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A New York Times Best Seller "Essential reading for all adults who work with black and brown young people...Filled with exceptional intellectual sophistication and necessary wisdom for the future of education."—Imani Perry, National Book Award Winner author of South To America An award-winning educator offers a much-needed antidote to traditional top-down pedagogy and promises to radically reframe the landscape of urban education for the better Drawing on his own experience of feeling undervalued and invisible in classrooms as a young man of color, Dr. Christopher Emdin has merged his experiences with more than a decade of teaching and researching in urban America. He takes to task the perception of urban youth of color as unteachable, and he challenges educators to embrace and respect each student’s culture and to reimagine the classroom as a site where roles are reversed and students become the experts in their own learning. Putting forth his theory of Reality Pedagogy, Emdin provides practical tools to unleash the brilliance and eagerness of youth and educators alike—both of whom have been typecast and stymied by outdated modes of thinking about urban education. With this fresh and engaging new pedagogical vision, Emdin demonstrates the importance of creating a family structure and building communities within the classroom, using culturally relevant strategies like hip-hop music and call-and-response, and connecting the experiences of urban youth to indigenous populations globally. Merging real stories with theory, research, and practice, Emdin demonstrates how by implementing the “Seven Cs” of reality pedagogy in their own classrooms, urban youth of color benefit from truly transformative education.
How does gentrification affect residents who stay in the neighborhood?
Make The Hood Healthy Again is a holistic guide to a healthier spirit, mind, and body.
HOOD STORIES Is a book about a teenager named Koran Davis who leaves South Central Los Angeles to escape drug dealing and violence, When he comes to Hot Springs, Arkansas, he encounters the same drug dealing and violence. He meets three people in High School. One is "3D", A natural born hustler who supply the crew with everything they need. Second is "Crazy Joe", An unpredictable psychopath who will do anything at anytime. Then there's "Stacy", The girl Koran falls in love with. When his family in Arkansas sees the attention he shows her, they get jealous and suddenly betrays him. When this happens, he has no choice but to turn his back on them. He depends on his family he left from California with, his Mom, Dad, and his Sister. A war is started between East and West Grand when Crazy Joe shoots and kills the brother of a gang leader. It's up to Koran to try to guide him and his friends out of the cycles of violence they're in. When his friends don't listen, It's up to him to listen to his conscious to survive. Black Male chose the title "HOOD STORIES" because every time somebody comes from out of town, they have stories to share about there neighborhood. They'll share stories about ours to them, plus I want to tell people my opinion on why teenagers become criminals. THE BEST URBAN BOOK OF 2010. E-mail [email protected] and tell him your opinion about the free preview.
This explosive new book challenges many of the long-prevailing assumptions about blacks, about Jews, about Germans, about slavery, and about education. Plainly written, powerfully reasoned, and backed with a startling array of documented facts, Black Rednecks and White Liberals takes on not only the trendy intellectuals of our times but also suc...
Blakely My life is a stage. Followed by millions, and loved by none. And me, the captain of control, steering my image through choppy waters. Making sure I stay on top. No one ever sees me. No one ever looks. Until him. But he's everything impossible, and a thousand shades of wrong. Falling for him would ruin everything I've worked for. So why can't I stay away?JacksonMy life is a back-up plan. Surrounded by friends, and loved by none. And me, the king of heartbreak, gluing my pieces back together. Making sure they stick. No one ever sees me. No one ever looks. Until her. But she's everything off-limits, and a thousand shades of sin. Falling for her would ruin everything I've worked for. So why won't she stay away?
From ex-drug dealer to success phenomenon, Johnny Wimbrey's story of overcoming life's adversities will inspire anyone to press on and never give up.Your past does not necessarily determine your future! Where you've been has nothing to do with where you're going. International motivational speaker Johnny Wimbrey shares the principles and keys for success over any and all obstacles. We ALL deserve a second chance!
A NEW YORK TIMES BESTSELLER “The fights against hunger, homelessness, poverty, health disparities, poor schools, homophobia, transphobia, and domestic violence are feminist fights. Kendall offers a feminism rooted in the livelihood of everyday women.” —Ibram X. Kendi, #1 New York Times-bestselling author of How to Be an Antiracist, in The Atlantic “One of the most important books of the current moment.”—Time “A rousing call to action... It should be required reading for everyone.”—Gabrielle Union, author of We’re Going to Need More Wine A potent and electrifying critique of today’s feminist movement announcing a fresh new voice in black feminism Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others? In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement, arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on reproductive rights, politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.
An intimate look at war through the lives of soldiers and their families at Fort Hood Making War at Fort Hood offers an illuminating look at war through the daily lives of the people whose job it is to produce it. Kenneth MacLeish conducted a year of intensive fieldwork among soldiers and their families at and around the US Army's Fort Hood in central Texas. He shows how war's reach extends far beyond the battlefield into military communities where violence is as routine, boring, and normal as it is shocking and traumatic. Fort Hood is one of the largest military installations in the world, and many of the 55,000 personnel based there have served multiple tours in Iraq and Afghanistan. MacLeish provides intimate portraits of Fort Hood's soldiers and those closest to them, drawing on numerous in-depth interviews and diverse ethnographic material. He explores the exceptional position that soldiers occupy in relation to violence--not only trained to fight and kill, but placed deliberately in harm's way and offered up to die. The death and destruction of war happen to soldiers on purpose. MacLeish interweaves gripping narrative with critical theory and anthropological analysis to vividly describe this unique condition of vulnerability. Along the way, he sheds new light on the dynamics of military family life, stereotypes of veterans, what it means for civilians to say "thank you" to soldiers, and other questions about the sometimes ordinary, sometimes agonizing labor of making war. Making War at Fort Hood is the first ethnography to examine the everyday lives of the soldiers, families, and communities who personally bear the burden of America's most recent wars.