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In Religion and the Making of Nigeria, Olufemi Vaughan examines how Christian, Muslim, and indigenous religious structures have provided the essential social and ideological frameworks for the construction of contemporary Nigeria. Using a wealth of archival sources and extensive Africanist scholarship, Vaughan traces Nigeria’s social, religious, and political history from the early nineteenth century to the present. During the nineteenth century, the historic Sokoto Jihad in today’s northern Nigeria and the Christian missionary movement in what is now southwestern Nigeria provided the frameworks for ethno-religious divisions in colonial society. Following Nigeria’s independence from Britain in 1960, Christian-Muslim tensions became manifest in regional and religious conflicts over the expansion of sharia, in fierce competition among political elites for state power, and in the rise of Boko Haram. These tensions are not simply conflicts over religious beliefs, ethnicity, and regionalism; they represent structural imbalances founded on the religious divisions forged under colonial rule.
Photos of early missionaries and other church leaders are included in this volume. The book also includes brief histories of The United Methodist Church and Nigeria."--BOOK JACKET.
Messenger is a study of the life, ministry, and theology of Sydney Granville Elton, a man who believed he had an apostolic message for the church in Nigeria and who stopped at nothing to deliver it. It will inspire you to find your place in prophetic destiny and fulfil it. Elton played the most significant role in shaping Pentecostalism in Nigeria during its first half-century. His impact on the movement was nothing short of revolutionary and his story is crucial to rediscovering the essence that created one of the most vibrant Pentecostal movements in the world. Messenger explores the beginnings of Pentecostalism in Nigeria, bringing alive the stories of its major characters, the passion that catapulted the outpouring into a national phenomenon, and the first major crisis that marked the turning point in its early history. Elton's pivotal role from these early days, and in virtually every significant initiative crucial to its development for fifty years is told in riveting detail. At no other time-when the foundations of Pentecostal Christianity in Nigeria are being vigorously shaken, and when both the church and the nation are in desperate need of a new breed of visionary and courageous leadership-does Elton's bold prophetic vision hold greater significance to our collective spiritual experience. Messenger will impart to you a fresh vision of God's purpose and stir you to be a part of it.
The election of Israel -- The context of 1 Peter -- The purpose of election in 1 Peter 1:1-5 -- The present implications of new birth and catalogical parenesis in 1 Peter 1:22-2:3 -- The present and missiological significance of the identity of the elect in 1 Peter 2:9-12 -- Who are the elect in 1 Peter? -- From exegesis to application in 1 Peter -- Missiological implications for the Anglican Church of Nigeria -- Theology and praxis: 21st century challenges to Nigerian Anglicanism.
The rivers Niger and Benue come together at the heart of Nigeria on a map. Besides being a confluence of two great rivers, it also became the location of landmarks in Nigeria’s history, notably the amalgamation of the northern and southern protectorates. As it was also a confluence of various cultural clusters, the Niger-Benue confluence communities went through three phases of Western encounters: commercial, missionary, and colonial. These have combined to shape the sociopolitical profile of northern Nigeria in various ways. In particular, it is the cradle of Christianity in northern Nigeria. Yet social historians have often assessed all three foreign influences indiscriminately and overlooked the unique and fundamental impact of the missionary encounter in providing the treasured values that midwifed social stability in such a pluralistic and sometimes volatile environment. This study undertakes a separation of the strands and sheds light on the laudable initiatives and legacies of the missionaries to ensure more clear-minded interpretations.
Since the 1990s, attempts at democratic transition have generated hopes for 'civil society' as well as ambivalence about the state. The interdisciplinary studies gathered here explore this dynamic through the complex interactions of state fragility, self-help, and self-organization in Nigeria. Nigeria stands as a particularly interesting case, as its multifaceted associational life extends far beyond civil society organizations (CSOs) and non-governmental organizations (NGOs): as this volume reveals, there is a 'third sector' of Nigerian society encompassing everything from community self-help programs to ethno-religious affiliations to militias. Some of these formations have narrow, pragmatic aims, while others have an explicit socio-cultural or political agenda; most can be understood as compensating for the state's failure to deliver services and maintain regulatory frameworks. By examining the emergence of broader forms of civil society, this volume considers their successes while also assessing their costs and contradictions.
Gospels -- Faith -- Wealth -- Health -- Victory -- American blessing -- Megachurch table -- Naming names.
The biography and music of Thomas King Ekundayo Phillips are synonymous with the history of Nigerian church music. His compositions chronicle the emergence of Nigerian church music from the nineteenth century to the mid-twentieth century. Phillips's works demonstrate the experimental stages of musical synthesis that began in the church, and in particular, elucidate the various levels of musical development and growth in Nigeria. By writing diverse musical genres, Phillips presents an array of compositional choices that are available to indigenous sacred music composers liturgical, hymnological, choral, and instrumental pieces. Ekundayo Phillips's compositions divulge the utilization of traditional source materials in contemporary compositions. In other words, Phillips's Yoruba compositions are paradigms for employing traditional creative principles embedded in the Nigerian culture, and recombining them with modern techniques to create intercultural music. Phillips understood the problem of ethnic conflict in Nigeria; therefore, in some of his songs he calls for unity, peace, love, and national cohesion. Phillips's compositions certainly fall within the category of intercultural musicology. His compositions represent the first attempts by native Nigerian composers in the experimental synthesis of diverse musical idioms in creating a truly hybrid composition. Indeed, credit is given to Phillips's pioneer research on the word-music relationship, the utilization of indigenous pitch collections, as found in the traditional music, contrapuntal devices in choral music, indigenous polyphonic techniques, and text setting; all documented in his well-written book, Yoruba Music: Fusion of Speech and Music a monumental gem and theory of Nigerian music.