Work: Advances in Near Infrared Spectroscopy Edited by Ian Murray and Ian A. Cowe This book presents a cross-section of the most recent developments in near infrared spectroscopy. Applications, spectroscopic theory, chemometrics and instrumentation are all covered. The variety of contributors is a striking reflection of the broad range of applications of this technique. Workers in agriculture, food science, medicine, life sciences, pharmaceuticals, textiles, general chemicals and polymers have all contributed the latest developments from their fields.This book is essential reading for workers in NIR spectroscopy and will greatly benefit those considering implementing NIR in their work.
An innovative and elegant new biography of John Milton from an acclaimed Oxford professor John Milton was once essential reading for visionaries and revolutionaries, from William Blake to Ben Franklin. Now, however, he has become a literary institution—intimidating rather than inspiring. In Making Darkness Light, Oxford professor Joe Moshenska rediscovers a poet whose rich contradictions confound his monumental image. Immersing ourselves in the rhythms and textures of Milton’s world, we move from the music of his childhood home to his encounter with Galileo in Florence into his idiosyncratic belief system and his strange, electrifying imagination. Making Darkness Light will change the way we think about Milton, the place of his writings in his life, and his life in history. It is also a book about Milton’s place in our times: about our relationship with the Western canon, about why and how we read, and about what happens when we let someone else’s ideas inflect our own.