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Winner, 2021 National Cowboy and Western Heritage Museum Western Heritage Award, Art/Photography Book (The Wrangler) Sometime in 1947, a letter arrived in the mailbox of Harold Dow Bugbee, already a well-known and highly sought illustrator for western pulp magazines and other publications. “Sir,” it began, “I have seen several of your pictures in the Cattleman. Sure like them and I am writing you to ask if you have all of your pictures in a book—if you do—we want to buy one.” “After seventy years of waiting,” writes Michael R. Grauer in this colorful survey of Bugbee’s life and career, “here is such a book.” Bugbee and his family arrived in Clarendon, Texas, in 1914, from Massachusetts. He helped his father with the 1,000-acre family ranch and eventually attended the Agricultural and Mechanical College of Texas, where he studied architectural drawing. Subsequently, he enrolled at the Cumming School of Art in Des Moines, Iowa, but left after two years when the founder of the school told the young Texan that he had learned all the school had to offer. Bugbee avidly absorbed cowboy scenes and the lifestyle that birthed them. He filled canvases with colorful, authentic images that capture the spirit of the American West of the early to mid-1900s, especially in and near his beloved Texas Panhandle. By the 1930s, Bugbee was providing pen-and-ink sketches for magazines such as Ranch Romances, Western Stories, Country Gentleman, and Field and Stream. This richly illustrated overview of the man and his art provides a valuable and entertaining resource for collectors and students of western and Texas art.
Making A Hand is a short story about the adventures a cowgirl named Bella has while working on a ranch in the high desert. Working with wild cattle and good horses, in adverse weather and rugged terrain make cowboying an exhilarating and dangerous job. Bella’s story shows just a few of the challenges of cowboying in the high lonesome.
Winner, 2021 National Cowboy and Western Heritage Museum Western Heritage Award, Art/Photography Book (The Wrangler) Sometime in 1947, a letter arrived in the mailbox of Harold Dow Bugbee, already a well-known and highly sought illustrator for western pulp magazines and other publications. “Sir,” it began, “I have seen several of your pictures in the Cattleman. Sure like them and I am writing you to ask if you have all of your pictures in a book—if you do—we want to buy one.” “After seventy years of waiting,” writes Michael R. Grauer in this colorful survey of Bugbee’s life and career, “here is such a book.” Bugbee and his family arrived in Clarendon, Texas, in 1914, from Massachusetts. He helped his father with the 1,000-acre family ranch and eventually attended the Agricultural and Mechanical College of Texas, where he studied architectural drawing. Subsequently, he enrolled at the Cumming School of Art in Des Moines, Iowa, but left after two years when the founder of the school told the young Texan that he had learned all the school had to offer. Bugbee avidly absorbed cowboy scenes and the lifestyle that birthed them. He filled canvases with colorful, authentic images that capture the spirit of the American West of the early to mid-1900s, especially in and near his beloved Texas Panhandle. By the 1930s, Bugbee was providing pen-and-ink sketches for magazines such as Ranch Romances, Western Stories, Country Gentleman, and Field and Stream. This richly illustrated overview of the man and his art provides a valuable and entertaining resource for collectors and students of western and Texas art.
This must-have book for newcomers to the popular art of bookmaking teaches all the basics and features easy and interesting projects that allow self-expression and experimentation. More experienced bookmakers and paper enthusiasts will also note that it offers a wealth of practical tips and techniques in one handy resource. All the basic bookmaking techniques include lots of specialized tips. Simple book structures, miniature books, and a wide variety of projects that highlight themes such as travel, music, even wearable books -- a book necklace and earrings -- provide creative variations on traditional ideas. The authors share innovative, unique, and previously unpublished binding structures that incorporate scrolls, flaps, folders, and more. In addition, some book projects are made from unusual materials or found objects, such as a book out of a ukulele, a real accordion book, a book diorama in a cigar box, and other experimental creations.
A child who was born with one hand tells the story of how people at the hospital made a helper hand for her, how the new hand operates, how it feels, and how she can use it.
Presents art, craft, and needlework activities to develop children's learning skills through creative self-expression
In 'ABC Butter Making: A Hand-Book for the Beginner' by Frederick S. Burch, readers are introduced to the art of butter making in a simple and accessible manner. The book discusses the process of creating butter from scratch, detailing the necessary ingredients, equipment, and techniques required. Burch's writing style is clear and instructional, making it an ideal guide for those new to the craft of butter making. The book is a valuable resource for anyone looking to delve into the world of homemade dairy products. Set within the context of the 19th-century agricultural landscape, 'ABC Butter Making' sheds light on the importance of self-sufficiency and artisanal practices in a rapidly industrializing world. Burch's attention to detail and passion for the subject shines through in every page, making this book a must-read for budding butter enthusiasts. Frederick S. Burch, a dairy farmer and advocate for sustainable agriculture, draws on his years of experience to provide readers with practical and insightful guidance on butter making. His expertise and dedication to preserving traditional farming methods make him a trusted voice in the agricultural community. This book is highly recommended for anyone interested in learning the art of butter making from a seasoned expert.
This sewing guide reveals a breakthrough method to simplify learning stitches of all kinds, with more than 100 stitches from the simple to the fanciful. As makers, we tend to learn different stitches over time without thinking much about how they relate to one another. But when Natalie Chanin and her teams at Alabama Chanin and The School of Making began to look at needlework closely, they realized all stitches are based on geometric grid systems. They also discovered that learning new stitches—even elaborate ones—became simple and easy when using grids as guides. In The Geometry of Hand-Sewing Chanin presents their breakthrough method, featuring illustrated instructions (for both right- and left-handed stitchers) for more than 100 stitches—from the basic straight and chain to complex feather and herringbone. Photos of both right and wrong sides are included, as well as guidelines for modifying stitches to increase one’s repertoire further. The book also offers downloads for two stitching cards with the grids on which every stitch in the book is based. These printable cards can be used as stencils for transferring grids to fabric.
A Publishers Weekly Best Book of 2019 Why do we make things by hand? And why do we make them beautiful? Led by the question of why working with our hands remains vital and valuable in the modern world, author and maker Melanie Falick went on a transformative, inspiring journey. Traveling across continents, she met quilters and potters, weavers and painters, metalsmiths, printmakers, woodworkers, and more, and uncovered truths that have been speaking to us for millennia yet feel urgently relevant today: We make in order to slow down. To connect with others. To express ideas and emotions, feel competent, create something tangible and long-lasting. And to feed the soul. In revealing stories and gorgeous original photographs, Making a Life captures all the joy of making and the power it has to give our lives authenticity and meaning.